Track Details

Seek And Destroy 5 (60) - 11 mixes

  1. Play
    Seek And Destroy 2544/4 Jody Jenkins (PRS)
    Tense orchestral hybrid with menacing strings, brass, synths & percussion
    2:47
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    • AlbumBreathless 2544
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo120 bpm (ends at 120)
    • Tempo NotesMedium
    • ISRCGB-FFM-16-54404
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe string melody is based around the ‘tri-tone’ (augmented 4th), an interval which suggests a feeling of uncertainty and tension. The 'interval' was outlawed in Renaissance church music, as it was thought to be the work of the devil in harmony.
  2. Play
    Seek And Destroy 2 2544/39 Jody Jenkins (PRS)
    Tense orchestral hybrid with menacing strings, synths & percussion
    2:47
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    • AlbumBreathless 2544
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo120 bpm (ends at 120)
    • Tempo NotesMedium
    • ISRCGB-FFM-16-54439
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe string melody is based around the ‘tri-tone’ (augmented 4th), an interval which suggests a feeling of uncertainty and tension. The 'interval' was outlawed in Renaissance church music, as it was thought to be the work of the devil in harmony.
  3. Play
    Seek And Destroy 3 2544/40 Jody Jenkins (PRS)
    Tense, menacing orchestral strings & brass
    2:17
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    • AlbumBreathless 2544
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo120 bpm (ends at 120)
    • Tempo NotesMedium
    • ISRCGB-FFM-16-54440
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe string melody is based around the ‘tri-tone’ (augmented 4th), an interval which suggests a feeling of uncertainty and tension. The 'interval' was outlawed in Renaissance church music, as it was thought to be the work of the devil in harmony.
  4. Play
    Seek And Destroy 4 (60) 2544/41 Jody Jenkins (PRS)
    Tense orchestral hybrid with menacing strings, brass, synths & percussion
    1:00
    Add to favourites Add to cart
    • AlbumBreathless 2544
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo120 bpm (ends at 120)
    • Tempo NotesMedium
    • ISRCGB-FFM-16-54441
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe string melody is based around the ‘tri-tone’ (augmented 4th), an interval which suggests a feeling of uncertainty and tension. The 'interval' was outlawed in Renaissance church music, as it was thought to be the work of the devil in harmony.
  5. Play
    Seek And Destroy 5 (60) 2544/42 Jody Jenkins (PRS)
    Tense orchestral hybrid with menacing strings, synths & percussion
    1:00
    Add to favourites Add to cart
    • AlbumBreathless 2544
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo120 bpm (ends at 120)
    • Tempo NotesMedium
    • ISRCGB-FFM-16-54442
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe string melody is based around the ‘tri-tone’ (augmented 4th), an interval which suggests a feeling of uncertainty and tension. The 'interval' was outlawed in Renaissance church music, as it was thought to be the work of the devil in harmony.
  6. Play
    Seek And Destroy 6 (60) 2544/43 Jody Jenkins (PRS)
    Tense, menacing orchestral strings & brass
    1:00
    Add to favourites Add to cart
    • AlbumBreathless 2544
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo120 bpm (ends at 120)
    • Tempo NotesMedium
    • ISRCGB-FFM-16-54443
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe string melody is based around the ‘tri-tone’ (augmented 4th), an interval which suggests a feeling of uncertainty and tension. The 'interval' was outlawed in Renaissance church music, as it was thought to be the work of the devil in harmony.
  7. Play
    Seek And Destroy 7 (30) 2544/44 Jody Jenkins (PRS)
    Tense orchestral hybrid with menacing strings, brass, synths & percussion
    0:30
    Add to favourites Add to cart
    • AlbumBreathless 2544
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo120 bpm (ends at 120)
    • Tempo NotesMedium
    • ISRCGB-FFM-16-54444
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe string melody is based around the ‘tri-tone’ (augmented 4th), an interval which suggests a feeling of uncertainty and tension. The 'interval' was outlawed in Renaissance church music, as it was thought to be the work of the devil in harmony.
