Thieving Magpie 12 (Sting) - 13 mixes

  • Key E (ends in E)
  • Metre 4/4
  • Tempo 94 bpm (ends at 160)
  • Tempo Notes Medium : 4/4 into 3/4 - Piu Allegro
  • Album Number 2600/7
  • ISRC GB-FFM-16-60007
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This is from the opera La Gazza Ladra. Before the first performance, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts.
  • Key E (ends in E)
  • Metre 4/4
  • Tempo 94 bpm (ends at 160)
  • Tempo Notes Medium
  • Album Number 2600/96
  • ISRC GB-FFM-16-60096
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This is from the opera La Gazza Ladra. Before the first performance, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts.
  • Key E (ends in E)
  • Metre 4/4
  • Tempo 94 bpm (ends at 160)
  • Tempo Notes Medium
  • Album Number 2600/97
  • ISRC GB-FFM-16-60097
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This is from the opera La Gazza Ladra. Before the first performance, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts.
  • Key E (ends in E)
  • Metre 4/4
  • Tempo 94 bpm (ends at 160)
  • Tempo Notes Medium
  • Album Number 2600/98
  • ISRC GB-FFM-16-60098
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This is from the opera La Gazza Ladra. Before the first performance, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts.
  • Key E (ends in E)
  • Metre 4/4
  • Tempo 94 bpm (ends at 160)
  • Tempo Notes Medium
  • Album Number 2600/99
  • ISRC GB-FFM-16-60099
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This is from the opera La Gazza Ladra. Before the first performance, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts.
  • Key E (ends in E)
  • Metre 4/4
  • Tempo 94 bpm (ends at 160)
  • Tempo Notes Medium
  • Album Number 2600/100
  • ISRC GB-FFM-09-60000
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This is from the opera La Gazza Ladra. Before the first performance, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts.
  • Key E (ends in E)
  • Metre 4/4
  • Tempo 94 bpm (ends at 160)
  • Tempo Notes Medium
  • Album Number 2600/101
  • ISRC GB-FFM-09-60001
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This is from the opera La Gazza Ladra. Before the first performance, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts.
  • Key E (ends in E)
  • Metre 4/4
  • Tempo 94 bpm (ends at 160)
  • Tempo Notes Medium
  • Album Number 2600/102
  • ISRC GB-FFM-09-60002
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This is from the opera La Gazza Ladra. Before the first performance, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts.
  • Key E (ends in E)
  • Metre 4/4
  • Tempo 94 bpm (ends at 160)
  • Tempo Notes Medium
  • Album Number 2600/103
  • ISRC GB-FFM-09-60003
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This is from the opera La Gazza Ladra. Before the first performance, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts.
  • Key E (ends in E)
  • Metre 4/4
  • Tempo 94 bpm (ends at 160)
  • Tempo Notes Medium
  • Album Number 2600/104
  • ISRC GB-FFM-09-60004
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This is from the opera La Gazza Ladra. Before the first performance, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts.
  • Key E (ends in E)
  • Metre 4/4
  • Tempo 94 bpm (ends at 160)
  • Tempo Notes Medium
  • Album Number 2600/105
  • ISRC GB-FFM-09-60005
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This is from the opera La Gazza Ladra. Before the first performance, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts.
  • Key E (ends in E)
  • Metre 4/4
  • Tempo 94 bpm (ends at 160)
  • Tempo Notes Medium
  • Album Number 2600/106
  • ISRC GB-FFM-09-60006
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This is from the opera La Gazza Ladra. Before the first performance, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts.
  • Key E (ends in E)
  • Metre 4/4
  • Tempo 94 bpm (ends at 160)
  • Tempo Notes Medium
  • Album Number 2600/107
  • ISRC GB-FFM-09-60007
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This is from the opera La Gazza Ladra. Before the first performance, the producer assured the composition of the overture by locking Rossini in a room, from the window of which the composer threw out the sheets of music to the copyists who then wrote the orchestral parts.

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