Track Details

Sinister 11 (30) - 17 mixes

  1. Play
    Sinister 2449/2 David Tobin (PRS/BMI) | Jeff Meegan (BMI) | Tim Garland (PRS)
    Mysterious & threatening cello with ominous strings, electronic bass & toms
    2:18
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-44902
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  2. Play
    Sinister 2 2449/29 David Tobin (PRS/BMI) | Jeff Meegan (BMI) | Tim Garland (PRS)
    Ominous electronic drone underscore building to threatening drums at 60"
    2:06
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-44929
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  3. Play
    Sinister 3 2449/30 David Tobin (PRS/BMI) | Jeff Meegan (BMI) | Tim Garland (PRS)
    Mysterious & threatening cello with angry strings. No bass drones or drums
    2:03
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-44930
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  4. Play
    Sinister 4 2449/31 David Tobin (PRS/BMI) | Jeff Meegan (BMI) | Tim Garland (PRS)
    Angry, threatening string underscore. No solo cello, drones or drums
    2:03
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-44931
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  5. Play
    Sinister 5 2449/32 David Tobin (PRS/BMI) | Jeff Meegan (BMI) | Tim Garland (PRS)
    Ominous, threatening underscore with drones, strings & drums. No cello
    1:57
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-44932
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  6. Play
    Sinister 6 2449/33 David Tobin (PRS/BMI) | Jeff Meegan (BMI) | Tim Garland (PRS)
    Threatening electronic drones with high synth motif & big drums to end
    1:53
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-44933
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  7. Play
    Sinister 7 (60) 2449/34 David Tobin (PRS/BMI) | Jeff Meegan (BMI) | Tim Garland (PRS)
    Mysterious & threatening cello with ominous strings, electronic drones & toms
    1:00
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    • AlbumDark Fusions 2449
    • KeyBbm/A#m (ends in Bbm/A#m)
    • Metre3/4
    • Tempo86 bpm (ends at 86)
    • Tempo NotesMedium
    • ISRCGB-FFM-15-44934
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  8. Play
    Sinister 8 (60) 2449/35 David Tobin (PRS/BMI) | Jeff Meegan (BMI) | Tim Garland (PRS)
    Ominous, threatening underscore with drones & angry strings. No drums
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-44935
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  9. Play
    Sinister 9 (60) 2449/36 David Tobin (PRS/BMI) | Jeff Meegan (BMI) | Tim Garland (PRS)
    Dark, brooding guitar & drones pad with ticking clock-style electronics
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-44936
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  10. Play
    Sinister 10 (30) 2449/37 David Tobin (PRS/BMI) | Jeff Meegan (BMI) | Tim Garland (PRS)
    Pulsing electronic bass with ticking clock style electronics. Does not grow
    0:30
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    • AlbumDark Fusions 2449
    • KeyBbm/A#m (ends in Bbm/A#m)
    • Metre3/4
    • Tempo86 bpm (ends at 86)
    • Tempo NotesMedium
    • ISRCGB-FFM-15-44937
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  11. Play
    Sinister 11 (30) 2449/38 David Tobin (PRS/BMI) | Jeff Meegan (BMI) | Tim Garland (PRS)
    Mysterious & threatening cello with ominous strings, electronic drones & toms
    0:30
    Add to favourites Add to cart
    • AlbumDark Fusions 2449
    • KeyBbm/A#m (ends in Bbm/A#m)
    • Metre3/4
    • Tempo86 bpm (ends at 86)
    • Tempo NotesMedium
    • ISRCGB-FFM-15-44938
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  12. Play
    Sinister 12 2449/39 David Tobin (PRS/BMI) | Jeff Meegan (BMI) | Tim Garland (PRS)
    Threatening, ominous drums. Percussion only
    0:24
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    • AlbumDark Fusions 2449
    • KeyBbm/A#m (ends in Bbm/A#m)
    • Metre3/4
    • Tempo86 bpm (ends at 86)
    • Tempo NotesMedium
    • ISRCGB-FFM-15-44939
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  13. 0:11
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-44940
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  14. 0:11
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    • AlbumDark Fusions 2449
    • KeyBbm/A#m (ends in Bbm/A#m)
    • Metre3/4
    • Tempo86 bpm (ends at 86)
    • Tempo NotesMedium
    • ISRCGB-FFM-15-44941
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  15. 0:09
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-44942
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  16. 0:08
    Add to favourites Add to cart
    • AlbumDark Fusions 2449
    • KeyBbm/A#m (ends in Bbm/A#m)
    • Metre3/4
    • Tempo86 bpm (ends at 86)
    • Tempo NotesMedium
    • ISRCGB-FFM-15-44943
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  17. 0:05
    Add to favourites Add to cart
    • AlbumDark Fusions 2449
    • KeyBbm/A#m (ends in Bbm/A#m)
    • Metre3/4
    • Tempo86 bpm (ends at 86)
    • Tempo NotesMedium
    • ISRCGB-FFM-15-44944
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidThe word "sinister" comes from the early 15th century, meaning "prompted by malice or ill-will, intending to mislead," and traces its roots to the Old French word "senstre"
  1. Play
    Aurora Borealis 2062/6 14 mixes Terry Devine-King (PRS)
    Ambient layers build to orchestral textures with haunting cor anglais
    2:38
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  2. Play
    It's Happening 1501/5 2 mixes Luke Richards (PRS)
    Solo cello evolves into atmospheric soundscape with strings & acoustic guitar
    3:41
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  3. Play
    Life In The Shadows 2264/1 16 mixes Luke Richards (PRS)
    Cinematic orchestral journey through themes of mystery, romance & drama
    4:22
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  4. Play
    Rising Concern 1933/9 6 mixes Philip Guyler (PRS)
    Dark soundscape builds in tension with electronica & brooding cello
    2:33
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