Track Details

Urban Myth 12 (30) - 14 mixes

  1. Play
    Urban Myth 1975/2 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Insistent piano over swirling textures, pulsing synths & electronic beats
    2:32
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-97502
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  2. Play
    Urban Myth 2 1975/33 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Insistent piano over swirling textures & pulsing synths. No beats
    2:31
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-97533
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  3. Play
    Urban Myth 3 1975/34 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Swirling textures build with pulsing synths & electronic beats. No piano
    2:31
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-97534
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  4. Play
    Urban Myth 4 1975/35 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Swirling atmospheric textures with synth pulse & musical sound design
    2:31
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-97535
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  5. Play
    Urban Myth 5 (60) 1975/36 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Insistent piano over swirling textures, pulsing synths & electronic beats
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-97536
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  6. Play
    Urban Myth 6 (60) 1975/37 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Insistent piano over swirling textures & pulsing synths. No beats
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-97537
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  7. Play
    Urban Myth 7 (60) 1975/38 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Swirling textures build with pulsing synths & electronic beats. No piano
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-97538
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  8. Play
    Urban Myth 8 (60) 1975/39 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Swirling atmospheric textures with synth pulse & musical sound design
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-97539
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  9. Play
    Urban Myth 9 (30) 1975/40 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Insistent piano over swirling textures, pulsing synths & electronic beats
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-97540
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  10. Play
    Urban Myth 10 (30) 1975/41 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Insistent piano over swirling textures & pulsing synths. No beats
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-97541
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  11. Play
    Urban Myth 11 (30) 1975/42 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Swirling textures build with pulsing synths & electronic beats. No piano
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-13-97542
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  12. Play
    Urban Myth 12 (30) 1975/43 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Swirling atmospheric textures with synth pulse & musical sound design
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-13-97543
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  13. Play
    Urban Myth 13 (Sting) 1975/44 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Atmospheric light tension sting with sound design & sfx
    0:05
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-97544
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  14. Play
    Urban Myth 14 (Sting) 1975/45 Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Atmospheric light tension hit sting
    0:04
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    • Tempo NotesMedium
    • ISRCGB-FFM-13-97545
    • PublisherAudio Network Limited
    • Release Year2013
    FactoidThe writer Tony Barrell is a collector of modern urban myths, many of which he has explored in a Sunday Times column. These include the story that Orson Welles began work on a Batman movie in the 1940s, which was to feature James Cagney as the Riddler and Marlene Dietrich as Catwoman, and the idea that in a famous 1970s poster of Farrah Fawcett, there is a subliminal sexual message concealed in the actress's hair.
  1. Play
    Delicate Decisions 1869/3 6 mixes Philip Guyler (PRS)
    Probing, insistent piano above gentle modular pulsing, pads & light groove
    2:22
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  2. Play
    Evidence Trail 1739/6 7 mixes Philip Guyler (PRS)
    Mysterious, atmospheric piano & synth textures with percussion
    2:48
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  3. Play
    Positive Impulse 1873/4 6 mixes Philip Guyler (PRS)
    Spacey piano hook with gentle electronica & developing groove
    2:29
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  4. Play
    Precise Motion 1916/1 6 mixes Philip Guyler (PRS)
    Positive piano hook above ambient pads builds with glitches & reverse fx
    2:23
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  5. Play
    Reversed Reality 1486/67 2 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Tense reversed piano over steady electronic beats & SFX
    2:47
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  6. Play
    Stealing Threat 2171/4 8 mixes Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Dramatic tense piano over contemporary beats, sweeping synths & strings
    2:42
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