Track Details

Primordial Fear 12 mixes

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Primordial Fear 2963/2 Rob Kelly (PRS) | Duncan Pittock (PRS)
Intense, slow brass section with percussion fx recorded in reverberant cave
3:02
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  • Tempo NotesVery Slow
  • ISRCGB-FFM-18-96302
  • PublisherAudio Network Limited
  • Release Year2018
FactoidThis is what a brass section sounds like when you make them go deep into a cave system where it is cold and wet, there is no lighting or electricity but there is an astonishing 30 second reverb. It is next to impossible to play anything faster than around 60 Beats Per Minute. This is around 50 BPM
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Primordial Fear 2 2963/29 Rob Kelly (PRS) | Duncan Pittock (PRS)
Intense, slow brass recorded in reverberant cave. No percussion
3:02
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  • Tempo NotesVery Slow
  • ISRCGB-FFM-18-96329
  • PublisherAudio Network Limited
  • Release Year2018
FactoidThis is what a brass section sounds like when you make them go deep into a cave system where it is cold and wet, there is no lighting or electricity but there is an astonishing 30 second reverb. It is next to impossible to play anything faster than around 60 Beats Per Minute. This is around 50 BPM
Play
Primordial Fear 3 2963/30 Rob Kelly (PRS) | Duncan Pittock (PRS)
Intense, slow muted brass with percussion fx recorded in reverberant cave
3:02
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  • Tempo NotesVery Slow
  • ISRCGB-FFM-18-96330
  • PublisherAudio Network Limited
  • Release Year2018
FactoidThis is what a brass section sounds like when you make them go deep into a cave system where it is cold and wet, there is no lighting or electricity but there is an astonishing 30 second reverb. It is next to impossible to play anything faster than around 60 Beats Per Minute. This is around 50 BPM
Play
Primordial Fear 4 2963/31 Rob Kelly (PRS) | Duncan Pittock (PRS)
Horrific distorted brass & percussion recorded in a cave
3:06
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  • Tempo NotesVery Slow
  • ISRCGB-FFM-18-96331
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSurely the most unpleasant sound in Audio Network's otherwise gleaming catalogue
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Primordial Fear 5 2963/32 Rob Kelly (PRS) | Duncan Pittock (PRS)
Glowering low percussion recorded in a cave. Quietly unsettling
2:11
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  • Tempo NotesVery Slow
  • ISRCGB-FFM-18-96332
  • PublisherAudio Network Limited
  • Release Year2018
FactoidThis is what a brass section sounds like when you make them go deep into a cave system where it is cold and wet, there is no lighting or electricity but there is an astonishing 30 second reverb. It is next to impossible to play anything faster than around 60 Beats Per Minute. This is around 50 BPM
Play
Primordial Fear 6 (60) 2963/33 Rob Kelly (PRS) | Duncan Pittock (PRS)
Intense, slow brass section with percussion fx recorded in reverberant cave
1:00
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  • Tempo NotesVery Slow
  • ISRCGB-FFM-18-96333
  • PublisherAudio Network Limited
  • Release Year2018
FactoidThis is what a brass section sounds like when you make them go deep into a cave system where it is cold and wet, there is no lighting or electricity but there is an astonishing 30 second reverb. It is next to impossible to play anything faster than around 60 Beats Per Minute. This is around 50 BPM
Play
Primordial Fear 7 (30) 2963/34 Rob Kelly (PRS) | Duncan Pittock (PRS)
Intense, slow brass section with percussion fx recorded in reverberant cave
0:30
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  • Tempo NotesVery Slow
  • ISRCGB-FFM-18-96334
  • PublisherAudio Network Limited
  • Release Year2018
FactoidThis is what a brass section sounds like when you make them go deep into a cave system where it is cold and wet, there is no lighting or electricity but there is an astonishing 30 second reverb. It is next to impossible to play anything faster than around 60 Beats Per Minute. This is around 50 BPM
Play
0:16
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  • Tempo NotesVery Slow
  • ISRCGB-FFM-18-96335
  • PublisherAudio Network Limited
  • Release Year2018
FactoidThis is what a brass section sounds like when you make them go deep into a cave system where it is cold and wet, there is no lighting or electricity but there is an astonishing 30 second reverb. It is next to impossible to play anything faster than around 60 Beats Per Minute. This is around 50 BPM
0:15
Add to favourites Add to cart
  • Tempo NotesVery Slow
  • ISRCGB-FFM-18-96336
  • PublisherAudio Network Limited
  • Release Year2018
FactoidThis is what a brass section sounds like when you make them go deep into a cave system where it is cold and wet, there is no lighting or electricity but there is an astonishing 30 second reverb. It is next to impossible to play anything faster than around 60 Beats Per Minute. This is around 50 BPM
Play
0:15
Add to favourites Add to cart
  • Tempo NotesVery Slow
  • ISRCGB-FFM-18-96337
  • PublisherAudio Network Limited
  • Release Year2018
FactoidThis is what a brass section sounds like when you make them go deep into a cave system where it is cold and wet, there is no lighting or electricity but there is an astonishing 30 second reverb. It is next to impossible to play anything faster than around 60 Beats Per Minute. This is around 50 BPM
0:14
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  • Tempo NotesVery Slow
  • ISRCGB-FFM-18-96338
  • PublisherAudio Network Limited
  • Release Year2018
FactoidThis is what a brass section sounds like when you make them go deep into a cave system where it is cold and wet, there is no lighting or electricity but there is an astonishing 30 second reverb. It is next to impossible to play anything faster than around 60 Beats Per Minute. This is around 50 BPM
0:13
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  • Tempo NotesVery Slow
  • ISRCGB-FFM-18-96339
  • PublisherAudio Network Limited
  • Release Year2018
FactoidThis is what a brass section sounds like when you make them go deep into a cave system where it is cold and wet, there is no lighting or electricity but there is an astonishing 30 second reverb. It is next to impossible to play anything faster than around 60 Beats Per Minute. This is around 50 BPM
Play
Primitive Ritual 2963/3 15 mixes Rob Kelly (PRS) | Duncan Pittock (PRS)
Low, threatening brass with metallic percussion recorded in a cave. Builds
3:16
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Tunnel Of Fear 2963/5 14 mixes Rob Kelly (PRS) | Duncan Pittock (PRS)
Eerie percussion coming into focus in a huge cave. With strings & fx
3:03
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