Track Details

Up For It - 10 mixes

  1. Play
    Up For It 2568/4 Barrie Gledden (PRS) | Paul Clarvis (PRS)
    Quirky alt pop with stomping toms, dirty bass & spiky synth hook
    3:12
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-56804
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidPaul Clarvis and his wife Sonia Slany are both credited as soloists on the James Bond film Spectre, but their credits were written up in the credit roll before they had done their solos - which were performed just 6 days before the premier of the movie.
  2. Play
    Up For It 2 2568/38 Barrie Gledden (PRS) | Paul Clarvis (PRS)
    Stomping toms with quirky synth hook & dirty bass
    2:03
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-56838
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidPaul Clarvis and his wife Sonia Slany are both credited as soloists on the James Bond film Spectre, but their credits were written up in the credit roll before they had done their solos - which were performed just 6 days before the premier of the movie.
  3. Play
    Up For It 3 (60) 2568/39 Barrie Gledden (PRS) | Paul Clarvis (PRS)
    Quirky alt pop with stomping toms, dirty bass & spiky synth hook
    1:00
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-56839
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidPaul Clarvis and his wife Sonia Slany are both credited as soloists on the James Bond film Spectre, but their credits were written up in the credit roll before they had done their solos - which were performed just 6 days before the premier of the movie.
  4. Play
    Up For It 4 (60) 2568/40 Barrie Gledden (PRS) | Paul Clarvis (PRS)
    Stomping toms with quirky synth hook & dirty bass
    1:00
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-56840
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidPaul Clarvis and his wife Sonia Slany are both credited as soloists on the James Bond film Spectre, but their credits were written up in the credit roll before they had done their solos - which were performed just 6 days before the premier of the movie.
  5. Play
    Up For It 5 (60) 2568/41 Barrie Gledden (PRS) | Paul Clarvis (PRS)
    Cool, stomping drum & percussion groove
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-56841
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidPaul Clarvis and his wife Sonia Slany are both credited as soloists on the James Bond film Spectre, but their credits were written up in the credit roll before they had done their solos - which were performed just 6 days before the premier of the movie.
  6. Play
    Up For It 6 (30) 2568/42 Barrie Gledden (PRS) | Paul Clarvis (PRS)
    Quirky alt pop with stomping toms, cool bass & spiky synth hook
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-56842
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidPaul Clarvis and his wife Sonia Slany are both credited as soloists on the James Bond film Spectre, but their credits were written up in the credit roll before they had done their solos - which were performed just 6 days before the premier of the movie.
  7. Play
    Up For It 7 (30) 2568/43 Barrie Gledden (PRS) | Paul Clarvis (PRS)
    Stomping toms with quirky synth hook & dirty bass
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-56843
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidPaul Clarvis and his wife Sonia Slany are both credited as soloists on the James Bond film Spectre, but their credits were written up in the credit roll before they had done their solos - which were performed just 6 days before the premier of the movie.
  8. Play
    Up For It 8 (30) 2568/44 Barrie Gledden (PRS) | Paul Clarvis (PRS)
    Sexy, stomping drum & percussion groove
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-56844
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidPaul Clarvis and his wife Sonia Slany are both credited as soloists on the James Bond film Spectre, but their credits were written up in the credit roll before they had done their solos - which were performed just 6 days before the premier of the movie.
  9. Play
    Up For It 9 (Sting) 2568/45 Barrie Gledden (PRS) | Paul Clarvis (PRS)
    Quirky alt pop sting with stomping toms, dirty bass & spiky synth hook
    0:03
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-56845
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidPaul Clarvis and his wife Sonia Slany are both credited as soloists on the James Bond film Spectre, but their credits were written up in the credit roll before they had done their solos - which were performed just 6 days before the premier of the movie.
  10. Play
    Up For It 10 (Sting) 2568/46 Barrie Gledden (PRS) | Paul Clarvis (PRS)
    Sting with stomping toms & hit ending
    0:03
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-16-56846
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidPaul Clarvis and his wife Sonia Slany are both credited as soloists on the James Bond film Spectre, but their credits were written up in the credit roll before they had done their solos - which were performed just 6 days before the premier of the movie.
  1. Play
    Everything Changes 2568/1 11 mixes Barrie Gledden (PRS) | Paul Clarvis (PRS)
    Gritty alternative pop with dynamic guitar runs, dirty bass & busy drums
    2:38
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  2. Play
    Power Washing 1914/11 10 mixes Paul Ressel (PRS)
    Quirky electro rock with distorted bass, retro synths & drums
    2:57
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  3. Play
    World Of Imagination 2568/2 11 mixes Barrie Gledden (PRS) | Paul Clarvis (PRS)
    Frenetic, interacting guitars, drums & lo-fi synth with uplifting chorus
    2:38
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  4. Play
    Yes I Can 2568/6 10 mixes Barrie Gledden (PRS) | Paul Clarvis (PRS)
    Quirky alternative pop with choppy guitars, 8-bit hooks & baggy beats
    2:36
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