Track Details

Miami Love Machine 12 mixes

  1. Play
    Miami Love Machine 2512/5 Darren Leigh Purkiss (PRS)
    Futuristic synth layers with vocoder, huge beats & cinematic percussion
    2:15
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-51205
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe technical word for a French kiss is cataglottism. - QI
  2. Play
    Miami Love Machine 2 2512/40 Darren Leigh Purkiss (PRS)
    Futuristic synth layers with huge beats & cinematic percussion. No vocoder
    2:15
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-51240
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe technical word for a French kiss is cataglottism. - QI
  3. Play
    Miami Love Machine 3 2512/41 Darren Leigh Purkiss (PRS)
    Futuristic synth layers with 80s vocoders & filtered arp. Synths only
    2:15
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-51241
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe technical word for a French kiss is cataglottism. - QI
  4. Play
    Miami Love Machine 4 (60) 2512/42 Darren Leigh Purkiss (PRS)
    Futuristic synth layers with vocoder, huge beats & cinematic percussion
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-51242
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe technical word for a French kiss is cataglottism. - QI
  5. Play
    Miami Love Machine 5 (60) 2512/43 Darren Leigh Purkiss (PRS)
    Futuristic synth layers with huge beats & cinematic percussion. No vocoder
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-51243
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe technical word for a French kiss is cataglottism. - QI
  6. Play
    Miami Love Machine 6 2512/44 Darren Leigh Purkiss (PRS)
    Retro drum machine beat, epic cinematic percussion & FX. No synths
    0:40
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-51244
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe technical word for a French kiss is cataglottism. - QI
  7. Play
    Miami Love Machine 7 (30) 2512/45 Darren Leigh Purkiss (PRS)
    Futuristic synth layers with vocoder, huge beats & cinematic percussion
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-51245
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe technical word for a French kiss is cataglottism. - QI
  8. Play
    Miami Love Machine 8 (30) 2512/46 Darren Leigh Purkiss (PRS)
    Futuristic synth layers with huge beats & cinematic percussion. No vocoder
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-51246
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe technical word for a French kiss is cataglottism. - QI
  9. 0:08
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-51247
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe technical word for a French kiss is cataglottism. - QI
  10. 0:06
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-51248
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe technical word for a French kiss is cataglottism. - QI
  11. 0:06
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-51249
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe technical word for a French kiss is cataglottism. - QI
  12. 0:06
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-51250
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe technical word for a French kiss is cataglottism. - QI
  1. Play
    Cyborgs 2625/2 9 mixes Jason Pedder (PRS) | Ashley Barnes (PRS) | Douglas Brown (PRS) | Daniel Hayden (PRS)
    Vintage synthwave video game groove with classic 80s guitar solo
    2:06
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  2. Play
    Detour 2762/8 12 mixes Alexis Smith (PRS) | Joe Henson (PRS) | Pete Davis (PRS)
    Heartbeat drums, retro synths & bass evolve into pulsing electro groove
    3:07
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  3. Play
    Digital Drive 2762/3 15 mixes Jeff Dale (PRS) | Gavin Harrison (PRS) | Tim Reilly (PRS)
    Moody cinematic electronica erupts into positive, driving synth-pop
    3:36
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  4. Play
    Downrock Drop 2632/3 13 mixes Gavin Harrison (PRS) | Tom Peters (PRS)
    Hard hitting electronica with sinister synth layers, hard bass & grooving kit
    2:50
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  5. Play
    Man On The Run 2512/4 11 mixes Darren Leigh Purkiss (PRS)
    Retro synth layers & cinematic FX build over 80s vocoder & electric kit
    2:31
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  6. Play
    Under Attack 1765/3 12 mixes Bob Bradley (PRS) | Matt Sanchez (PRS) | Laura-Jayne Hunter (PRS)
    Suspenseful thriller with ethereal vocal, edgy synths & epic cinematic builds
    3:12
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  7. Play
    Way More Good 1813/4 8 mixes Darren Leigh Purkiss (PRS)
    Grooving electro house party vibe with cyborg vocals
    2:13
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  8. Play
    You Got To Know It 1852/4 9 mixes Philip Guyler (PRS) | Randall Breneman (PRS)
    Driving electro rock with epic synths, dirty guitars & robotic vocal hook
    2:35
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