Back Room 3 - 17 mixes

  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/3
  • ISRC GB-FFM-14-06503
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/33
  • ISRC GB-FFM-14-06533
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/34
  • ISRC GB-FFM-14-06534
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/35
  • ISRC GB-FFM-14-06535
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/36
  • ISRC GB-FFM-14-06536
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/37
  • ISRC GB-FFM-14-06537
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/38
  • ISRC GB-FFM-14-06538
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/39
  • ISRC GB-FFM-14-06539
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/40
  • ISRC GB-FFM-14-06540
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/41
  • ISRC GB-FFM-14-06541
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/42
  • ISRC GB-FFM-14-06542
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/43
  • ISRC GB-FFM-14-06543
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/44
  • ISRC GB-FFM-14-06544
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/45
  • ISRC GB-FFM-14-06545
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/46
  • ISRC GB-FFM-14-06546
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/47
  • ISRC GB-FFM-14-06547
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.
  • Key Cm (ends in Cm)
  • Metre 4/4
  • Tempo 121 bpm (ends at 121)
  • Tempo Notes Slow
  • Album Number 2065/48
  • ISRC GB-FFM-14-06548
  • Publisher Audio Network Limited
  • Release Year 2014
Factoid The guitar tone for this track comes from playing the guitar through a tiny Marshall mini amp and then processing the sound through an analogue compressor.

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