Sisyphus - 17 mixes

  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/5
  • ISRC GB-FFM-16-66705
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid David says "I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time." Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/54
  • ISRC GB-FFM-16-66754
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/55
  • ISRC GB-FFM-16-66755
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/56
  • ISRC GB-FFM-16-66756
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/57
  • ISRC GB-FFM-16-66757
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/58
  • ISRC GB-FFM-16-66758
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/59
  • ISRC GB-FFM-16-66759
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/60
  • ISRC GB-FFM-16-66760
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/61
  • ISRC GB-FFM-16-66761
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/62
  • ISRC GB-FFM-16-66762
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/63
  • ISRC GB-FFM-16-66763
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/64
  • ISRC GB-FFM-16-66764
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/65
  • ISRC GB-FFM-16-66765
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/66
  • ISRC GB-FFM-16-66766
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/67
  • ISRC GB-FFM-16-66767
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/68
  • ISRC GB-FFM-16-66768
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.
  • Key G (ends in Gb/F#)
  • Metre 4/4
  • Tempo 122 bpm (ends at 122)
  • Tempo Notes Medium
  • Album Number 2667/69
  • ISRC GB-FFM-16-66769
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid I’ve always wanted to write an orchestral piece that only uses downward moving major seventh intervals as the harmony. I thought it appropriate to name the track 'Sisyphus', after the Greek mythological character who is forced to push a boulder up a hill for eternity, only to see it fall back to the bottom each time. Recorded with the English Session Orchestra at Abbey Road.

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