Track Details

Occult Dub - 9 mixes

  1. Play
    Occult Dub 1417/1 Bob Bradley (PRS)
    Cinematic dubstep groove with eerie vocal, tense flutes & pads
    3:10
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-41701
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidOccult is derived from the Latin word ‘Occultus’ translated as ‘knowledge of the hidden’. Scholars are often heard shouting "Oh cults!" Which presumably translates to "No knowledge of the hidden car keys".
  2. Play
    Occult Dub 2 1417/9 Bob Bradley (PRS)
    Cinematic dubstep groove with tense flutes & pads
    3:10
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-41709
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidOccult is derived from the Latin word ‘Occultus’ translated as ‘knowledge of the hidden’. Scholars are often heard shouting "Oh cults!" Which presumably translates to "No knowledge of the hidden car keys".
  3. Play
    Occult Dub 3 1417/10 Bob Bradley (PRS)
    Dark cinematic ambience with eerie vocal, tense flutes & pads
    3:24
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-41710
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidOccult is derived from the Latin word ‘Occultus’ translated as ‘knowledge of the hidden’. Scholars are often heard shouting "Oh cults!" Which presumably translates to "No knowledge of the hidden car keys".
  4. Play
    Occult Dub 4 1417/11 Bob Bradley (PRS)
    Eerie piano into driving dubstep bass & beats
    2:38
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-41711
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidOccult is derived from the Latin word ‘Occultus’ translated as ‘knowledge of the hidden’. Scholars are often heard shouting "Oh cults!" Which presumably translates to "No knowledge of the hidden car keys".
  5. Play
    Occult Dub 5 (60) 1417/12 Bob Bradley (PRS)
    Cinematic dubstep groove with eerie vocal, tense flutes & pads
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-41712
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidOccult is derived from the Latin word ‘Occultus’ translated as ‘knowledge of the hidden’. Scholars are often heard shouting "Oh cults!" Which presumably translates to "No knowledge of the hidden car keys".
  6. Play
    Occult Dub 6 (30) 1417/13 Bob Bradley (PRS)
    Cinematic dubstep groove with eerie vocal, tense flutes & pads
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-41713
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidOccult is derived from the Latin word ‘Occultus’ translated as ‘knowledge of the hidden’. Scholars are often heard shouting "Oh cults!" Which presumably translates to "No knowledge of the hidden car keys".
  7. 0:06
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-41714
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidOccult is derived from the Latin word ‘Occultus’ translated as ‘knowledge of the hidden’. Scholars are often heard shouting "Oh cults!" Which presumably translates to "No knowledge of the hidden car keys".
  8. 0:07
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-41715
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidOccult is derived from the Latin word ‘Occultus’ translated as ‘knowledge of the hidden’. Scholars are often heard shouting "Oh cults!" Which presumably translates to "No knowledge of the hidden car keys".
  9. Play
    Occult Dub 9 (Sting) 1417/16 Bob Bradley (PRS)
    Spooky dubstep piano sting
    0:07
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-41716
    • PublisherAudio Network Limited
    • Release Year2009
    FactoidOccult is derived from the Latin word ‘Occultus’ translated as ‘knowledge of the hidden’. Scholars are often heard shouting "Oh cults!" Which presumably translates to "No knowledge of the hidden car keys".
  1. Play
    Alien Kontakt 1504/9 14 mixes Darren Leigh Purkiss (PRS)
    Menacing sci-fi electronica with electro glitching & phat synth bass
    3:19
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  2. Play
    Dubstep Spy 1417/2 8 mixes Bob Bradley (PRS)
    Urban dubstep with vinyl crackle, spy guitar theme & phat bass
    3:05
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  3. Play
    Full Voltage 1742/3 12 mixes Jason Pedder (PRS) | Tim Reilly (PRS) | Ben Ziapour (PRS)
    Edgy dubstep with piano, stuttered synth lines & slamming beats
    3:28
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  4. Play
    Gangland 1504/3 7 mixes Barrie Gledden (PRS) | Jeff Dale (PRS) | Tim Reilly (PRS)
    Hard edged urban dubstep with throbbing bass
    3:38
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  5. Play
    Knife Kryme 1411/7 15 mixes Darren Leigh Purkiss (PRS)
    Cruisin' urban dubstep with dark bass & building synth patterns
    3:02
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  6. Play
    Mystifier 1742/6 10 mixes David O'Brien (PRS)
    Dark, mysterious & eerie dubstep with sinister bell motif
    3:55
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  7. Play
    Rascal 1793/5 8 mixes Gareth Johnson (PRS)
    Anthemic filter synth with a bass heavy naughty electro groove
    3:28
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  8. Play
    Steel 1417/3 8 mixes Bob Bradley (PRS)
    Dubstep with pulsing bass, driving beats, industrial & synth textures
    2:56
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  9. Play
    The Persian 1411/4 15 mixes Darren Leigh Purkiss (PRS)
    Mysterious Eastern flavoured dubstep with ambient female vocal
    2:41
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