Track Details

Under Pressure - 4 mixes

  1. Play
    Under Pressure 1538/11 Terry Devine-King (PRS)
    Tense drone & texture with clock effects
    2:47
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-53811
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track is running at 60 beats per minute so it should work perfectly with clock graphics
  2. Play
    Under Pressure 2 1538/71 Terry Devine-King (PRS)
    Tense drone & texture with sparse percussion. Game show sting at end
    2:47
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-53871
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track is running at 60 beats per minute so it should work perfectly with clock graphics
  3. 0:05
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-53872
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track is running at 60 beats per minute so it should work perfectly with clock graphics
  4. 0:09
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-53873
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidThis track is running at 60 beats per minute so it should work perfectly with clock graphics
  1. Play
    Big Wait 2493/11 30 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Sinister clock ticking percussion with drones & textures
    2:19
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  2. Play
    Cardiac 1356/4 1 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
    Unsettled electronic textures with heart beat. Ends with build
    2:31
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  3. Play
    Challenger 1196/3 6 mixes Christian Marsac (PRS)
    Tense gameshow countdown with ticking clock feel
    2:11
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  4. Play
    Clock Rise 1486/3 2 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
    Relentless ticking clock with dramatic build
    0:39
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  5. Play
    Clocks 1038/17 3 mixes Duncan Pittock (PRS)
    Mechanical 'tick-tock' rhythm with slowly building percussion and brush drums. Finishes with Big Ben!
    1:09
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  6. Play
    Cover Up 9 2493/78 12 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Sinister clock ticking with drone & heartbeat fx
    1:09
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  7. Play
    Deadlock 2915/6 15 mixes Bob Bradley (PRS) | Thomas Balmforth (PRS)
    Eerie, atmospheric ticking clocks, haunting piano & hypnotic strings
    2:50
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  8. Play
    Hypnotize 2728/6 3 mixes Bob Bradley (PRS)
    Brooding ambience with dark evolving percussive rhythms
    2:30
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  9. Play
    Lost In Time 1254/8 6 mixes Terry Devine-King (PRS)
    Metronomic low key ethnic percussion. Time passing
    2:14
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  10. Play
    Lottery Clock 2007/10 7 mixes Duncan Pittock (PRS)
    Urgent ticking clock gradually builds with percussion & drone
    2:17
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  11. Play
    Missing Link 2491/8 11 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Lightly tense, clock-like percussion with drones & textures
    2:27
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  12. Play
    Moment Of Truth 2915/3 14 mixes Bob Bradley (PRS) | Thomas Balmforth (PRS)
    Tense, moody synth intro leads to urgent, spiky strings & ticking clock
    2:07
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  13. Play
    Narrow Escape 2915/8 13 mixes Bob Bradley (PRS) | Thomas Balmforth (PRS)
    Darkly tense, with ticking clocks, pulsating bass & uneasy strings
    2:19
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  14. Play
    Pulse Of Time 2491/5 11 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Clock-like marimbas & hang drum with evolving textures & beats
    2:35
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  15. Play
    Race to Ruin 1297/6 7 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
    Mighty bass lines & dramatic strings over building percussion
    3:02
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  16. Play
    Stress 1227/9 6 mixes Mat Andasun (PRS)
    Drone with anxiously ticking clock
    2:09
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  17. Play
    Ticking Clock 2915/5 14 mixes Bob Bradley (PRS) | Matt Sanchez (PRS)
    Tense atmospheric bed with pulsing arpegiators & ticking clocks
    2:47
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  18. 2:33
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  19. Play
    Timeout 1356/8 3 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
    Relentless clock-like rhythm. The pressure builds slowly
    2:31
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  20. Play
    Treacherous 2728/1 3 mixes Bob Bradley (PRS)
    Pulsing bass note with spooky swirling textures, analogue filtering & distortion
    2:31
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