Track Details

Abuse 3 - 9 mixes

  1. Play
    Abuse 1957/2 Bob Bradley (PRS)
    Dirty dubstep mutating into criminal drum & bass
    2:58
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    • Tempo NotesFast
    • ISRCGB-FFM-13-95702
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidMusic in sport has the potential to elicit a small but significant effect on an athlete’s performance. Scientific inquiry has revealed five key ways it can have influence: dissociation, arousal regulation, synchronization, acquisition of motor skills and attainment of flow.
  2. Play
    Abuse 2 1957/13 Bob Bradley (PRS)
    Dubstep mutating into drum & bass featuring unrelenting synths. Alt version
    2:58
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    • Tempo NotesFast
    • ISRCGB-FFM-13-95713
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidMusic in sport has the potential to elicit a small but significant effect on an athlete’s performance. Scientific inquiry has revealed five key ways it can have influence: dissociation, arousal regulation, synchronization, acquisition of motor skills and attainment of flow.
  3. Play
    Abuse 3 1957/14 Bob Bradley (PRS)
    Menacing synths building to powerful drums & deep bass
    2:58
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    • Tempo NotesFast
    • ISRCGB-FFM-13-95714
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidMusic in sport has the potential to elicit a small but significant effect on an athlete’s performance. Scientific inquiry has revealed five key ways it can have influence: dissociation, arousal regulation, synchronization, acquisition of motor skills and attainment of flow.
  4. Play
    Abuse 4 1957/15 Bob Bradley (PRS)
    Filtered synths evoking a menacing tone with plenty of ambience
    2:59
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    • Tempo NotesFast
    • ISRCGB-FFM-13-95715
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidMusic in sport has the potential to elicit a small but significant effect on an athlete’s performance. Scientific inquiry has revealed five key ways it can have influence: dissociation, arousal regulation, synchronization, acquisition of motor skills and attainment of flow.
  5. Play
    Abuse 5 1957/16 Bob Bradley (PRS)
    Filtered synths evoking a menacing tone with plenty of ambience. Alt version
    3:00
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    • Tempo NotesFast
    • ISRCGB-FFM-13-95716
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidMusic in sport has the potential to elicit a small but significant effect on an athlete’s performance. Scientific inquiry has revealed five key ways it can have influence: dissociation, arousal regulation, synchronization, acquisition of motor skills and attainment of flow.
  6. Play
    Abuse 6 (60) 1957/17 Bob Bradley (PRS)
    Dirty dubstep mutating into criminal drum & bass featuring unrelenting synths
    1:00
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    • Tempo NotesFast
    • ISRCGB-FFM-13-95717
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidMusic in sport has the potential to elicit a small but significant effect on an athlete’s performance. Scientific inquiry has revealed five key ways it can have influence: dissociation, arousal regulation, synchronization, acquisition of motor skills and attainment of flow.
  7. Play
    Abuse 7 (30) 1957/18 Bob Bradley (PRS)
    Dirty dubstep mutating into criminal drum & bass featuring unrelenting synths
    0:30
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    • Tempo NotesFast
    • ISRCGB-FFM-13-95718
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidMusic in sport has the potential to elicit a small but significant effect on an athlete’s performance. Scientific inquiry has revealed five key ways it can have influence: dissociation, arousal regulation, synchronization, acquisition of motor skills and attainment of flow.
  8. Play
    Abuse 8 (Sting) 1957/19 Bob Bradley (PRS)
    Rising filtered synth sting ending with hit
    0:10
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    • Tempo NotesFast
    • ISRCGB-FFM-13-95719
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidMusic in sport has the potential to elicit a small but significant effect on an athlete’s performance. Scientific inquiry has revealed five key ways it can have influence: dissociation, arousal regulation, synchronization, acquisition of motor skills and attainment of flow.
  9. Play
    Abuse 9 (Sting) 1957/20 Bob Bradley (PRS)
    Intense, spinning synth sting
    0:07
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    • Tempo NotesFast
    • ISRCGB-FFM-13-95720
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidMusic in sport has the potential to elicit a small but significant effect on an athlete’s performance. Scientific inquiry has revealed five key ways it can have influence: dissociation, arousal regulation, synchronization, acquisition of motor skills and attainment of flow.
  1. Play
    De Krypt 2270/3 13 mixes Darren Leigh Purkiss (PRS)
    Dark, aggressive drum 'n' bass with crazed synths & sinister choir. Builds
    3:15
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  2. Play
    Drum And Bees 1841/4 12 mixes Richard Kimmings (PRS) | Jason Pedder (PRS)
    Energy filled drum 'n' bass with twisted synths & in-your-face attitude
    2:35
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  3. Play
    First Contact 1957/7 9 mixes Bob Bradley (PRS)
    Shuffling robostep with spaced pads, sci-fi fx & ambient guitars
    3:35
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  4. Play
    Ruthless 1957/6 5 mixes Bob Bradley (PRS)
    Energetic dubstep with glitchy textures, bass overtones & a cheeky boing
    3:22
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  5. Play
    Space Dirt 1957/1 6 mixes Bob Bradley (PRS)
    Sci-fi detonating into filthy dubstep, packing explosive beats & seismic synths
    3:13
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  6. Play
    Static Ecstatic 1841/1 15 mixes Richard Kimmings (PRS) | Jason Pedder (PRS)
    Energetic drum 'n' bass with killer synths, vocal hooks & twisted bass
    2:34
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