Time Standing Still 18 (Sting) - 19 mixes

  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/7
  • ISRC GB-FFM-16-68507
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/102
  • ISRC GB-FFM-09-68502
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/103
  • ISRC GB-FFM-09-68503
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/104
  • ISRC GB-FFM-09-68504
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/105
  • ISRC GB-FFM-09-68505
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/106
  • ISRC GB-FFM-09-68506
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/107
  • ISRC GB-FFM-09-68507
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/108
  • ISRC GB-FFM-09-68508
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/109
  • ISRC GB-FFM-09-68509
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/110
  • ISRC GB-FFM-09-68510
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/111
  • ISRC GB-FFM-09-68511
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/112
  • ISRC GB-FFM-09-68512
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/113
  • ISRC GB-FFM-09-68513
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/114
  • ISRC GB-FFM-09-68514
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/115
  • ISRC GB-FFM-09-68515
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/116
  • ISRC GB-FFM-09-68516
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/117
  • ISRC GB-FFM-09-68517
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/118
  • ISRC GB-FFM-09-68518
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock
  • Key F (ends in F)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Slow
  • Album Number 2685/119
  • ISRC GB-FFM-09-68519
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid This track copies an idea explored in 1680 by Henry Purcell in his 'Fantasia Upon One Note' in which you can hear the same note (C) being played throughout. In Purcell's piece it is the same instrument (often the poor viola in modern performances) who has to endure 2:33 of middle C! In this track, an F is always being played by one of the wind players. The clock effect is a recording of a genuine children's Iron Man alarm clock

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