Track Details

So Much To Do 7 (30) - 14 mixes

  1. Play
    So Much To Do 2700/4 Paul Mottram (PRS)
    Light intricate strings & marimba with a twinkle in its eye
    2:19
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    • Tempo NotesFast
    • ISRCGB-FFM-16-70004
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  2. Play
    So Much To Do 2 2700/54 Paul Mottram (PRS)
    Light, intricate & playful strings. No marimba
    2:19
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    • Tempo NotesFast
    • ISRCGB-FFM-16-70054
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  3. Play
    So Much To Do 3 2700/55 Paul Mottram (PRS)
    Light intricate strings & marimba. 1st half mix
    1:19
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    • Tempo NotesFast
    • ISRCGB-FFM-16-70055
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  4. Play
    So Much To Do 4 2700/56 Paul Mottram (PRS)
    Light intricate strings & marimba. 2nd half mix with fuller start
    1:06
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    • Tempo NotesFast
    • ISRCGB-FFM-16-70056
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  5. Play
    So Much To Do 5 (60) 2700/57 Paul Mottram (PRS)
    Light intricate strings & marimba with a twinkle in its eye
    1:00
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-16-70057
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  6. Play
    So Much To Do 6 (60) 2700/58 Paul Mottram (PRS)
    Light, intricate & playful strings. No marimba
    1:00
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-16-70058
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  7. Play
    So Much To Do 7 (30) 2700/59 Paul Mottram (PRS)
    Light intricate strings & marimba. Quiet ending
    0:30
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-16-70059
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  8. Play
    So Much To Do 8 (30) 2700/60 Paul Mottram (PRS)
    Light, intricate & playful strings. No marimba. Quiet ending
    0:30
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-16-70060
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  9. Play
    So Much To Do 9 (30) 2700/61 Paul Mottram (PRS)
    Light intricate strings & marimba with a twinkle in its eye
    0:30
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-16-70061
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  10. Play
    So Much To Do 10 (30) 2700/62 Paul Mottram (PRS)
    Light, intricate & playful strings. No marimba
    0:30
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-16-70062
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  11. Play
    So Much To Do 11 (Sting) 2700/63 Paul Mottram (PRS)
    Light intricate strings & marimba sting
    0:08
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-16-70063
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  12. Play
    So Much To Do 12 (Sting) 2700/64 Paul Mottram (PRS)
    Very light intricate strings & marimba sting
    0:07
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-16-70064
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  13. Play
    So Much To Do 13 (Sting) 2700/65 Paul Mottram (PRS)
    Fuller strings & marimba sting
    0:06
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-16-70065
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  14. Play
    So Much To Do 14 (Sting) 2700/66 Paul Mottram (PRS)
    Light intricate strings & marimba sting
    0:06
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-16-70066
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe strings on this track were recorded 'antiphonally' meaning that they were set out with violins to the left and right of the conductor so we could record the 'ping-pong' effects of the answering phrases in the violins and violas. A normal classical set up would have the violins on the left and cellos on the right. Here the cellos and basses are in the middle.
  1. Play
    Devil in the Detail 1700/5 9 mixes Paul Mottram (PRS)
    Fast intricate strings with marimba
    2:58
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  2. Play
    Fireflies 1300/1 9 mixes Paul Mottram (PRS)
    Light intricate textures for string orchestra & marimba
    2:59
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  3. Play
    Neutrinos 1701/7 17 mixes Paul Mottram (PRS)
    Light, busy strings with marimba, a dash of intrigue & magic
    2:52
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  4. Play
    Tensile 2918/7 13 mixes Paul Mottram (PRS)
    Exhilarating strings with building minimalist woodwind & brass motifs
    2:56
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  5. Play
    Why Not 2700/1 16 mixes Paul Mottram (PRS)
    Fast intricate strings with marimba & vibes
    2:05
    Add to favourites Add to cart
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