Ruthless 5 (Sting) - 5 mixes

  • Key Em (ends in Em)
  • Metre 4/4
  • Tempo 140 bpm (ends at 140)
  • Tempo Notes Fast
  • Album Number 1957/6
  • ISRC GB-FFM-13-95706
  • Publisher Audio Network Limited
  • Release Year 2013
Factoid Each pitch that we hear contains additional pitches within it that are termed overtones or harmonics. The relative strength or weakness of these overtones determines the tone colour or timbre of the pitch. This is why no two instruments sound alike.
  • Key Em (ends in Em)
  • Metre 4/4
  • Tempo 140 bpm (ends at 140)
  • Tempo Notes Fast
  • Album Number 1957/46
  • ISRC GB-FFM-13-95746
  • Publisher Audio Network Limited
  • Release Year 2013
Factoid Each pitch that we hear contains additional pitches within it that are termed overtones or harmonics. The relative strength or weakness of these overtones determines the tone colour or timbre of the pitch. This is why no two instruments sound alike.
  • Key Em (ends in Em)
  • Metre 4/4
  • Tempo 140 bpm (ends at 140)
  • Tempo Notes Fast
  • Album Number 1957/47
  • ISRC GB-FFM-13-95747
  • Publisher Audio Network Limited
  • Release Year 2013
Factoid Each pitch that we hear contains additional pitches within it that are termed overtones or harmonics. The relative strength or weakness of these overtones determines the tone colour or timbre of the pitch. This is why no two instruments sound alike.
  • Key Em (ends in Em)
  • Metre 4/4
  • Tempo 140 bpm (ends at 140)
  • Tempo Notes Fast
  • Album Number 1957/48
  • ISRC GB-FFM-13-95748
  • Publisher Audio Network Limited
  • Release Year 2013
Factoid Each pitch that we hear contains additional pitches within it that are termed overtones or harmonics. The relative strength or weakness of these overtones determines the tone colour or timbre of the pitch. This is why no two instruments sound alike.
  • Key Em (ends in Em)
  • Metre 4/4
  • Tempo 140 bpm (ends at 140)
  • Tempo Notes Fast
  • Album Number 1957/49
  • ISRC GB-FFM-13-95749
  • Publisher Audio Network Limited
  • Release Year 2013
Factoid Each pitch that we hear contains additional pitches within it that are termed overtones or harmonics. The relative strength or weakness of these overtones determines the tone colour or timbre of the pitch. This is why no two instruments sound alike.

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