Track Details

Ghost Of The Sand 14 (Sting) - 14 mixes

  1. Play
    Ghost Of The Sand 1696/7 Christophe Goze (SACEM)
    Dark, atmospheric, Middle Eastern ambience with haunting duduk
    2:49
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    • Tempo NotesSlow : Free tempo
    • ISRCGB-FFM-12-69607
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played. This drone mix can be combined with Gladiators (ANW1696/10) to create a multi layered track
  2. Play
    Ghost Of The Sand 2 1696/77 Christophe Goze (SACEM)
    Dark atmospheric textures & orchestral drone effect. Duduk from 2'25
    2:49
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-69677
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played.
  3. Play
    Ghost Of The Sand 3 1696/78 Christophe Goze (SACEM)
    Mysterious atmospheric textures with orchestral drone effect
    2:47
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    • Tempo NotesSlow : free tempo
    • ISRCGB-FFM-12-69678
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played.
  4. Play
    Ghost Of The Sand 4 1696/79 Christophe Goze (SACEM)
    Dark, atmospheric textures with tense orchestral drone effect
    2:49
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-69679
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played.
  5. Play
    Ghost Of The Sand 5 1696/80 Christophe Goze (SACEM)
    Haunting duduk above mysterious atmospheric textures
    2:44
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-69680
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played.
  6. Play
    Ghost Of The Sand 6 1696/81 Christophe Goze (SACEM)
    Haunting duduk above spacey, floating atmospheric textures
    2:39
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-69681
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played.
  7. Play
    Ghost Of The Sand 7 1696/82 Christophe Goze (SACEM)
    Spacey atmospheric drone with floating synth textures
    2:09
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-69682
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played.
  8. Play
    Ghost Of The Sand 8 (60) 1696/83 Christophe Goze (SACEM)
    Dark, atmospheric, Middle Eastern ambience with haunting duduk
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-69683
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played.
  9. Play
    Ghost Of The Sand 9 1696/84 Christophe Goze (SACEM)
    Haunting, solo duduk with echo effect
    0:45
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-69684
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played.
  10. 0:45
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-69685
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played.
  11. Play
    Ghost Of The Sand 11 1696/86 Christophe Goze (SACEM)
    Haunting, solo duduk. Alternate mix
    0:38
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-69686
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played.
  12. Play
    Ghost Of The Sand 12 (30) 1696/87 Christophe Goze (SACEM)
    Haunting duduk with dark atmospheric textures & orchestral drone effect
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-69687
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played.
  13. Play
    Ghost Of The Sand 13 (Sting) 1696/88 Christophe Goze (SACEM)
    Sting with haunting duduk above atmospheric textures & drone
    0:12
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-69688
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played.
  14. Play
    Ghost Of The Sand 14 (Sting) 1696/89 Christophe Goze (SACEM)
    Sting with eerie female ethnic vocal effect
    0:08
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-69689
    • PublisherAudio Network Limited
    • Release Year2012
    FactoidThe duduk is an ancient form of oboe native to Armenia. Over the centuries Armenians have taken it to the Middle East, Turkey and the Balkans where derivatives are played.