  8. Play
    Seek And Destroy 8 (30) 2544/45 Jody Jenkins (PRS)
    Tense orchestral hybrid with menacing strings, synths & percussion
    0:30
    Add to favourites Add to cart
    • AlbumBreathless 2544
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo120 bpm (ends at 120)
    • Tempo NotesMedium
    • ISRCGB-FFM-16-54445
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe string melody is based around the ‘tri-tone’ (augmented 4th), an interval which suggests a feeling of uncertainty and tension. The 'interval' was outlawed in Renaissance church music, as it was thought to be the work of the devil in harmony.
  9. Play
    Seek And Destroy 9 (30) 2544/46 Jody Jenkins (PRS)
    Tense, dark & mysterious orchestral strings. No brass
    0:30
    Add to favourites Add to cart
    • AlbumBreathless 2544
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo120 bpm (ends at 120)
    • Tempo NotesMedium
    • ISRCGB-FFM-16-54446
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe string melody is based around the ‘tri-tone’ (augmented 4th), an interval which suggests a feeling of uncertainty and tension. The 'interval' was outlawed in Renaissance church music, as it was thought to be the work of the devil in harmony.
  10. Play
    Seek And Destroy 10 (Sting) 2544/47 Jody Jenkins (PRS)
    Tense, driving orchestral hybrid sting
    0:11
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    • AlbumBreathless 2544
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo120 bpm (ends at 120)
    • Tempo NotesMedium
    • ISRCGB-FFM-16-54447
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe string melody is based around the ‘tri-tone’ (augmented 4th), an interval which suggests a feeling of uncertainty and tension. The 'interval' was outlawed in Renaissance church music, as it was thought to be the work of the devil in harmony.
  11. Play
    0:08
    Add to favourites Add to cart
    • AlbumBreathless 2544
    • KeyCm (ends in Cm)
    • Metre4/4
    • Tempo120 bpm (ends at 120)
    • Tempo NotesMedium
    • ISRCGB-FFM-16-54448
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidThe string melody is based around the ‘tri-tone’ (augmented 4th), an interval which suggests a feeling of uncertainty and tension. The 'interval' was outlawed in Renaissance church music, as it was thought to be the work of the devil in harmony.
  1. Play
    Born Ready 2196/8 17 mixes Mark Denis (SESAC)
    Dramatic action orchestra with bombastic stabs, bold brass & pulsing bass
    2:42
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  2. Play
    Contagious 2673/1 18 mixes William Davies (PRS)
    Dramatic orchestral hybrid with driving drums builds from brooding opening
    3:38
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  3. Play
    Don't Look Behind 2820/7 12 mixes Tim Garland (PRS)
    Tense, dark & suspenseful orchestral thriller with sound design
    2:28
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  4. Play
    Drone Wars 2171/5 8 mixes Igor Dvorkin (PRS) | Ellie Kidd (PRS)
    Pulsating electronic urban tension groove. Builds
    2:42
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  5. Play
    Enemy 2372/1 21 mixes Tom Peters (PRS) | Gavin Harrison (PRS) | Chris Warner (PRS)
    Cinematic, building orchestral with drums & electronic glitches
    2:10
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  6. Play
    Ill Will 2942/5 14 mixes Bob Bradley (PRS) | Andrew Griffiths (PRS)
    Tense orchestral hybrid with menacing bass pulse, dramatic strings & brass
    2:38
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  7. Play
    Inception Probe 2746/4 7 mixes Noah Sorota (BMI)
    Persistent string ostinato figures & aggressive synth crescendo to climax
    3:06
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  8. Play
    Mechanized Thought 2746/1 7 mixes Noah Sorota (BMI)
    Intriguing story with developing string, piano & marimba figures & synth
    3:03
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  9. Play
    Money Drop 3004/5 12 mixes Amie Doherty (ASCAP)
    Tense strings with brass stabs, pulsing synths & driving percussion. Builds
    2:52
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  10. Play
    Ready For Battle 2068/7 10 mixes Terry Devine-King (PRS)
    Threatening orchestral electronica chase with industrial hits & fx
    2:47
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  11. Play
    They're Coming For Us 2264/2 13 mixes Luke Richards (PRS)
    Tense orchestral hybrid chase with big drums. Builds from expansive opening
    3:29
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  12. Play
    Time And Motion 2819/6 21 mixes Skaila Kanga (PRS) | Chris Egan (PRS)
    Brooding orchestra, harp & pulse fx build tension with modern spy feel
    2:28
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