Track Details

Stasis 6 (30) - 6 mixes

  1. Play
    Stasis 1244/13 Paul Mottram (PRS)
    Slowly evolving atmospheric strings over repeated harp harmonics
    2:40
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    • Tempo NotesSlow
    • ISRCGB-FFM-08-24413
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidRecorded with the Royal Philharmonic Orchestra's string section in Abbey Road Studios. February 2008
  2. Play
    Stasis 2 1244/38 Paul Mottram (PRS)
    Slowly evolving atmospheric strings under sparse harp harmonics
    2:40
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-08-24438
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidRecorded with the Royal Philharmonic Orchestra's string section in Abbey Road Studios. February 2008
  3. Play
    Stasis 3 1244/39 Paul Mottram (PRS)
    Slowly evolving atmospheric strings
    2:40
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-08-24439
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidRecorded with the Royal Philharmonic Orchestra's string section in Abbey Road Studios. February 2008
  4. Play
    Stasis 4 1244/40 Paul Mottram (PRS)
    Solo harp harmonics over repeated note
    2:40
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    • Tempo NotesSlow
    • ISRCGB-FFM-08-24440
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidRecorded with the Royal Philharmonic Orchestra's string section in Abbey Road Studios. February 2008
  5. Play
    Stasis 5 (60) 1244/41 Paul Mottram (PRS)
    Slowly evolving atmospheric strings over repeated harp harmonics
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-08-24441
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidRecorded with the Royal Philharmonic Orchestra's string section in Abbey Road Studios. February 2008
  6. Play
    Stasis 6 (30) 1244/42 Paul Mottram (PRS)
    Slowly evolving atmospheric strings over repeated harp harmonics
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-08-24442
    • PublisherAudio Network Limited
    • Release Year2008
    FactoidRecorded with the Royal Philharmonic Orchestra's string section in Abbey Road Studios. February 2008
  1. Play
    Apart 2199/2 16 mixes Paul Mottram (PRS)
    Sad atmospheric piano & strings with tense pulsing harp
    2:34
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  2. Play
    Blows Like The Wind 1012/11 5 mixes Terry Devine-King (PRS)
    Mysterious, calm, atmospheric piano, strings & harp
    2:02
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  3. Play
    Blue Mist 1556/5 3 mixes Debbie Wiseman (PRS)
    Eerie strings with vibraphone melody & wind effects. Cause for concern
    1:47
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  4. Play
    Cinomrah 2983/5 20 mixes Chris Egan (PRS) | Andrew Cooksley (PRS)
    Delicate, mysterious plucked textures with sad strings & tense undertones
    2:29
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  5. Play
    Crossing The Plains 3044/7 11 mixes Bob Bradley (PRS) | Thomas Balmforth (PRS)
    Slow spacious emotional strings with harmonium & subtle textures. Builds
    4:16
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  6. Play
    Crystallization 2819/7 16 mixes Skaila Kanga (PRS) | Chris Egan (PRS)
    Expansive, ambient soundscape with edgy harp & electronic textures
    2:04
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  7. Play
    Cumulus Rising 2156/3 14 mixes Tom Peters (PRS) | Gavin Harrison (PRS) | Chris Warner (PRS)
    Expansive orchestral strings with percussion & a hint of mystery
    3:26
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  8. Play
    Dancing Alone 2 2730/110 12 mixes Ben Parry (PRS) | Benedict Madden (PRS)
    Slow, sad waltz with harp, strings & celeste solo
    2:12
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  9. Play
    Deserted Land 1309/3 5 mixes Paul Mottram (PRS)
    Mysterious, desolate violins with piano interjections - gradually builds
    3:51
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  10. Play
    Destiny's Horizon 1500/11 7 mixes Dan Skinner (PRS) | Adam Skinner (PRS)
    Eerie orchestral with solo bassoon. Building to full orchestra
    2:54
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  11. Play
    Emerging Beauty 2700/3 15 mixes Paul Mottram (PRS)
    Beautiful pulsing strings with building, uplifting piano arpeggios
    2:55
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  12. Play
    Empty Horizon 2453/6 6 mixes Paul Mottram (PRS)
    Sparse desolate slow moving violins with harp harmonics from 0:46
