Track Details
Switch 12 (30) 20 mixes
Switch 3000/1
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets builds with electric violin, drums & strings
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00001
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 2 3000/10
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets builds with percussion & bass
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00010
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 3 3000/11
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets builds with electric violin & drums
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00011
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 4 3000/12
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Dreamy tuned percussion builds with electric violin, strings & drums
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00012
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 5 (60) 3000/13
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets builds with electric violin & warm strings
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00013
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 6 (60) 3000/14
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets builds with bass & drums
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00014
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 7 (60) 3000/15
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets with bass
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00015
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 8 (60) 3000/16
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets with high perc, electric violin & strings
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00016
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 9 (60) 3000/17
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets builds with electric violin, drums & strings
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00017
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 10 (60) 3000/18
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets with high percussion
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00018
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 11 (30) 3000/19
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Ambient synth textures & percussion into uplifting strings & driving drums
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00019
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 12 (30) 3000/20
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Tapestry of mallets build with uplifting strings
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesMedium
- ISRCGB-FFM-18-00020
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 13 (30) 3000/21
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Ambient synth textures lead to uplifting strings
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00021
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 14 (30) 3000/22
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets builds with drums & uplifting strings
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00022
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 15 (30) 3000/23
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets with high percussion & uplifting strings
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00023
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 16 (30) 3000/24
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets & percussion with bass
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00024
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 17 (30) 3000/25
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets & high percussion
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00025
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 18 (30) 3000/26
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Hypnotic tapestry of mallets & high percussion with drums
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesFast
- ISRCGB-FFM-18-00026
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesMedium
- ISRCGB-FFM-18-00027
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
Switch 20 (Sting) 3000/28
Evelyn Glennie (PRS) |
Michael Levine (ASCAP)
Delicate glock & dark cello sting
- AlbumDouble Crossings 3000
- KeyE (ends in Em)
- Metre4/4
- Tempo120 bpm (ends at 120)
- Tempo NotesMedium
- ISRCGB-FFM-18-00028
- PublisherAudio Network Limited
- Release Year2018
FactoidMichael Levine, a composer based in LA, mentioned on an Audio Network session that he had always wanted to work with Dame Evelyn Glennie. Audio Network got them together and this was the result - recorded at Abbey Road Studios
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