Track Details

Spirit Awakening 4 - 14 mixes

  1. Play
    Spirit Awakening 2606/5 Sonia Slany (PRS) | Paul Clarvis (PRS)
    Yearning duduk melody, shimmering strings, bass drum & monochord drone
    4:20
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    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60605
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  2. Play
    Spirit Awakening 2 2606/54 Sonia Slany (PRS) | Paul Clarvis (PRS)
    Yearning duduk, strings, bass drum & monochord drone. No violin
    4:21
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    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60654
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  3. Play
    Spirit Awakening 3 2606/55 Sonia Slany (PRS) | Paul Clarvis (PRS)
    Traditional duduk, violin, bass drum & monochord drone. No strings
    4:19
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    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60655
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  4. Play
    Spirit Awakening 4 2606/56 Sonia Slany (PRS) | Paul Clarvis (PRS)
    Traditional duduk, violin & subtle monochord drone. No strings or percussion
    4:18
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    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60656
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  5. Play
    Spirit Awakening 5 2606/57 Sonia Slany (PRS) | Paul Clarvis (PRS)
    Atmospheric monochord with shimmering overtones & string trems
    4:19
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    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60657
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  6. Play
    Spirit Awakening 6 2606/58 Sonia Slany (PRS) | Paul Clarvis (PRS)
    Atmospheric monochord drone with shimmering overtones & bass drum
    4:20
    Add to favourites Add to cart
    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60658
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  7. Play
    Spirit Awakening 7 2606/59 Sonia Slany (PRS) | Paul Clarvis (PRS)
    Middle-Eastern inspired melody, tremolo strings & drone. Strings only
    4:18
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    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60659
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  8. Play
    Spirit Awakening 8 (60) 2606/60 Sonia Slany (PRS) | Paul Clarvis (PRS)
    Yearning duduk melody, shimmering strings, bass drum & monochord drone
    1:00
    Add to favourites Add to cart
    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60660
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  9. Play
    Spirit Awakening 9 (60) 2606/61 Sonia Slany (PRS) | Paul Clarvis (PRS)
    Yearning duduk & high strings melody, bass drum & monochord drone. Alt mix
    1:00
    Add to favourites Add to cart
    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60661
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  10. Play
    Spirit Awakening 10 (30) 2606/62 Sonia Slany (PRS) | Paul Clarvis (PRS)
    Yearning duduk melody, shimmering strings, bass drum & monochord drone
    0:30
    Add to favourites Add to cart
    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60662
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  11. Play
    Spirit Awakening 11 (30) 2606/63 Sonia Slany (PRS) | Paul Clarvis (PRS)
    Yearning duduk & high strings melody, bass drum & monochord drone. Alt mix
    0:30
    Add to favourites Add to cart
    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60663
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  12. Play
    0:21
    Add to favourites Add to cart
    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60664
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  13. Play
    0:14
    Add to favourites Add to cart
    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60665
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  14. 0:15
    Add to favourites Add to cart
    • AlbumDuduk 2606
    • KeyBm (ends in Bm)
    • MetreN/A
    • Tempon/a
    • Tempo NotesVery Slow
    • ISRCGB-FFM-16-60666
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThis piece was inspired by the Armenian massacre, which Raphael Lemkin was explicitly moved in 1943 to name "genocide" to define the legal parameters of systematic annihilation
  1. Play
    Acropolis Now 1625/9 6 mixes Chaz Kkoshi (PRS)
    Menacing drone with Greek/Turkish instrumentation
    4:31
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  2. Play
    Ancestral Ground 1526/5 6 mixes Darren Leigh Purkiss (PRS)
    Deep Arabic ambience, evocative duduk & cinematic percussive climax
    3:46
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  3. Play
    Ancient Thought 1704/7 8 mixes Miguel Moreno (PRS)
    Tense Middle Eastern atmosphere with flute & Turkish Saz
    3:15
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  4. Play
    Ghost Of The Sand 1696/7 14 mixes Christophe Goze (SACEM)
    Dark, atmospheric, Middle Eastern ambience with haunting duduk
    2:49
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