Track Details

The Verdict 2 - 10 mixes

  1. Play
    The Verdict 1658/8 Terry Devine-King (PRS) | Tom Peters (PRS) | Gavin Harrison (PRS)
    Brooding orchestral with epic drums & percussion. Builds to anxious climax
    2:48
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-65808
    • PublisherAudio Network Limited
    • Release Year2011
    Factoid"Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first, verdict afterwards." [Lewis Carroll from 'Alice's Adventures in Wonderland']
  2. Play
    The Verdict 2 1658/58 Terry Devine-King (PRS) | Tom Peters (PRS) | Gavin Harrison (PRS)
    Brooding, melancholy orchestral with long build into big drums
    2:23
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-65858
    • PublisherAudio Network Limited
    • Release Year2011
    Factoid"Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first, verdict afterwards." [Lewis Carroll from 'Alice's Adventures in Wonderland']
  3. Play
    The Verdict 3 1658/59 Terry Devine-King (PRS) | Tom Peters (PRS) | Gavin Harrison (PRS)
    Brooding, melancholy orchestral with long build into tense strings. No drums
    2:23
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-65859
    • PublisherAudio Network Limited
    • Release Year2011
    Factoid"Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first, verdict afterwards." [Lewis Carroll from 'Alice's Adventures in Wonderland']
  4. Play
    The Verdict 4 1658/60 Terry Devine-King (PRS) | Tom Peters (PRS) | Gavin Harrison (PRS)
    Brooding, melancholy orchestral. Slow building, piano led atmospheric mix
    2:11
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-65860
    • PublisherAudio Network Limited
    • Release Year2011
    Factoid"Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first, verdict afterwards." [Lewis Carroll from 'Alice's Adventures in Wonderland']
  5. Play
    The Verdict 5 1658/61 Terry Devine-King (PRS) | Tom Peters (PRS) | Gavin Harrison (PRS)
    Tense & expectant, sparse atmospheric bed with drum hit climax
    1:19
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-65861
    • PublisherAudio Network Limited
    • Release Year2011
    Factoid"Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first, verdict afterwards." [Lewis Carroll from 'Alice's Adventures in Wonderland']
  6. Play
    The Verdict 6 (60) 1658/62 Terry Devine-King (PRS) | Tom Peters (PRS) | Gavin Harrison (PRS)
    Brooding orchestral with epic drums & percussion
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-65862
    • PublisherAudio Network Limited
    • Release Year2011
    Factoid"Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first, verdict afterwards." [Lewis Carroll from 'Alice's Adventures in Wonderland']
  7. Play
    The Verdict 7 (30) 1658/63 Terry Devine-King (PRS) | Tom Peters (PRS) | Gavin Harrison (PRS)
    Brooding orchestral with epic drums & percussion
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-65863
    • PublisherAudio Network Limited
    • Release Year2011
    Factoid"Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first, verdict afterwards." [Lewis Carroll from 'Alice's Adventures in Wonderland']
  8. Play
    The Verdict 8 (Sting) 1658/64 Terry Devine-King (PRS) | Tom Peters (PRS) | Gavin Harrison (PRS)
    Tense, dramatic sting with anxious strings & big drums
    0:09
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-65864
    • PublisherAudio Network Limited
    • Release Year2011
    Factoid"Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first, verdict afterwards." [Lewis Carroll from 'Alice's Adventures in Wonderland']
  9. 0:08
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-11-65865
    • PublisherAudio Network Limited
    • Release Year2011
    Factoid"Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first, verdict afterwards." [Lewis Carroll from 'Alice's Adventures in Wonderland']
  10. 0:07
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-65866
    • PublisherAudio Network Limited
    • Release Year2011
    Factoid"Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first, verdict afterwards." [Lewis Carroll from 'Alice's Adventures in Wonderland']
  1. Play
    Acoustic Electricity 1715/1 13 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Moody strings over steady electronic beats & pulsing textures. Slowly builds
    3:17
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  2. Play
    Action News 1177/5 1 mixes Gareth Johnson (PRS) | Matt Hill (PRS)
    Driving groove with strings & urgent piano top line. Remix of Da Vinci
    4:08
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  3. Play
    Approaching The Hour 1933/7 7 mixes Philip Guyler (PRS)
    Tense, expectant build with ticking clock & anxious piano
    2:35
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  4. Play
    Asteroid 1392/5 16 mixes Nick Ingman (PRS) | Terry Devine-King (PRS)
    Glowering orchestral. Breaks then builds violently with choir in sections
    3:04
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  5. Play
    Dirty Planet 1365/3 9 mixes Bob Bradley (PRS) | Paul Mottram (PRS)
    Moody cinematic orchestra build into hard edged drums & synths
    3:23
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  6. Play
    Elective 2422/7 15 mixes Mark Petrie (ASCAP) | Andrew Prahlow (BMI)
    Pensive orchestral hybrid builds with big percussion to decisive conclusion
    2:35
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  7. Play
    Help Is On The Way 2145/3 20 mixes Gareth Johnson (PRS) | Chris Egan (PRS)
    Powerful, driving hybrid orchestral. Heroic & stirring throughout
    2:57
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  8. Play
    Leading Edge 2422/8 14 mixes Mark Petrie (ASCAP)
    Mysterious piano & pulsing synths build with strings & drums to tense climax
    2:21
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  9. Play
    Left In The Dark 1739/3 11 mixes Terry Devine-King (PRS) | Tom Peters (PRS) | Gavin Harrison (PRS)
    Dark drama featuring ambient piano over electronic groove & synth strings
    2:20
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  10. Play
    On the Edge 1169/6 4 mixes Terry Devine-King (PRS)
    Tense orchestral into violence
    1:53
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  11. Play
    Orbit 1392/2 9 mixes Nick Ingman (PRS) | Terry Devine-King (PRS)
    Fantasy orchestral building to driving climax
    2:00
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  12. Play
    Power Play 1933/2 12 mixes Terry Devine-King (PRS)
    Hard hitting theme with orchestra, big electronic beats & insistent piano
    1:46
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  13. Play
    Quest 1217/4 7 mixes Terry Devine-King (PRS)
    Gradually building orchestral. Expectant, dark strings. Big end
    1:55
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  14. Play
    Reality Check 2422/4 13 mixes Mark Petrie (ASCAP) | Dorian Charnis (ASCAP)
    Tense orchestra & electronica builds from brooding opening to epic finale
    2:32
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  15. Play
    Task Force 2761/7 15 mixes Glen Gabriel Jansson (ASCAP)
    Desolate soundscape develops with pulsing synths, edgy strings & rock beats
    3:24
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  16. Play
    Walk Of Shame 1765/2 6 mixes Philip Guyler (PRS)
    Dramatic build with rock guitars, piano & powerful drums
    3:08
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