Track Details

They Will Return 6 (60) - 15 mixes

  1. Play
    They Will Return 2729/2 Sam Wedgwood (PRS)
    Plaintive woodwind with emotional strings, harp & piano. Optimism builds
    2:26
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72902
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away from Hastings, near the town now known as Battle, probably at Senlac Hill.
  2. Play
    They Will Return 2 (60) 2729/25 Sam Wedgwood (PRS)
    Plaintive woodwind with light strings & piano. Optimism builds
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72925
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  3. Play
    They Will Return 3 2729/26 Sam Wedgwood (PRS)
    Light harp with anxious strings, piano & glock. Optimism builds
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72926
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  4. Play
    They Will Return 4 (60) 2729/27 Sam Wedgwood (PRS)
    Light harp with anxious strings, piano & glock. Optimism builds. Alt mix
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72927
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  5. Play
    They Will Return 5 (60) 2729/28 Sam Wedgwood (PRS)
    Warm strings build to a positive & heroic climax with piano & woodwind
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72928
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  6. Play
    They Will Return 6 (60) 2729/29 Sam Wedgwood (PRS)
    Anxious strings build to a positive & heroic climax with piano & woodwind
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72929
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  7. Play
    They Will Return 7 (30) 2729/30 Sam Wedgwood (PRS)
    Gentle, reflective woodwind with glock, harp, piano & high strings
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72930
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  8. Play
    They Will Return 8 (30) 2729/31 Sam Wedgwood (PRS)
    Gentle, reflective harp & glock with anxious strings & piano
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72931
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  9. Play
    They Will Return 9 (30) 2729/32 Sam Wedgwood (PRS)
    Anxious piano & high strings with gentle glock. Gong to start
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72932
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  10. Play
    They Will Return 10 (30) 2729/33 Sam Wedgwood (PRS)
    Brooding strings & piano opening into warm optimistic theme
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72933
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  11. Play
    They Will Return 11 (30) 2729/34 Sam Wedgwood (PRS)
    Warm strings, horns & piano build to a stirring finish
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72934
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  12. Play
    They Will Return 12 (Sting) 2729/35 Sam Wedgwood (PRS)
    Melancholy woodwind with harp sting
    0:19
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72935
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  13. 0:10
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72936
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  14. 0:10
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-17-72937
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  15. Play
    They Will Return 15 (Sting) 2729/38 Sam Wedgwood (PRS)
    Bright, rising orchestral passage sting
    0:10
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    • Tempo NotesSlow
    • ISRCGB-FFM-17-72938
    • PublisherAudio Network Limited
    • Release Year2017
    FactoidThe battle of Hastings was actually fought some six to seven miles away, near the town now known as Battle, probably at Senlac Hill.
  1. Play
    Land of Promise 1216/3 5 mixes Terry Devine-King (PRS)
    Broad, panoramic, filmic orchestral. Royal Philharmonic Orchestra
    2:51
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  2. Play
    Long Reflections 1501/2 4 mixes Luke Richards (PRS)
    Emotional, subtle orchestral film score building with soaring oboe
    3:27
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  3. 4:44
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  4. Play
    Upland Trail 1520/26 1 mixes Debbie Wiseman (PRS)
    Slow, reflective orchestra with a slightly mysterious edge
    1:57
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