Track Details

The Assassin 5 (60) - 6 mixes

  1. Play
    The Assassin 1552/9 Christopher Ashmore (PRS)
    Intense cello melody over dark, cold pads. Alto flute enters half-way through
    2:54
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-10-55209
    • PublisherAudio Network Limited
    • Release Year2010
  2. Play
    The Assassin 2 1552/54 Christopher Ashmore (PRS)
    Dark, cold soundscape with low drone & swirling wind effects
    1:49
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-10-55254
    • PublisherAudio Network Limited
    • Release Year2010
  3. Play
    The Assassin 3 1552/55 Christopher Ashmore (PRS)
    Slow, eerie & sinister solo violin
    1:05
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-10-55255
    • PublisherAudio Network Limited
    • Release Year2010
  4. Play
    The Assassin 4 (60) 1552/56 Christopher Ashmore (PRS)
    Intense cello melody over dark, cold pads - main mix cutdown 1
    1:00
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-10-55256
    • PublisherAudio Network Limited
    • Release Year2010
  5. Play
    The Assassin 5 (60) 1552/57 Christopher Ashmore (PRS)
    Reflective alto flute with cello - main mix cutdown 2
    1:00
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-10-55257
    • PublisherAudio Network Limited
    • Release Year2010
  6. Play
    The Assassin 6 (30) 1552/58 Christopher Ashmore (PRS)
    Intense cello melody over dark, cold pads
    0:30
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    • Tempo NotesVery Slow
    • ISRCGB-FFM-10-55258
    • PublisherAudio Network Limited
    • Release Year2010
  1. Play
    Behind the Curtain 1529/3 5 mixes Christopher Ashmore (PRS) | Benjamin Marks (PRS)
    Magical, mystical fantasy featuring dulcimer, Celeste & violin
    2:43
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  2. Play
    Bleak 2493/4 9 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Oppressive, tragic drone with orchestra & deep, slow percussion
    2:31
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  3. Play
    Deserted Land 1309/3 5 mixes Paul Mottram (PRS)
    Mysterious, desolate violins with piano interjections - gradually builds
    3:51
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  4. Play
    Evil Lands 2456/5 8 mixes David O'Brien (PRS) | Paul Clarvis (PRS)
    Dark, nightmarish drone with twisted horn textures & ethnic flute
    2:34
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  5. Play
    Frontier 1429/17 9 mixes Helen Jane Long (PRS)
    Hypnotic echoing piano chords over dark synth bed
    2:58
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  6. Play
    In the Beginning 1147/6 5 mixes Paul Mottram (PRS)
    Violin over low, dark drone and arctic wind
    2:52
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  7. Play
    Into The Distance 1946/6 14 mixes Debbie Wiseman (PRS)
    Mournful flute over slowly swelling strings, light harp & percussion
    2:03
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  8. Play
    Mafiosi 1054/12 1 mixes Terry Devine-King (PRS)
    Threatening, dark pads and violins
    2:04
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  9. Play
    Menacing Eyes 2670/10 10 mixes Theo Travis (PRS)
    Dark, brooding cello & alto flute harmonies over a deep drone
    2:35
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  10. Play
    Profundis 1554/2 9 mixes Julian Lloyd Webber (PRS) | Pam Chowhan (PRS)
    Swirling, ambient orchestra with harp & cello
    1:39
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  11. Play
    Rising Concern 1933/9 6 mixes Philip Guyler (PRS)
    Dark soundscape builds in tension with electronica & brooding cello
    2:33
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  12. Play
    Scorched Ground 2493/10 9 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Desolate sound design/drone with deep sparse percussion
    3:05
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  13. Play
    Sketches 1686/1 7 mixes Bruce Maginnis (APRA)
    Atmospheric, moody & sparse piano with cello
    3:31
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