Electro Mechanical 3 (60) - 13 mixes

  • Key G (ends in G)
  • Metre 4/4
  • Tempo 82 bpm (ends at 82)
  • Tempo Notes Slow
  • Album Number 2472/2
  • ISRC GB-FFM-15-47202
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Before the establishment of the modern synthesiser, electronic composers would record using ‘test-tone generators’; carefully tuning them and then recording the sound to tape, repeating the process for each note. These recorded notes were then edited into the correct order. This piece was created using the same and very time consuming method.
  • Key G (ends in G)
  • Metre 4/4
  • Tempo 82 bpm (ends at 82)
  • Tempo Notes Slow
  • Album Number 2472/18
  • ISRC GB-FFM-15-47218
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Before the establishment of the modern synthesiser, electronic composers would record using ‘test-tone generators’; carefully tuning them and then recording the sound to tape, repeating the process for each note. These recorded notes were then edited into the correct order. This piece was created using the same and very time consuming method.
  • Key G (ends in G)
  • Metre 4/4
  • Tempo 82 bpm (ends at 82)
  • Tempo Notes Slow
  • Album Number 2472/19
  • ISRC GB-FFM-15-47219
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Before the establishment of the modern synthesiser, electronic composers would record using ‘test-tone generators’; carefully tuning them and then recording the sound to tape, repeating the process for each note. These recorded notes were then edited into the correct order. This piece was created using the same and very time consuming method.
  • Key G (ends in G)
  • Metre 4/4
  • Tempo 82 bpm (ends at 82)
  • Tempo Notes Slow
  • Album Number 2472/20
  • ISRC GB-FFM-15-47220
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Before the establishment of the modern synthesiser, electronic composers would record using ‘test-tone generators’; carefully tuning them and then recording the sound to tape, repeating the process for each note. These recorded notes were then edited into the correct order. This piece was created using the same and very time consuming method.
  • Key G (ends in G)
  • Metre 4/4
  • Tempo 82 bpm (ends at 82)
  • Tempo Notes Slow
  • Album Number 2472/21
  • ISRC GB-FFM-15-47221
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Before the establishment of the modern synthesiser, electronic composers would record using ‘test-tone generators’; carefully tuning them and then recording the sound to tape, repeating the process for each note. These recorded notes were then edited into the correct order. This piece was created using the same and very time consuming method.
  • Key G (ends in G)
  • Metre 4/4
  • Tempo 82 bpm (ends at 82)
  • Tempo Notes Slow
  • Album Number 2472/22
  • ISRC GB-FFM-15-47222
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Before the establishment of the modern synthesiser, electronic composers would record using ‘test-tone generators’; carefully tuning them and then recording the sound to tape, repeating the process for each note. These recorded notes were then edited into the correct order. This piece was created using the same and very time consuming method.
  • Key G (ends in G)
  • Metre 4/4
  • Tempo 82 bpm (ends at 82)
  • Tempo Notes Slow
  • Album Number 2472/23
  • ISRC GB-FFM-15-47223
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Before the establishment of the modern synthesiser, electronic composers would record using ‘test-tone generators’; carefully tuning them and then recording the sound to tape, repeating the process for each note. These recorded notes were then edited into the correct order. This piece was created using the same and very time consuming method.
  • Key G (ends in G)
  • Metre 4/4
  • Tempo 82 bpm (ends at 82)
  • Tempo Notes Slow
  • Album Number 2472/24
  • ISRC GB-FFM-15-47224
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Before the establishment of the modern synthesiser, electronic composers would record using ‘test-tone generators’; carefully tuning them and then recording the sound to tape, repeating the process for each note. These recorded notes were then edited into the correct order. This piece was created using the same and very time consuming method.
  • Key G (ends in G)
  • Metre 4/4
  • Tempo 82 bpm (ends at 82)
  • Tempo Notes Slow
  • Album Number 2472/25
  • ISRC GB-FFM-15-47225
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Before the establishment of the modern synthesiser, electronic composers would record using ‘test-tone generators’; carefully tuning them and then recording the sound to tape, repeating the process for each note. These recorded notes were then edited into the correct order. This piece was created using the same and very time consuming method.
  • Key G (ends in G)
  • Metre 4/4
  • Tempo 82 bpm (ends at 82)
  • Tempo Notes Slow
  • Album Number 2472/26
  • ISRC GB-FFM-15-47226
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Before the establishment of the modern synthesiser, electronic composers would record using ‘test-tone generators’; carefully tuning them and then recording the sound to tape, repeating the process for each note. These recorded notes were then edited into the correct order. This piece was created using the same and very time consuming method.
  • Key G (ends in G)
  • Metre 4/4
  • Tempo 82 bpm (ends at 82)
  • Tempo Notes Slow
  • Album Number 2472/27
  • ISRC GB-FFM-15-47227
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Before the establishment of the modern synthesiser, electronic composers would record using ‘test-tone generators’; carefully tuning them and then recording the sound to tape, repeating the process for each note. These recorded notes were then edited into the correct order. This piece was created using the same and very time consuming method.
  • Key G (ends in G)
  • Metre 4/4
  • Tempo 82 bpm (ends at 82)
  • Tempo Notes Slow
  • Album Number 2472/28
  • ISRC GB-FFM-15-47228
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Before the establishment of the modern synthesiser, electronic composers would record using ‘test-tone generators’; carefully tuning them and then recording the sound to tape, repeating the process for each note. These recorded notes were then edited into the correct order. This piece was created using the same and very time consuming method.
  • Key G (ends in G)
  • Metre 4/4
  • Tempo 82 bpm (ends at 82)
  • Tempo Notes Slow
  • Album Number 2472/29
  • ISRC GB-FFM-15-47229
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Before the establishment of the modern synthesiser, electronic composers would record using ‘test-tone generators’; carefully tuning them and then recording the sound to tape, repeating the process for each note. These recorded notes were then edited into the correct order. This piece was created using the same and very time consuming method.

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