Track Details

True Destiny 7 (30) - 10 mixes

  1. Play
    True Destiny 2358/8 Barrie Gledden (PRS) | Jason Pedder (PRS)
    Hypnotic arpeggiated synth bass & atmospheric textures with minimal piano
    2:29
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-35808
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThirteen is at the heart of this composition, a prime number. Prime numbers are used to build the rest of the piece.
  2. Play
    True Destiny 2 2358/88 Barrie Gledden (PRS) | Jason Pedder (PRS)
    Hypnotic arpeggiated synth bass & atmospheric textures. No piano
    2:29
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-35888
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThirteen is at the heart of this composition, a prime number. Prime numbers are used to build the rest of the piece.
  3. Play
    True Destiny 3 2358/89 Barrie Gledden (PRS) | Jason Pedder (PRS)
    Hypnotic arpeggiated atmospheric textures. Continual ebb & flow
    2:27
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-35889
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThirteen is at the heart of this composition, a prime number. Prime numbers are used to build the rest of the piece.
  4. Play
    True Destiny 4 (60) 2358/90 Barrie Gledden (PRS) | Jason Pedder (PRS)
    Hypnotic arpeggiated synth bass & atmospheric textures with minimal piano
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-35890
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThirteen is at the heart of this composition, a prime number. Prime numbers are used to build the rest of the piece.
  5. Play
    True Destiny 5 (60) 2358/91 Barrie Gledden (PRS) | Jason Pedder (PRS)
    Hypnotic arpeggiated synth bass & atmospheric textures. No piano
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-35891
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThirteen is at the heart of this composition, a prime number. Prime numbers are used to build the rest of the piece.
  6. Play
    True Destiny 6 (60) 2358/92 Barrie Gledden (PRS) | Jason Pedder (PRS)
    Hypnotic arpeggiated atmospheric textures. Continual ebb & flow
    1:00
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-15-35892
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThirteen is at the heart of this composition, a prime number. Prime numbers are used to build the rest of the piece.
  7. Play
    True Destiny 7 (30) 2358/93 Barrie Gledden (PRS) | Jason Pedder (PRS)
    Hypnotic arpeggiated synth bass & atmospheric textures with minimal piano
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-15-35893
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThirteen is at the heart of this composition, a prime number. Prime numbers are used to build the rest of the piece.
  8. Play
    True Destiny 8 (30) 2358/94 Barrie Gledden (PRS) | Jason Pedder (PRS)
    Hypnotic arpeggiated synth bass & atmospheric textures. No piano
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-15-35894
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThirteen is at the heart of this composition, a prime number. Prime numbers are used to build the rest of the piece.
  9. Play
    True Destiny 9 (30) 2358/95 Barrie Gledden (PRS) | Jason Pedder (PRS)
    Hypnotic arpeggiated atmospheric textures. Continual ebb & flow
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-15-35895
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThirteen is at the heart of this composition, a prime number. Prime numbers are used to build the rest of the piece.
  10. Play
    True Destiny 10 (30) 2358/96 Barrie Gledden (PRS) | Jason Pedder (PRS)
    Hypnotic arpeggiated synth bass & atmospheric textures. Alt mix
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-35896
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThirteen is at the heart of this composition, a prime number. Prime numbers are used to build the rest of the piece.
  1. Play
    Clockwork Clouds 2878/1 6 mixes Barrie Gledden (PRS)
    Rotating swirls of electronica constantly build, evolve & merge
    4:06
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  2. Play
    Gathering 2358/10 13 mixes Barrie Gledden (PRS) | Jason Pedder (PRS)
    Anxious piano motifs & beats merge with guitars, synths & sound design
    4:19
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  3. Play
    Infinite Possibilities 2358/5 8 mixes Barrie Gledden (PRS) | Jason Pedder (PRS)
    Calming atmospheric bed with rhythmic patterns, sparse piano & guitar
    3:08
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  4. Play
    Like A Ghost 2213/1 14 mixes Alexis Smith (PRS) | Joe Henson (PRS)
    Grand evolving textures with analogue arpeggios & four to the floor beat
    3:36
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  5. Play
    Obvious Youth 2213/6 14 mixes Alexis Smith (PRS) | Joe Henson (PRS)
    Four to the floor beat with warm, ambient pads & electronic vocal hook
    2:46
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