Backward Reality 1975/1
25 mixes
Igor Dvorkin (PRS) |
Ellie Kidd (PRS)
Tense piano over pulsating groove & textures
Phase 2014/4
8 mixes
Matt Hill (PRS)
Expansive, down-tempo electronica with filtered synths & perpetual bass
Night Stalker 2020/2
14 mixes
Mark Denis (SESAC) |
Yoshi Hayata (SESAC)
Marching tonal hits give way to bombastic slams & escalating screamers
Foot Chase 1953/1
15 mixes
Gerrit Wunder (AKM)
Threatening synths mixed with staccato strings & dark, chasing percussion
Alchemy 1432/7
8 mixes
Tom Quick (PRS)
Cold melancholic ambience, develops subtly with distant rhythms
Malicious Plan 1956/3
9 mixes
Alex Arcoleo (PRS)
Tense & menacing soundscapes with big hits & aggressive percussion
Crime Suspect 1956/5
5 mixes
Terry Devine-King (PRS)
Disturbing atmospheric textures leading to desolate strings melody
Back Canyon 1086/1
1 mixes
Mark Johns (PRS)
Minimalist, atmospheric solo dobro (slide guitar) with cavernous reverb
Deserted Land 1309/3
5 mixes
Paul Mottram (PRS)
Mysterious, desolate violins with piano interjections - gradually builds
Lethal Run 1371/2
2 mixes
Igor Dvorkin (PRS) |
Duncan Pittock (PRS)
Tense, driving strings & percussion, builds
New Perpetuum 1995/3
6 mixes
Tim Garland (PRS)
Echoing hand drum with unsettling & quick string quartet shimmers
Vindicator 1659/4
9 mixes
Terry Devine-King (PRS) |
Adam Drake (PRS)
Dark, aggressive metal with tense build into angry riffs & pounding drums