    1:38
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  13. Play
    Evolving Dawn 2199/1 18 mixes Paul Mottram (PRS)
    Minimal, uplifting orchestral. Luscious strings & gently oscillating harp
    4:24
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  14. Play
    Flickering Shadows 1804/2 14 mixes Paul Mottram (PRS)
    Atmospheric harp with echo delay effect & marimba at 0:56
    2:26
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  15. Play
    Flower of Mons 2072/4 4 mixes Patrick Hawes (PRS)
    Stirring, slow, sad string orchestra
    2:45
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  16. Play
    Letters From The Past 4 2428/69 19 mixes Chris Egan (PRS) | Trystan Francis (PRS)
    Atmospheric fx with muted string orchestra. No piano
    2:27
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  17. Play
    Lonely Road 1450/2 9 mixes Paul Mottram (PRS)
    Intimate minimal strings & reflective piano
    2:39
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  18. Play
    Lonely World 2732/7 16 mixes Paul Mottram (PRS)
    Sparse atmospheric piano, harp, strings & synths. Calm & ethereal
    3:07
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  19. Play
    Lonesome Landscape 1894/7 11 mixes Tim Garland (PRS)
    Spacious, melancholy orchestral strings with plaintive harmonica. Stern ending
    3:19
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  20. Play
    Night Watch A 1546/9 6 mixes Paul Mottram (PRS)
    Eerie tense solo strings over pulsing piano - builds. Slow version of Night Watch B
    2:27
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  21. Play
    Night Watch B 1546/10 5 mixes Paul Mottram (PRS)
    Restless violin & cello over pulsing piano. Faster version of Night Watch A
    1:50
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  22. Play
    Passing Time 1253/1 5 mixes Paul Mottram (PRS)
    Insistent harp figures with building, emotive strings
    3:31
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  23. Play
    Patiently 1701/8 7 mixes Paul Mottram (PRS)
    Slow moving strings with ambient rippling harp. Slow build
    3:12
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  24. Play
    Profundis Bleak 1554/7 9 mixes Julian Lloyd Webber (PRS) | Pam Chowhan (PRS)
    Very slow, textural orchestra with harp, percussion effects & cello
    3:13
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  25. Play
    Quasar 1299/12 1 mixes Debbie Wiseman (PRS)
    Ethereal pad into gentle harp
    0:56
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  26. Play
    Red Sand Red Sky 2 2741/67 10 mixes Mark Buys (APRA)
    Atmosphieric, cautious & gently moving orchestra. Builds. No didge
    3:24
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  27. Play
    Satan's Breath 1299/11 4 mixes Debbie Wiseman (PRS)
    Sinister bells & orchestral drone with harp & woodwind flutters
    0:55
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  28. Play
    Silence 2761/4 7 mixes Glen Gabriel Jansson (ASCAP)
    Bleak high string chords over ambient textures. Sad string melody develops
    3:06
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  29. Play
    Something in the Shadows 1407/8 4 mixes Luke Richards (PRS)
    Dark moody orchestral & synth effects
    4:28
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  30. Play
    The Wait 1299/28 1 mixes Debbie Wiseman (PRS)
    Lightly tense strings & harp with oboe & cello melody
    1:26
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  31. Play
    Thoughtful 1338/10 1 mixes Bob Bradley (PRS)
    Emotional & contemplative synthetic atmosphere
    2:13
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  32. Play
    Thunder Step 2046/7 8 mixes Angel Lam (CASH)
    Haunted, barren Japanese landscape featuring a koto, harp & double bass
    3:41
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  33. Play
    Time to Reconsider 2247/6 14 mixes Paul Mottram (PRS)
    Dreamy thoughtful vibraphone with gently insistent pizzicato strings
    2:07
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  34. Play
    Uneasy Peace 2453/3 15 mixes Paul Mottram (PRS)
    Thoughtful calm filmic building strings with storm clouds from 1:14
    3:17
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  35. Play
    Vodka Sazerac 1557/15 6 mixes Debbie Wiseman (PRS)
    Moody, slow orchestral. Foul doings & dirty deeds afoot
    3:00
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