Track Details

Busybodies 3 - 15 mixes

  1. Play
    Busybodies 2645/6 Arr. Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Busy, dreamy a cappella rendition of Bach's C maj Prelude with bass & drums
    1:16
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    • Tempo NotesVery Fast
    • ISRCGB-FFM-16-64506
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  2. Play
    Busybodies 2 2645/71 Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Busy, dreamy a cappella rendition of Bach's C maj Prelude. No bass & drums
    1:15
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-64571
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  3. Play
    Busybodies 3 2645/72 Alexander L'Estrange (PRS) | Ben Parry (PRS)
    A cappella rendition of Bach's C maj Prelude. No instruments or backing vox
    1:15
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64572
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  4. Play
    Busybodies 4 2645/73 Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Dreamy rendition of Bach's C maj Prelude. Backing vocals, bass & drums mix
    1:15
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64573
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  5. Play
    Busybodies 5 (60) 2645/74 Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Busy, dreamy a cappella rendition of Bach's C maj Prelude with bass & drums
    1:00
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64574
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  6. Play
    Busybodies 6 (60) 2645/75 Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Busy, dreamy a cappella rendition of Bach's C maj Prelude. No bass & drums
    1:00
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64575
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  7. Play
    Busybodies 7 (60) 2645/76 Alexander L'Estrange (PRS) | Ben Parry (PRS)
    A cappella rendition of Bach's C maj Prelude. No instruments or backing vox
    1:00
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64576
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  8. Play
    Busybodies 8 (60) 2645/77 Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Dreamy rendition of Bach's C maj Prelude. Backing vocals, bass & drums mix
    1:00
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64577
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  9. Play
    Busybodies 9 (30) 2645/78 Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Busy, dreamy a cappella rendition of Bach's C maj Prelude with bass & drums
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64578
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  10. Play
    Busybodies 10 (30) 2645/79 Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Busy, dreamy a cappella rendition of Bach's C maj Prelude. No bass & drums
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64579
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  11. Play
    Busybodies 11 (30) 2645/80 Alexander L'Estrange (PRS) | Ben Parry (PRS)
    A cappella rendition of Bach's C maj Prelude. No instruments or backing vox
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64580
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  12. Play
    Busybodies 12 (30) 2645/81 Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Dreamy rendition of Bach's C maj Prelude. Backing vocals, bass & drums mix
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64581
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  13. Play
    Busybodies 13 (Sting) 2645/82 Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Dreamy a cappella rendition of Bach's C maj Prelude sting
    0:06
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64582
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  14. Play
    Busybodies 14 (Sting) 2645/83 Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Descending female scat melody with bass vocal ending sting
    0:07
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64583
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  15. Play
    0:04
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-64584
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis was Bach’s first piece in the book of 24 Preludes and Fugues (one in every key) to show off the clavier (or keyboard instrument). In Bach's lifetime the piano was still being developed so they would most commonly have been played on a harpsichord.
  1. Play
    Air On The G String 2029/7 12 mixes Arr. Ben Parry (PRS) | Alexander L'Estrange (PRS)
    Refined close harmony version of Bach's 18th century chart topper
    2:16
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  2. Play
    Careful Now 2030/1 13 mixes Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Quirky, catchy a cappella vocal riffs & whistling with a Latin vibe
    3:03
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  3. Play
    Going For Baroque 2645/11 11 mixes Arr. Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Busy & energetic scat vocal version of Bach's Double Violin Concerto
    1:43
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  4. Play
    Minor Meltdown 2645/4 9 mixes Arr. Alexander L'Estrange (PRS) | Ben Parry (PRS)
    Frenetic scat vocal rendition of Bach's famous Prelude in C minor
    1:25
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  5. Play
    Soprano Swan Song 2029/2 10 mixes Arr. Ben Parry (PRS) | Alexander L'Estrange (PRS)
    Dreamy a cappella version of Saint-Saëns' famous melody
    2:53
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