So Much To Do 7 (30) - 14 mixes

  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/4
  • ISRC GB-FFM-16-70004
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/54
  • ISRC GB-FFM-16-70054
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/55
  • ISRC GB-FFM-16-70055
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/56
  • ISRC GB-FFM-16-70056
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/57
  • ISRC GB-FFM-16-70057
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/58
  • ISRC GB-FFM-16-70058
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/59
  • ISRC GB-FFM-16-70059
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/60
  • ISRC GB-FFM-16-70060
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/61
  • ISRC GB-FFM-16-70061
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/62
  • ISRC GB-FFM-16-70062
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/63
  • ISRC GB-FFM-16-70063
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/64
  • ISRC GB-FFM-16-70064
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/65
  • ISRC GB-FFM-16-70065
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  • Key Am (ends in Am)
  • Metre 4/4
  • Tempo 216 bpm (ends at 216)
  • Tempo Notes Fast
  • Album Number 2700/66
  • ISRC GB-FFM-16-70066
  • Publisher Audio Network Limited
  • Release Year 2016
Factoid The strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.

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