Track Details

We Attack At Dawn 8 - 12 mixes

  1. Play
    We Attack At Dawn 1857/7 Luke Richards (PRS)
    Tense, cinematic orchestral epic with choir builds to dramatic finale
    4:27
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    • Tempo NotesMedium : Tempo at main section
    • ISRCGB-FFM-13-85707
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe choir for this piece was recorded at Abbey Road Studio 2.
  2. Play
    We Attack At Dawn 2 1857/61 Luke Richards (PRS)
    Tense, cinematic orchestral epic builds to dramatic finale. No choir
    4:25
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-85761
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe choir for this piece was recorded at Abbey Road Studio 2.
  3. Play
    We Attack At Dawn 3 1857/62 Luke Richards (PRS)
    Tense, cinematic orchestral epic with choir builds to big finale. No intro
    3:38
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-85762
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe choir for this piece was recorded at Abbey Road Studio 2.
  4. Play
    We Attack At Dawn 4 1857/63 Luke Richards (PRS)
    Tense, cinematic orchestral epic builds to big finale. No intro or choir
    3:37
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-85763
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe choir for this piece was recorded at Abbey Road Studio 2.
  5. Play
    We Attack At Dawn 5 1857/64 Luke Richards (PRS)
    Tense, cinematic orchestral epic builds to big finale. No intro, choir or melody
    3:38
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-85764
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe choir for this piece was recorded at Abbey Road Studio 2.
  6. Play
    We Attack At Dawn 6 (60) 1857/65 Luke Richards (PRS)
    Tense, cinematic orchestral epic with choir
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-85765
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe choir for this piece was recorded at Abbey Road Studio 2.
  7. Play
    We Attack At Dawn 7 (60) 1857/66 Luke Richards (PRS)
    Tense, cinematic orchestral epic. No choir
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-85766
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe choir for this piece was recorded at Abbey Road Studio 2.
  8. Play
    We Attack At Dawn 8 1857/67 Luke Richards (PRS)
    Tense, cinematic orchestral epic with choir. Intro only mix
    0:54
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-85767
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe choir for this piece was recorded at Abbey Road Studio 2.
  9. Play
    We Attack At Dawn 9 (30) 1857/68 Luke Richards (PRS)
    Tense, cinematic orchestral epic with choir
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-85768
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe choir for this piece was recorded at Abbey Road Studio 2.
  10. Play
    We Attack At Dawn 10 (30) 1857/69 Luke Richards (PRS)
    Tense, cinematic orchestral epic. No choir
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-13-85769
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe choir for this piece was recorded at Abbey Road Studio 2.
  11. Play
    We Attack At Dawn 11 (Sting) 1857/70 Luke Richards (PRS)
    Dramatic, cinematic orchestral end chord & hit sting
    0:05
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-85770
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe choir for this piece was recorded at Abbey Road Studio 2.
  12. Play
    We Attack At Dawn 12 (Sting) 1857/71 Luke Richards (PRS)
    Tense, cinematic orchestral end chord & hit sting. Alt mix
    0:08
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-85771
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe choir for this piece was recorded at Abbey Road Studio 2.
  1. Play
    Aliens 2 1907/57 10 mixes Bob Bradley (PRS) | Terry Devine-King (PRS) | Nick Ingman (PRS)
    Orchestral sci-fi thriller fused with drum 'n' bass & menacing synths. No choir
    2:37
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  2. Play
    Asteroid 1392/5 16 mixes Nick Ingman (PRS) | Terry Devine-King (PRS)
    Glowering orchestral. Breaks then builds violently with choir in sections
    3:04
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  3. Play
    Course Of History 1536/5 17 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Gradually building orchestra with dark percussion, choir & synth effects
    2:39
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  4. Play
    Enemy 2372/1 21 mixes Tom Peters (PRS) | Gavin Harrison (PRS) | Chris Warner (PRS)
    Cinematic, building orchestral with drums & electronic glitches
    2:10
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  5. Play
    In The Dark 2 2515/9 23 mixes Lucas Cantor (ASCAP) | Michael Levine (ASCAP) | Miriam Speyer (ASCAP)
    Ominous intro builds to brooding & dramatic orchestra. No vocals
    2:54
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  6. Play
    Mars 1392/1 11 mixes Nick Ingman (PRS) | Terry Devine-King (PRS)
    Grandiose orchestral opening into pounding, stirring theme with choir
    4:38
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  7. Play
    On The Offensive 2259/3 16 mixes Ceiri Torjussen (BMI)
    Tense chords into central taut orchestral march with French horn theme
    1:00
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  8. Play
    Red Planet 1600/3 19 mixes Terry Devine-King (PRS)
    Majestic orchestral. Builds to full, very shouty choir
    4:11
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  9. Play
    War Of The Gods 1937/1 18 mixes Terry Devine-King (PRS)
    Epic, stirring orchestra & choir with tense build to aggressive finale
    3:56
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