Track Details

Calm Before The Scorn 4 (30) - 17 mixes

  1. Play
    Calm Before The Scorn 2508/2 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Slow-moving synth build with layered melodies & prominent bass
    2:48
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50802
    • PublisherAudio Network Limited
    • Release Year2016
  2. Play
    Calm Before The Scorn 2 2508/23 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Slow-moving underscore with layered, synth melodies & grooving bass
    2:47
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50823
    • PublisherAudio Network Limited
    • Release Year2016
  3. Play
    Calm Before The Scorn 3 (60) 2508/24 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Slow-moving synth build-up with growling, layered melodies & grooving bass
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50824
    • PublisherAudio Network Limited
    • Release Year2016
  4. Play
    Calm Before The Scorn 4 (30) 2508/25 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Slow-moving synth build-up with layered melodies & grooving electronics
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50825
    • PublisherAudio Network Limited
    • Release Year2016
  5. Play
    Calm Before The Scorn 5 (30) 2508/26 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Slow-moving synth rock with pulsing bass & grooving electronics
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50826
    • PublisherAudio Network Limited
    • Release Year2016
  6. Play
    Calm Before The Scorn 6 (30) 2508/27 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Slow-moving synth rock with grooving bass & bright synth leads
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50827
    • PublisherAudio Network Limited
    • Release Year2016
  7. Play
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50828
    • PublisherAudio Network Limited
    • Release Year2016
  8. Play
    Calm Before The Scorn 8 (30) 2508/29 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Gradually building, growling synths with percussion stabs
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50829
    • PublisherAudio Network Limited
    • Release Year2016
  9. 0:15
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50830
    • PublisherAudio Network Limited
    • Release Year2016
  10. 0:15
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50831
    • PublisherAudio Network Limited
    • Release Year2016
  11. 0:13
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50832
    • PublisherAudio Network Limited
    • Release Year2016
  12. 0:12
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50833
    • PublisherAudio Network Limited
    • Release Year2016
  13. 0:10
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50834
    • PublisherAudio Network Limited
    • Release Year2016
  14. 0:09
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50835
    • PublisherAudio Network Limited
    • Release Year2016
  15. 0:09
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50836
    • PublisherAudio Network Limited
    • Release Year2016
  16. 0:09
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50837
    • PublisherAudio Network Limited
    • Release Year2016
  17. 0:09
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-50838
    • PublisherAudio Network Limited
    • Release Year2016
  1. Play
    Dark Figures 2508/4 21 mixes Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Tense, ethereal electronics building to pounding rock
    3:31
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  2. Play
    Follow The Asset 2548/3 11 mixes Luke Richards (PRS)
    Atmospheric tension builds with sparse piano, pulsing synths & percussion
    2:23
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  3. Play
    Resolution 1161/10 3 mixes Duncan Pittock (PRS)
    Pulsating electronic pattern. Very gradually resolves
    2:18
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  4. Play
    Tritone Torture 2508/3 15 mixes Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Ambient drones build with dynamic percussion & eerie guitar & synth textures
    2:40
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  5. Play
    Wire Catcher 1225/7 5 mixes Chris Gibbons (PRS)
    Heavily processed guitars with dark effects & low pulse
    2:12
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