  1. Play
    Ancestral Ground 1526/5 6 mixes Darren Leigh Purkiss (PRS)
    Deep Arabic ambience, evocative duduk & cinematic percussive climax
    3:46
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  2. Play
    Ancient Relic 2942/10 14 mixes Bob Bradley (PRS) | Andrew Griffiths (PRS)
    Cinematic drones with dramatic brass, choir & duduk
    2:42
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  3. Play
    Ancient Sands 2965/5 15 mixes Rob Kelly (PRS) | Michael York (PRS) | Duncan Pittock (PRS)
    Hauntingly mysterious duduk with dark tulum, Arabic percussion & drones
    3:31
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  4. Play
    Asian Shadow 1169/2 1 mixes Simon Lambros (PRS)
    Tense, building, textural orchestral. Slight Middle Eastern influence
    1:32
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  5. Play
    Aurora Borealis 2062/6 14 mixes Terry Devine-King (PRS)
    Ambient layers build to orchestral textures with haunting cor anglais
    2:38
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  6. Play
    Cave Art 1928/8 4 mixes Terry Devine-King (PRS)
    Mystical ambience with Eastern ethnic flute
    2:58
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  7. Play
    Desert Rhapsody 2337/4 4 mixes Jody Jenkins (PRS)
    Plaintive Arabic oud & high cello above desolate desert wind fx & low drone
    2:40
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  8. Play
    Evil Lands 2456/5 8 mixes David O'Brien (PRS) | Paul Clarvis (PRS)
    Dark, nightmarish drone with twisted horn textures & ethnic flute
    2:34
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  9. Play
    Foreshadows 2438/6 7 mixes David Tobin (PRS/BMI) | Tim Garland (PRS) | Jeff Meegan (BMI)
    Darkly mysterious soprano sax lines over eerie metallic drones & marimba
    2:27
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  10. Play
    Gladiators 1696/10 12 mixes Christophe Goze (SACEM)
    Tense world percussion with unsettling drone & atmospheric textures
    1:31
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  11. Play
    Gulf 1180/1 6 mixes Terry Devine-King (PRS)
    Dark, threatening textures, eerie percussion & duduk (Arabic flute)
    1:39
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  12. Play
    Hidden Forest Of South Island 2741/3 11 mixes Mark Buys (APRA)
    Delicate orchestra with haunting Taonga Puora woodwind & percussion
    3:26
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  13. Play
    Land Of No Return 2606/3 14 mixes Sonia Slany (PRS) | Paul Clarvis (PRS)
    Mournful duduk, oud & softly-spoken strings tell a sorrowful tale
    3:27
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  14. Play
    Middle East Conflict 2736/7 12 mixes Terry Devine-King (PRS)
    Tense, rhythmic orchestral bed with Middle-Eastern percussion
    2:58
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  15. Play
    Mountain Voice 2281/3 3 mixes Theo Travis (PRS)
    Darkly looping ambient alto flutes with plaintive soprano saxophone
    2:51
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  16. Play
    Mughai Architecture 1525/4 6 mixes Darren Leigh Purkiss (PRS)
    Dark strings, evocative vocals, ambient layers & building percussion
    2:53
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  17. Play
    Prisoner Of War 2430/3 20 mixes Chris Egan (PRS) | Andrew Cooksley (PRS)
    Sad orchestra, duduk, choir & guitar with a Middle Eastern influence
    2:41
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  18. Play
    Prophet 2745/5 14 mixes Glenn Sharp (PRS)
    Sad Arabic theme with strings, perc, cumbus saz, oud, duduk & vocals
    4:17
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  19. Play
    Sand Angel 2637/5 12 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Haunting Turkish clarinet above mysterious ambient pads & deep drone
    2:56
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  20. Play
    Shaman's Dream 2606/4 12 mixes Sonia Slany (PRS) | Paul Clarvis (PRS) | Dirk Campbell (PRS)
    Searching duduk & viola melody evolves from string drone in free metre
    3:30
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  21. Play
    Siege Mentality 2433/3 18 mixes Chris Egan (PRS) | Andrew Cooksley (PRS)
    Sullen, filmic orchestral with South Asian strings & menacing percussion
    2:40
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  22. Play
    Spirit Awakening 2606/5 14 mixes Sonia Slany (PRS) | Paul Clarvis (PRS)
    Yearning duduk melody, shimmering strings, bass drum & monochord drone
    4:20
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  23. Play
    Temple Gates 2084/3 11 mixes Chaz Kkoshi (PRS) | Pavlos Doukanaris (PRS)
    Eerie bell effect with Arabic rhythms, santour & Turkish saz lead
    4:06
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  24. Play
    Urartu 2195/2 9 mixes Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Dark duduk with building rhythms & orchestra. Biblical & epic
    2:49
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  25. Play
    Valley Of The Kings 1180/7 5 mixes Terry Devine-King (PRS)
    Low drone with light percussion & atmospheric Arabic flute
    2:16
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