Track Details

Waterworld - 12 mixes

  1. Play
    Waterworld 2964/6 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sparse hang drum, frame drums & whale-like waterphone, recorded in a cave
    4:11
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    • Tempo NotesSlow
    • ISRCGB-FFM-18-96406
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe "whale-song" sounds in this piece are created by percussionist Paul Clarvis playing frame drums using 'superball mallets' where a rubber ball is rubbed against the skin of the drum. Recorded in the huge natural acoustics of Chislehurst Caves
  2. Play
    Waterworld 2 2964/76 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sparse hang drum & waterphone. No frame drum/whale noises
    4:08
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    • Tempo NotesSlow
    • ISRCGB-FFM-18-96476
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe "whale-song" sounds in this piece are created by percussionist Paul Clarvis playing frame drums using 'superball mallets' where a rubber ball is rubbed against the skin of the drum. Recorded in the huge natural acoustics of Chislehurst Caves
  3. Play
    Waterworld 3 2964/77 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sparse hang drum & distant sliding harmonics. Minimal mix
    4:08
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    • Tempo NotesSlow
    • ISRCGB-FFM-18-96477
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe "whale-song" sounds in this piece are created by percussionist Paul Clarvis playing frame drums using 'superball mallets' where a rubber ball is rubbed against the skin of the drum. Recorded in the huge natural acoustics of Chislehurst Caves
  4. Play
    Waterworld 4 2964/78 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Tranquil synth drone with sparse hang drum & ambient textures
    4:11
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    • Tempo NotesSlow
    • ISRCGB-FFM-18-96478
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe "whale-song" sounds in this piece are created by percussionist Paul Clarvis playing frame drums using 'superball mallets' where a rubber ball is rubbed against the skin of the drum. Recorded in the huge natural acoustics of Chislehurst Caves
  5. Play
    Waterworld 5 2964/79 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Tranquil synth drone mix & very sparse percussion. No whale noises
    4:12
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    • Tempo NotesSlow
    • ISRCGB-FFM-18-96479
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe "whale-song" sounds in this piece are created by percussionist Paul Clarvis playing frame drums using 'superball mallets' where a rubber ball is rubbed against the skin of the drum. Recorded in the huge natural acoustics of Chislehurst Caves
  6. Play
    Waterworld 6 (60) 2964/80 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sparse hang drum, frame drums & waterphone create whale-like sounds
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-18-96480
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe "whale-song" sounds in this piece are created by percussionist Paul Clarvis playing frame drums using 'superball mallets' where a rubber ball is rubbed against the skin of the drum. Recorded in the huge natural acoustics of Chislehurst Caves
  7. Play
    Waterworld 7 (30) 2964/81 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sparse hang drum, frame drums & waterphone create whale-like sounds
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-18-96481
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe "whale-song" sounds in this piece are created by percussionist Paul Clarvis playing frame drums using 'superball mallets' where a rubber ball is rubbed against the skin of the drum. Recorded in the huge natural acoustics of Chislehurst Caves
  8. Play
    Waterworld 8 (Sting) 2964/82 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Sparse pizzicato, drone & low whale noise sting
    0:13
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    • Tempo NotesSlow
    • ISRCGB-FFM-18-96482
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe "whale-song" sounds in this piece are created by percussionist Paul Clarvis playing frame drums using 'superball mallets' where a rubber ball is rubbed against the skin of the drum. Recorded in the huge natural acoustics of Chislehurst Caves
  9. 0:13
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    • Tempo NotesSlow
    • ISRCGB-FFM-18-96483
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe "whale-song" sounds in this piece are created by percussionist Paul Clarvis playing frame drums using 'superball mallets' where a rubber ball is rubbed against the skin of the drum. Recorded in the huge natural acoustics of Chislehurst Caves
  10. Play
    Waterworld 10 (Sting) 2964/84 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Mysterious hang drum & cello drone sting
    0:12
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    • Tempo NotesSlow
    • ISRCGB-FFM-18-96484
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe "whale-song" sounds in this piece are created by percussionist Paul Clarvis playing frame drums using 'superball mallets' where a rubber ball is rubbed against the skin of the drum. Recorded in the huge natural acoustics of Chislehurst Caves
  11. Play
    Waterworld 11 (Sting) 2964/85 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Short whale noise effect & hang drum sting
    0:10
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    • Tempo NotesSlow
    • ISRCGB-FFM-18-96485
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe "whale-song" sounds in this piece are created by percussionist Paul Clarvis playing frame drums using 'superball mallets' where a rubber ball is rubbed against the skin of the drum. Recorded in the huge natural acoustics of Chislehurst Caves
  12. Play
    Waterworld 12 (Sting) 2964/86 Rob Kelly (PRS) | Duncan Pittock (PRS)
    Reverberant whale noise effects sting
    0:10
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    • Tempo NotesSlow
    • ISRCGB-FFM-18-96486
    • PublisherAudio Network Limited
    • Release Year2018
    FactoidThe "whale-song" sounds in this piece are created by percussionist Paul Clarvis playing frame drums using 'superball mallets' where a rubber ball is rubbed against the skin of the drum. Recorded in the huge natural acoustics of Chislehurst Caves
  1. Play
    Below The Surface 2964/1 16 mixes Rob Kelly (PRS) | Duncan Pittock (PRS)
    Atmospheric, cavernous groove with guitars builds to epic climax
    4:32
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  2. Play
    Cave Cascade 2964/5 15 mixes Rob Kelly (PRS) | Duncan Pittock (PRS)
    Hypnotic metallic rhythms with ominous bass clarinet & long reverb
    3:04
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  3. Play
    Slow Mo Dream 2964/3 12 mixes Rob Kelly (PRS) | Duncan Pittock (PRS)
    Eerie textures from whirly tubes & cello harmonics over slow drum groove
    3:51
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  4. Play
    Under Waterphone 2965/2 10 mixes Rob Kelly (PRS) | Duncan Pittock (PRS)
    Ambient & hypnotic waterphone, bowed gamelan & crystal baschet
    2:58
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