Track Details

All Others 7 (60) - 13 mixes

  1. Play
    All Others 2538/7 Michael Levine (ASCAP)
    Gothic & dark piano, strings with spooky synth pads. Horror undertones
    2:08
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-53807
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe only place you can drive on the right hand side of the road in London is in the Savoy Courtyard - a short street that leads to the entrance of the Savoy Hotel.
  2. Play
    All Others 2 2538/78 Michael Levine (ASCAP)
    Gothic & dark piano, strings. No spooky synth pads. Horror undertones
    2:11
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-53878
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe only place you can drive on the right hand side of the road in London is in the Savoy Courtyard - a short street that leads to the entrance of the Savoy Hotel.
  3. Play
    All Others 3 2538/79 Michael Levine (ASCAP)
    Gothic & dark piano. No strings or spooky synth pads. Horror undertones
    2:12
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-53879
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe only place you can drive on the right hand side of the road in London is in the Savoy Courtyard - a short street that leads to the entrance of the Savoy Hotel.
  4. Play
    All Others 4 2538/80 Michael Levine (ASCAP)
    Minimal gothic & dark strings with solos. No piano or synth pads
    1:36
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-53880
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe only place you can drive on the right hand side of the road in London is in the Savoy Courtyard - a short street that leads to the entrance of the Savoy Hotel.
  5. Play
    All Others 5 (60) 2538/81 Michael Levine (ASCAP)
    Gothic & dark piano, strings with spooky synth pads. Horror undertones
    1:00
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-16-53881
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe only place you can drive on the right hand side of the road in London is in the Savoy Courtyard - a short street that leads to the entrance of the Savoy Hotel.
  6. Play
    All Others 6 (60) 2538/82 Michael Levine (ASCAP)
    Gothic & dark piano, strings. No spooky synth pads. Horror undertones
    1:00
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-16-53882
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe only place you can drive on the right hand side of the road in London is in the Savoy Courtyard - a short street that leads to the entrance of the Savoy Hotel.
  7. Play
    All Others 7 (60) 2538/83 Michael Levine (ASCAP)
    Gothic & dark piano. No strings or spooky synth pads. Horror undertones
    1:00
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-16-53883
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe only place you can drive on the right hand side of the road in London is in the Savoy Courtyard - a short street that leads to the entrance of the Savoy Hotel.
  8. Play
    All Others 8 (60) 2538/84 Michael Levine (ASCAP)
    Minimal gothic & dark strings, No piano or synth pads. Horror undertones
    0:52
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-16-53884
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe only place you can drive on the right hand side of the road in London is in the Savoy Courtyard - a short street that leads to the entrance of the Savoy Hotel.
  9. Play
    All Others 9 (30) 2538/85 Michael Levine (ASCAP)
    Gothic & dark piano, strings with spooky synth pads. Horror undertones
    0:30
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-16-53885
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe only place you can drive on the right hand side of the road in London is in the Savoy Courtyard - a short street that leads to the entrance of the Savoy Hotel.
  10. Play
    All Others 10 (30) 2538/86 Michael Levine (ASCAP)
    Gothic & dark piano, strings. No spooky synth pads. Horror undertones
    0:30
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-16-53886
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe only place you can drive on the right hand side of the road in London is in the Savoy Courtyard - a short street that leads to the entrance of the Savoy Hotel.
  11. Play
    All Others 11 (30) 2538/87 Michael Levine (ASCAP)
    Gothic & dark piano. No strings or spooky synth pads. Horror undertones
    0:30
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-16-53887
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe only place you can drive on the right hand side of the road in London is in the Savoy Courtyard - a short street that leads to the entrance of the Savoy Hotel.
  12. Play
    All Others 12 2538/88 Michael Levine (ASCAP)
    Gothic & dark piano, strings. No spooky synth pads. Horror undertones
    0:26
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-16-53888
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe only place you can drive on the right hand side of the road in London is in the Savoy Courtyard - a short street that leads to the entrance of the Savoy Hotel.
  13. Play
    All Others 13 (Sting) 2538/89 Michael Levine (ASCAP)
    Ambient, spooky descending piano arpeggio sting
    0:09
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    • Tempo NotesSlow
    • ISRCGB-FFM-16-53889
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe only place you can drive on the right hand side of the road in London is in the Savoy Courtyard - a short street that leads to the entrance of the Savoy Hotel.
  1. Play
    An Elegie For An Ending 2504/9 14 mixes Chris Warner (PRS)
    Brooding strings with mysterious piano & harp over light glitchy percussion
    3:06
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  2. Play
    Asylum 1464/1 6 mixes Dan Skinner (PRS) | Adam Skinner (PRS)
    Spine-chilling soundscape with unnerving piano phrases
    2:58
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  3. Play
    Gloomy Waters 2819/2 21 mixes Skaila Kanga (PRS) | Chris Egan (PRS)
    Ominous cinematic orchestra with harp & percussion
    2:53
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  4. Play
    Mechanized Thought 2746/1 7 mixes Noah Sorota (BMI)
    Intriguing story with developing string, piano & marimba figures & synth
    3:03
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  5. Play
    Night Watch A 1546/9 6 mixes Paul Mottram (PRS)
    Eerie tense solo strings over pulsing piano - builds. Slow version of Night Watch B
    2:27
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  6. Play
    Out of the Darkness 1309/7 24 mixes Paul Mottram (PRS)
    Building tension with magical orchestra building to positive conclusion at 1:19
    1:54
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