Track Details

Valley Of The Kings 2 - 5 mixes

  1. Play
    Valley Of The Kings 1180/7 Terry Devine-King (PRS)
    Low drone with light percussion & atmospheric Arabic flute
    2:16
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    • Tempo NotesSlow
    • ISRCGB-FFM-06-18007
    • PublisherAudio Network Limited
    • Release Year2006
    FactoidChevy Chase said "A flute with no holes is not a flute, and a doughnut with no hole is a Danish"
  2. Play
    Valley Of The Kings 2 1180/38 Terry Devine-King (PRS)
    Low drone with light percussion. No flute
    2:14
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    • Tempo NotesSlow
    • ISRCGB-FFM-06-18038
    • PublisherAudio Network Limited
    • Release Year2006
    FactoidChevy Chase said "A flute with no holes is not a flute, and a doughnut with no hole is a Danish"
  3. Play
    Valley Of The Kings 3 1180/39 Terry Devine-King (PRS)
    Low drone with atmospheric Arabic flute. No percussion
    2:15
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    • Tempo NotesSlow
    • ISRCGB-FFM-06-18039
    • PublisherAudio Network Limited
    • Release Year2006
    FactoidChevy Chase said "A flute with no holes is not a flute, and a doughnut with no hole is a Danish"
  4. 1:04
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    • Tempo NotesSlow
    • ISRCGB-FFM-06-18040
    • PublisherAudio Network Limited
    • Release Year2006
    FactoidChevy Chase said "A flute with no holes is not a flute, and a doughnut with no hole is a Danish"
  5. 1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-06-18041
    • PublisherAudio Network Limited
    • Release Year2006
    FactoidChevy Chase said "A flute with no holes is not a flute, and a doughnut with no hole is a Danish"
  1. Play
    Ancient Dunes 2337/8 9 mixes Jody Jenkins (PRS)
    Moody drone with bansuri flute & oud. Traditional Arabic theme develops
    2:46
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  2. Play
    Ancient Thought 1704/7 8 mixes Miguel Moreno (PRS)
    Tense Middle Eastern atmosphere with flute & Turkish Saz
    3:15
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  3. Play
    Arabian Sands 1526/2 5 mixes Darren Leigh Purkiss (PRS)
    Classical Arabic style guitar over deep ambiences into stirring cinematic climax
    1:57
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  4. Play
    Cave Art 1928/8 4 mixes Terry Devine-King (PRS)
    Mystical ambience with Eastern ethnic flute
    2:58
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  5. Play
    Dark Light 1552/3 3 mixes Tim Garland (PRS)
    Sinister drone with plaintive alto vocal chant & sublime airy soprano sax
    2:25
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  6. Play
    Forensics 1329/1 8 mixes Bob Bradley (PRS) | Michael Bradley (PRS)
    Eerie rhythms with emotional solo piano & guitar emerging
    3:48
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  7. Play
    Ghost Of The Sand 1696/7 14 mixes Christophe Goze (SACEM)
    Dark, atmospheric, Middle Eastern ambience with haunting duduk
    2:49
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  8. Play
    Life Scan 1417/8 8 mixes Terry Devine-King (PRS)
    Pulsating, eerie electronica with atmospheric strings, synths & effects
    2:04
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  9. Play
    Mystical 2281/8 5 mixes Theo Travis (PRS)
    Multi-layered alto flutes. Chordal & ethereal atmosphere
    2:22
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  10. Play
    Nergilla 1401/4 7 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
    Building, panoramic, Middle Eastern
    3:05
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  11. Play
    Pharaoh's Chronos 2084/4 14 mixes Chaz Kkoshi (PRS)
    Sinister piano motif with Arabian violin & tabla over dark textures
    3:20
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  12. Play
    Silken Shroud 1977/3 9 mixes David O'Brien (PRS)
    Dark & dreamy blend of Middle Eastern elements over minimal groove
    3:44
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  13. Play
    Temple Voices 1624/3 11 mixes Roberto Briot (SACEM)
    Mysterious, Middle Eastern theme with dark pads & vocals
    2:04
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  14. Play
    The Investigation 1331/6 8 mixes Bob Bradley (PRS)
    Brooding rhythmic bed with expressive guitar & synth lines. Slight Middle East influence
    3:04
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  15. Play
    Who Is There 1518/9 12 mixes Kathryn Tickell (PRS)
    Atmospheric looped guitars with bowed cymbals & wood flute
    1:54
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