Track Details

Luminaries 2 - 10 mixes

  1. Play
    Luminaries 2825/2 Richard Lacy (PRS) | Sarah MacDonald (PRS)
    Delicately rippling ambient vintage synths build to a dark, bold theme
    3:11
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-82502
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidEarly analogue synthesizers were modular, made from discrete components as opposed to integrated circuits, and could easily take up your entire front room unless you were a very, very wealthy pop star with a very, very large front room
  2. Play
    Luminaries 2 2825/18 Richard Lacy (PRS) | Sarah MacDonald (PRS)
    Delicately rippling ambient synths build to a dark, bold theme. Underscore
    3:11
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-82518
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidEarly analogue synthesizers were modular, made from discrete components as opposed to integrated circuits, and could easily take up your entire front room unless you were a very, very wealthy pop star with a very, very large front room
  3. Play
    Luminaries 3 (60) 2825/19 Richard Lacy (PRS) | Sarah MacDonald (PRS)
    Delicately rippling ambient synths build to a dark, bold theme
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-82519
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidEarly analogue synthesizers were modular, made from discrete components as opposed to integrated circuits, and could easily take up your entire front room unless you were a very, very wealthy pop star with a very, very large front room
  4. Play
    Luminaries 4 (60) 2825/20 Richard Lacy (PRS) | Sarah MacDonald (PRS)
    Delicately rippling ambient synths build to a dark, bold theme. Underscore
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-82520
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidEarly analogue synthesizers were modular, made from discrete components as opposed to integrated circuits, and could easily take up your entire front room unless you were a very, very wealthy pop star with a very, very large front room
  5. Play
    Luminaries 5 (60) 2825/21 Richard Lacy (PRS) | Sarah MacDonald (PRS)
    Delicately rippling ambient synths with haunting pads
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-82521
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidEarly analogue synthesizers were modular, made from discrete components as opposed to integrated circuits, and could easily take up your entire front room unless you were a very, very wealthy pop star with a very, very large front room
  6. Play
    Luminaries 6 (30) 2825/22 Richard Lacy (PRS) | Sarah MacDonald (PRS)
    Bold, dark 80s-inspired synths over rippling pads & drum machine
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-82522
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidEarly analogue synthesizers were modular, made from discrete components as opposed to integrated circuits, and could easily take up your entire front room unless you were a very, very wealthy pop star with a very, very large front room
  7. Play
    Luminaries 7 (30) 2825/23 Richard Lacy (PRS) | Sarah MacDonald (PRS)
    Bold, dark 80s-inspired synths over rippling pads & drums. Underscore
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-82523
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidEarly analogue synthesizers were modular, made from discrete components as opposed to integrated circuits, and could easily take up your entire front room unless you were a very, very wealthy pop star with a very, very large front room
  8. Play
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-82524
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidEarly analogue synthesizers were modular, made from discrete components as opposed to integrated circuits, and could easily take up your entire front room unless you were a very, very wealthy pop star with a very, very large front room
  9. Play
    Luminaries 9 (30) 2825/25 Richard Lacy (PRS) | Sarah MacDonald (PRS)
    Delicately rippling ambient synths build to a dark, bold climax. Promo mix
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-82525
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidEarly analogue synthesizers were modular, made from discrete components as opposed to integrated circuits, and could easily take up your entire front room unless you were a very, very wealthy pop star with a very, very large front room
  10. 0:05
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-82526
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidEarly analogue synthesizers were modular, made from discrete components as opposed to integrated circuits, and could easily take up your entire front room unless you were a very, very wealthy pop star with a very, very large front room
  1. Play
    Detour 2762/8 12 mixes Alexis Smith (PRS) | Joe Henson (PRS) | Pete Davis (PRS)
    Heartbeat drums, retro synths & bass evolve into pulsing electro groove
    3:07
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  2. Play
    Future Drive 2625/6 9 mixes Jason Pedder (PRS) | Ashley Barnes (PRS) | Douglas Brown (PRS) | Daniel Hayden (PRS)
    Dark, mournful vintage 80s synthwave with strong synth lines
    2:31
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  3. Play
    Mysteries 2825/3 15 mixes Richard Lacy (PRS) | Sarah MacDonald (PRS)
    Dark, driving 80s-inspired synth anthem. Starts from stillness & builds
    2:50
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  4. Play
    Rebound 2825/7 13 mixes Richard Lacy (PRS) | Sarah MacDonald (PRS)
    Sorrowful 80s synthwave with shimmering synths & insistent pulsing bass
    3:19
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  5. Play
    Take Me There 3 1642/30 8 mixes Richard Lacy (PRS) | Sulene Fleming (PRS)
    Chilled electro pop. Retro synths only mix
    1:39
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