Track Details

Power Shift 6 - 24 mixes

  1. Play
    Power Shift 2139/2 Bob Bradley (PRS) | Paul Mottram (PRS)
    Atmospheric orchestral intro builds heroically with powerful beats & choir
    4:04
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13902
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  2. Play
    Power Shift 2 2139/29 Bob Bradley (PRS) | Paul Mottram (PRS)
    Atmospheric orchestral intro builds heroically with powerful beats. No choir
    4:04
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13929
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  3. Play
    Power Shift 3 2139/30 Bob Bradley (PRS) | Paul Mottram (PRS)
    Atmospheric orchestral intro with eerie guitars builds heroically with beats
    4:04
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13930
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  4. Play
    Power Shift 4 2139/31 Bob Bradley (PRS) | Paul Mottram (PRS)
    Atmospheric orchestral intro builds heroically with choir. No electronica
    4:03
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13931
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  5. Play
    Power Shift 5 2139/32 Bob Bradley (PRS) | Paul Mottram (PRS)
    Atmospheric orchestral intro builds with powerful beats & choir. Underscore
    4:04
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13932
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  6. Play
    Power Shift 6 2139/33 Bob Bradley (PRS) | Paul Mottram (PRS)
    Atmospheric orchestral intro builds with powerful beats. Underscore, no choir
    4:04
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13933
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  7. Play
    Power Shift 7 2139/34 Bob Bradley (PRS) | Paul Mottram (PRS)
    Eerie atmospheric guitar & textures build with increasing power
    4:02
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13934
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  8. Play
    Power Shift 8 2139/35 Bob Bradley (PRS) | Paul Mottram (PRS)
    Eerie atmospheric textures build with increasing power. Underscore
    4:03
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13935
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  9. Play
    Power Shift 9 2139/36 Bob Bradley (PRS) | Paul Mottram (PRS)
    Powerful, stirring orchestra builds with beats & choir
    3:44
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13936
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  10. Play
    Power Shift 10 2139/37 Bob Bradley (PRS) | Paul Mottram (PRS)
    Tense orchestral action sequence with a dark, drawn out conclusion
    2:25
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13937
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  11. Play
    Power Shift 11 2139/38 Bob Bradley (PRS) | Paul Mottram (PRS)
    Tense orchestra action sequence slowly builds with big dramatic brass
    1:48
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13938
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  12. Play
    Power Shift 12 2139/39 Bob Bradley (PRS) | Paul Mottram (PRS)
    Epic rock orchestra with electric guitars & choir. Dramatic, overhang finish
    1:38
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13939
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  13. Play
    Power Shift 13 2139/40 Bob Bradley (PRS) | Paul Mottram (PRS)
    Dark, staccato strings with eerie electric guitar gently builds
    1:29
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13940
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  14. Play
    Power Shift 14 2139/41 Bob Bradley (PRS) | Paul Mottram (PRS)
    Dark, staccato strings gently build. No guitars
    1:29
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13941
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  15. Play
    Power Shift 15 2139/42 Bob Bradley (PRS) | Paul Mottram (PRS)
    Dark, eerie strings with light looping piano & progressive drum hits
    1:11
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13942
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  16. Play
    Power Shift 16 2139/43 Bob Bradley (PRS) | Paul Mottram (PRS)
    Dark, eerie strings with light looping piano, electric guitars & drums
    1:10
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13943
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  17. Play
    Power Shift 17 2139/44 Bob Bradley (PRS) | Paul Mottram (PRS)
    Dark, eerie strings with a light looping piano
    1:10
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13944
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  18. Play
    Power Shift 18 (60) 2139/45 Bob Bradley (PRS) | Paul Mottram (PRS)
    Atmospheric orchestral intro builds heroically with powerful beats & choir
    1:00
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13945
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  19. Play
    Power Shift 19 (30) 2139/46 Bob Bradley (PRS) | Paul Mottram (PRS)
    Atmospheric orchestral intro builds heroically with powerful beats & choir
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13946
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  20. 0:13
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13947
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  21. Play
    Power Shift 21 (Sting) 2139/48 Bob Bradley (PRS) | Paul Mottram (PRS)
    Dramatic synth riser sting with stabbing orchestra finish
    0:11
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13948
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  22. Play
    Power Shift 22 (Sting) 2139/49 Bob Bradley (PRS) | Paul Mottram (PRS)
    Dramatic synth riser sting with stabbing orchestra finish. Shorter
    0:06
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13949
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  23. Play
    Power Shift 23 (Sting) 2139/50 Bob Bradley (PRS) | Paul Mottram (PRS)
    Solo synth riser sting with stabbing orchestra
    0:05
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13950
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  24. Play
    Power Shift 24 (Sting) 2139/51 Bob Bradley (PRS) | Paul Mottram (PRS)
    Staccato strings & dramatic choir sting
    0:04
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-14-13951
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidNote mixes 9, 10, 12 each have alternative endings that could be used as endings to the main mix. Also note that the tracks Assault Course & Against the Clock are related to the middle section of this track.
  1. Play
    Assault Course 2139/4 16 mixes Paul Mottram (PRS) | Bob Bradley (PRS)
    Driving orchestral tension with insistent beats & plenty of action
    1:44
    Add to favourites Add to cart
  2. Play
    Final Ultimatum 2139/3 27 mixes Paul Mottram (PRS) | Bob Bradley (PRS)
    Tense intro into high octane action sequence with orchestra & beats
    3:36
    Add to favourites Add to cart
  3. Play
    Legend 2567/4 7 mixes Bob Bradley (PRS) | Terry Devine-King (PRS)
    Anthemic orchestral EDM dubstep with huge bass, tuff beats & choir
    2:35
    Add to favourites Add to cart
  4. Play
    Mars 1392/1 11 mixes Nick Ingman (PRS) | Terry Devine-King (PRS)
    Grandiose orchestral opening into pounding, stirring theme with choir
    4:38
    Add to favourites Add to cart
  5. Play
    Rising Tensions 2139/1 22 mixes Paul Mottram (PRS) | Bob Bradley (PRS)
    Tense & exciting orchestra builds with heavy beats & electronica
    4:36
    Add to favourites Add to cart
  6. Play
    Treacherous Conditions 2152/4 7 mixes John DeFaria (ASCAP)
    Dramatic orchestral with tense slide & twangy lead guitar. Oozing attitude
    3:12
    Add to favourites Add to cart
  7. Play
    Troopers 2567/5 7 mixes Bob Bradley (PRS) | Terry Devine-King (PRS)
    Breakbeats & anthemic orchestra with epic choir, DJ scratches & guitars
    4:10
    Add to favourites Add to cart
  8. Play
    Troopers 7 (Sting) 2567/36 7 mixes Bob Bradley (PRS) | Terry Devine-King (PRS)
    Driving breakbeats with looping synth melody sting
    0:09
    Add to favourites Add to cart
×

Get started with incredible music

Sign up now and get 10 tracks to trial in your projects

Get trial tracks

Updating... one moment please