Track Details

Glass Knives - 12 mixes

  1. Play
    Glass Knives 2963/8 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Creepy waterphone and tam tam textures recorded in a cave
    2:27
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    • Tempo NotesSlow
    • ISRCGB-FFM-18-96308
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis was recorded using waterphones in a cave in Southern England. There are 20 miles of caves creating a reverb of 30 seconds. Lots of microphones were put down the tunnels - some at a distance of about 50 metres - so we could create the illusion of near and distant effects. It was cold, wet, very dark and frankly, terrifying
  2. Play
    Glass Knives 2 2963/105 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Creepy waterphone textures recorded in a cave. No bass
    2:27
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-96305
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis was recorded using waterphones in a cave in Southern England. There are 20 miles of caves creating a reverb of 30 seconds. Lots of microphones were put down the tunnels - some at a distance of about 50 metres - so we could create the illusion of near and distant effects. It was cold, wet, very dark and frankly, terrifying
  3. Play
    Glass Knives 3 2963/106 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Creepy waterphone textures using reversed reverbs
    2:20
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-96306
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis was recorded using waterphones in a cave in Southern England. There are 20 miles of caves creating a reverb of 30 seconds. Lots of microphones were put down the tunnels - some at a distance of about 50 metres - so we could create the illusion of near and distant effects. It was cold, wet, very dark and frankly, terrifying
  4. Play
    Glass Knives 4 (60) 2963/107 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Creepy waterphone and tam tam textures recorded in a cave
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-96307
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis was recorded using waterphones in a cave in Southern England. There are 20 miles of caves creating a reverb of 30 seconds. Lots of microphones were put down the tunnels - some at a distance of about 50 metres - so we could create the illusion of near and distant effects. It was cold, wet, very dark and frankly, terrifying
  5. Play
    Glass Knives 5 2963/108 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Creepy waterphone textures using reversed reverbs
    0:36
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-96308
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis was recorded using waterphones in a cave in Southern England. There are 20 miles of caves creating a reverb of 30 seconds. Lots of microphones were put down the tunnels - some at a distance of about 50 metres - so we could create the illusion of near and distant effects. It was cold, wet, very dark and frankly, terrifying
  6. Play
    Glass Knives 6 (30) 2963/109 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Creepy waterphone and tam tam textures recorded in a cave
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-96309
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis was recorded using waterphones in a cave in Southern England. There are 20 miles of caves creating a reverb of 30 seconds. Lots of microphones were put down the tunnels - some at a distance of about 50 metres - so we could create the illusion of near and distant effects. It was cold, wet, very dark and frankly, terrifying
  7. Play
    Glass Knives 7 (Effect) 2963/110 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Mighty, reverberant single hit on gong-like metal thunder sheet
    0:21
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-96310
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis recording which sounds like Gogd's Gong, was actually a large piece of flat metal hung from a wooden frame belonging to percussionist Paul Clarvis. He had it made for him and he calls it his 'puddle' - because of its shape. It was recorded in a cave with a 30 second natural reverb
  8. Play
    Glass Knives 8 (Effect) 2963/111 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Slowly descending waterphone harmonics howling in a creepy cave
    0:21
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-96311
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis was recorded using waterphones in a cave in Southern England. There are 20 miles of caves creating a reverb of 30 seconds. Lots of microphones were put down the tunnels - some at a distance of about 50 metres - so we could create the illusion of near and distant effects. It was cold, wet, very dark and frankly, terrifying
  9. Play
    Glass Knives 9 (Effect) 2963/112 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Multilayered waterphones in a rich reverb. An alien with a headache
    0:23
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-96312
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis was recorded using waterphones in a cave in Southern England. There are 20 miles of caves creating a reverb of 30 seconds. Lots of microphones were put down the tunnels - some at a distance of about 50 metres - so we could create the illusion of near and distant effects. It was cold, wet, very dark and frankly, terrifying
  10. Play
    Glass Knives 10 (Effect) 2963/113 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Eerie, reverb-swamped waterphone effect
    0:19
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-96313
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis was recorded using waterphones in a cave in Southern England. There are 20 miles of caves creating a reverb of 30 seconds. Lots of microphones were put down the tunnels - some at a distance of about 50 metres - so we could create the illusion of near and distant effects. It was cold, wet, very dark and frankly, terrifying
  11. Play
    Glass Knives 11 (Sting) 2963/114 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Dark, low 'bong' from a slowed down waterphone
    0:17
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-96314
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThis was recorded using waterphones in a cave in Southern England. There are 20 miles of caves creating a reverb of 30 seconds. Lots of microphones were put down the tunnels - some at a distance of about 50 metres - so we could create the illusion of near and distant effects. It was cold, wet, very dark and frankly, terrifying
  12. Play
    0:14
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    • Tempo NotesSlow
    • ISRCGB-FFM-09-96315
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe difference between a gong and a tam-tam is that a tam-tam doesn't have a nipple in the middle and can't be tuned. A gong does and can.
  1. Play
    Night In The Asylum 2963/9 10 mixes Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sinister, discordant textures made by autoharp & waterphones in a cave
    2:46
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  2. Play
    Tunnel Of Fear 2963/5 14 mixes Rob Kelly (PRS) | Duncan Pittock (PRS)
    Eerie percussion coming into focus in a huge cave. With strings & fx
    3:03
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  3. Play
    Under Waterphone 2965/2 10 mixes Rob Kelly (PRS) | Duncan Pittock (PRS)
    Ambient & hypnotic waterphone, bowed gamelan & crystal baschet
    2:58
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