Track Details

Crisis Matter 12 (Stem) - 13 mixes

  1. Play
    Crisis Matter 1868/6 Terry Devine-King (PRS)
    Dark metallic percussion groove with ominous string swells
    2:25
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-86806
    • PublisherAudio Network Limited
    • Release Year2013
  2. Play
    Crisis Matter 2 1868/33 Terry Devine-King (PRS)
    Dark metallic percussion groove with deep pulse & dramatic hits
    2:21
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-86833
    • PublisherAudio Network Limited
    • Release Year2013
  3. Play
    Crisis Matter 3 1868/34 Terry Devine-King (PRS)
    Dark bass pulse with percussion & FX
    1:41
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-86834
    • PublisherAudio Network Limited
    • Release Year2013
  4. Play
    Crisis Matter 4 1868/35 Terry Devine-King (PRS)
    Tense metallic percussion groove builds with dramatic hits
    1:24
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-86835
    • PublisherAudio Network Limited
    • Release Year2013
  5. Play
    Crisis Matter 5 (Sting) 1868/36 Terry Devine-King (PRS)
    Dramatic drum hits & strings sting
    0:13
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-86836
    • PublisherAudio Network Limited
    • Release Year2013
  6. 0:12
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-86837
    • PublisherAudio Network Limited
    • Release Year2013
  7. Play
    Crisis Matter 7 (Sting) 1868/38 Terry Devine-King (PRS)
    Metallic percussion & end hit sting
    0:10
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-86838
    • PublisherAudio Network Limited
    • Release Year2013
  8. Play
    Crisis Matter 8 (Sting) 1868/39 Terry Devine-King (PRS)
    Reverse cymbal & dramatic drum hits sting
    0:08
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-86839
    • PublisherAudio Network Limited
    • Release Year2013
  9. 2:14
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-86840
    • PublisherAudio Network Limited
    • Release Year2013
  10. 2:14
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-86841
    • PublisherAudio Network Limited
    • Release Year2013
  11. Play
    2:21
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-86842
    • PublisherAudio Network Limited
    • Release Year2013
  12. 2:23
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-86843
    • PublisherAudio Network Limited
    • Release Year2013
  13. 2:23
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    • Tempo NotesSlow
    • ISRCGB-FFM-13-86844
    • PublisherAudio Network Limited
    • Release Year2013
  1. Play
    Crime Suspect 1956/5 5 mixes Terry Devine-King (PRS)
    Disturbing atmospheric textures leading to desolate strings melody
    4:18
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  2. Play
    Day of Doom 1082/6 6 mixes Terry Devine-King (PRS)
    Threatening, dark building orchestral. Drone at the end
    2:19
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  3. Play
    Exorcism 1217/9 5 mixes Terry Devine-King (PRS)
    Ominous threatening, atmospheric textures
    2:09
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  4. Play
    In The Deep End 1879/3 13 mixes Terry Devine-King (PRS)
    Dark & slightly ominous tension groove with electronica textures
    1:34
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  5. Play
    Lockout 1879/1 10 mixes Terry Devine-King (PRS)
    Pulsating & driving groove with unsettling electronic textures throughout
    2:44
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  6. Play
    Metallics 1971/11 15 mixes Paul Clarvis (PRS)
    Tense solo percussion. Metallic & mid-tempo
    2:04
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  7. Play
    Mind Control 2131/2 6 mixes Christophe Goze (SACEM)
    Building ambient tension with melodic hang drums & war drums percussion
    2:01
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  8. Play
    Motive And Opportunity 1995/5 18 mixes Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Anxious, moody strings over electronic pulse & ominous drums. Tension builds
    3:11
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  9. Play
    Peril 1225/8 3 mixes Terry Devine-King (PRS)
    Drone/pad, with tense, thoughtful percussion
    1:23
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  10. Play
    Tension Factor 1874/2 11 mixes Terry Devine-King (PRS)
    Cold, dark tension build with harpsichord motif
    1:16
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  11. Play
    Thoughts Becoming Actions 1953/4 15 mixes Gerrit Wunder (AKM)
    Instantly captivating tension with staccato strings & penetrating percussion
    3:08
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  12. Play
    Turning Point 1883/4 4 mixes Terry Devine-King (PRS)
    Orchestral urgency with staccato strings & double ending
    2:10
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