Track Details

Transatlantic Session 10 (Sting) - 10 mixes

  1. Play
    Transatlantic Session 1786/2 Tim Renwick (PRS)
    Up-tempo bluegrass/folk crossover with acoustic guitar lead & tin whistle
    3:01
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    • Tempo NotesFast
    • ISRCGB-FFM-12-78602
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThis track features vintage & modern Martin acoustic guitars - can you spot which is which?
  2. Play
    Transatlantic Session 2 1786/20 Tim Renwick (PRS)
    Up-tempo bluegrass/folk crossover underscore
    3:00
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    • Tempo NotesFast
    • ISRCGB-FFM-12-78620
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThis track features vintage & modern Martin acoustic guitars - can you spot which is which?
  3. Play
    Transatlantic Session 3 (60) 1786/21 Tim Renwick (PRS)
    Up-tempo bluegrass/folk crossover with acoustic guitar lead & tin whistle
    1:00
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    • Tempo NotesFast
    • ISRCGB-FFM-12-78621
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThis track features vintage & modern Martin acoustic guitars - can you spot which is which?
  4. Play
    Transatlantic Session 4 (60) 1786/22 Tim Renwick (PRS)
    Up-tempo bluegrass/folk crossover underscore
    1:00
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    • Tempo NotesFast
    • ISRCGB-FFM-12-78622
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThis track features vintage & modern Martin acoustic guitars - can you spot which is which?
  5. Play
    Transatlantic Session 5 (30) 1786/23 Tim Renwick (PRS)
    Up-tempo bluegrass/folk crossover with acoustic guitar lead & tin whistle
    0:30
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    • Tempo NotesFast
    • ISRCGB-FFM-12-78623
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThis track features vintage & modern Martin acoustic guitars - can you spot which is which?
  6. Play
    Transatlantic Session 6 (30) 1786/24 Tim Renwick (PRS)
    Up-tempo bluegrass/folk crossover underscore
    0:30
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    • Tempo NotesFast
    • ISRCGB-FFM-12-78624
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThis track features vintage & modern Martin acoustic guitars - can you spot which is which?
  7. Play
    Transatlantic Session 7 (30) 1786/25 Tim Renwick (PRS)
    Up-tempo bluegrass/folk crossover with acoustic guitar lead
    0:30
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    • Tempo NotesFast
    • ISRCGB-FFM-12-78625
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThis track features vintage & modern Martin acoustic guitars - can you spot which is which?
  8. Play
    0:11
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    • Tempo NotesFast
    • ISRCGB-FFM-12-78626
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThis track features vintage & modern Martin acoustic guitars - can you spot which is which?
  9. 0:06
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    • Tempo NotesFast
    • ISRCGB-FFM-12-78627
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThis track features vintage & modern Martin acoustic guitars - can you spot which is which?
  10. 0:05
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-12-78628
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThis track features vintage & modern Martin acoustic guitars - can you spot which is which?
  1. Play
    Bumpkin Pie 1156/1 6 mixes Barrie Gledden (PRS) | Richard Kimmings (PRS)
    Upbeat bluegrass band with acoustic guitars, banjo & mandolin
    2:54
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  2. Play
    Easy Way To Dixie 1287/1 4 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
    Uplifting driving Country folk with Celtic flavour
    2:28
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  3. Play
    Good Ol' Boys 1051/2 2 mixes Terry Devine-King (PRS)
    Traditional Country & Western with slide guitar, violin & backing vocals
    2:06
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  4. Play
    Railroad Rumble 1258/3 11 mixes Chris Gibbons (PRS)
    Bluegrass guitar with modern beats & footstomps
    1:50
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  5. Play
    Tinkers Tale 1786/3 8 mixes Tim Renwick (PRS)
    Contemporary stomp folk band with acoustic guitar & mandolin lead
    3:11
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  6. Play
    Wagon Race 1811/8 11 mixes Tom Peters (PRS) | Greg McDonald (PRS)
    Upbeat folk skiffle stomp with outrageous fiddle top-line
    2:05
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