Track Details

Platform Bootz 7 (Sting) - 8 mixes

  1. Play
    Platform Bootz 1495/1 Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
    70s glam rock stomp with rock ‘n’ roll guitars, claps & ‘Hey’ chants
    2:45
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    • AlbumGlam Rock 1495
    • KeyEbm/D#m (ends in Ebm/D#m)
    • Metre4/4
    • Tempo146 bpm (ends at 146)
    • Tempo NotesMedium
    • ISRCGB-FFM-10-49501
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidManifesting itself in outrageous clothes, makeup, hairstyles, and platform-soled boots. Glam is most noted for its sexual and gender ambiguity and representations of androgyny, beside extensive use of theatrics
  2. 2:45
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    • AlbumGlam Rock 1495
    • KeyEbm/D#m (ends in Ebm/D#m)
    • Metre4/4
    • Tempo146 bpm (ends at 146)
    • Tempo NotesMedium
    • ISRCGB-FFM-10-49508
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidManifesting itself in outrageous clothes, makeup, hairstyles, and platform-soled boots. Glam is most noted for its sexual and gender ambiguity and representations of androgyny, beside extensive use of theatrics
  3. Play
    Platform Bootz 3 (60) 1495/9 Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
    70s glam rock stomp with rock ‘n’ roll guitars, claps and ‘Hey’ chants
    0:59
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    • AlbumGlam Rock 1495
    • KeyEbm/D#m (ends in Ebm/D#m)
    • Metre4/4
    • Tempo146 bpm (ends at 146)
    • Tempo NotesMedium
    • ISRCGB-FFM-10-49509
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidManifesting itself in outrageous clothes, makeup, hairstyles, and platform-soled boots. Glam is most noted for its sexual and gender ambiguity and representations of androgyny, beside extensive use of theatrics
  4. 0:59
    Add to favourites Add to cart
    • AlbumGlam Rock 1495
    • KeyEbm/D#m (ends in Ebm/D#m)
    • Metre4/4
    • Tempo146 bpm (ends at 146)
    • Tempo NotesMedium
    • ISRCGB-FFM-10-49510
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidManifesting itself in outrageous clothes, makeup, hairstyles, and platform-soled boots. Glam is most noted for its sexual and gender ambiguity and representations of androgyny, beside extensive use of theatrics
  5. Play
    Platform Bootz 5 (30) 1495/11 Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
    70s glam rock stomp with rock ‘n’ roll guitars, claps and ‘Hey’ chants
    0:30
    Add to favourites Add to cart
    • AlbumGlam Rock 1495
    • KeyEbm/D#m (ends in Ebm/D#m)
    • Metre4/4
    • Tempo146 bpm (ends at 146)
    • Tempo NotesMedium
    • ISRCGB-FFM-10-49511
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidManifesting itself in outrageous clothes, makeup, hairstyles, and platform-soled boots. Glam is most noted for its sexual and gender ambiguity and representations of androgyny, beside extensive use of theatrics
  6. 0:30
    Add to favourites Add to cart
    • AlbumGlam Rock 1495
    • KeyEbm/D#m (ends in Ebm/D#m)
    • Metre4/4
    • Tempo146 bpm (ends at 146)
    • Tempo NotesMedium
    • ISRCGB-FFM-10-49512
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidManifesting itself in outrageous clothes, makeup, hairstyles, and platform-soled boots. Glam is most noted for its sexual and gender ambiguity and representations of androgyny, beside extensive use of theatrics
  7. 0:03
    Add to favourites Add to cart
    • AlbumGlam Rock 1495
    • KeyEbm/D#m (ends in Ebm/D#m)
    • Metre4/4
    • Tempo146 bpm (ends at 146)
    • Tempo NotesMedium
    • ISRCGB-FFM-10-49513
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidManifesting itself in outrageous clothes, makeup, hairstyles, and platform-soled boots. Glam is most noted for its sexual and gender ambiguity and representations of androgyny, beside extensive use of theatrics
  8. 0:03
    Add to favourites Add to cart
    • AlbumGlam Rock 1495
    • KeyEbm/D#m (ends in Ebm/D#m)
    • Metre4/4
    • Tempo146 bpm (ends at 146)
    • Tempo NotesMedium
    • ISRCGB-FFM-10-49514
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidManifesting itself in outrageous clothes, makeup, hairstyles, and platform-soled boots. Glam is most noted for its sexual and gender ambiguity and representations of androgyny, beside extensive use of theatrics
  1. Play
    Bubblegum Baby 1495/6 9 mixes Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
    70s guitar driven glam rock uplifting & positive throughout
    3:36
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  2. Play
    Dirty Girl 1635/13 15 mixes Chris Blackwell (PRS)
    Sleazy 1970s rock stomper with saucy distorted vocal
    2:39
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  3. Play
    Glam Party 1495/7 8 mixes Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
    Upbeat 70s glam pop boogie with fuzzed out riffing & retro lead guitar
    2:15
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  4. Play
    Glamourize 2506/2 8 mixes Barrie Gledden (PRS) | Kes Loy (PRS)
    Triumphant electro glam rock stomper for 21st century boys
    3:32
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  5. Play
    Glamrags 1201/11 8 mixes Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
    Stomping 1970s glam rock song with male vocal
    3:11
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  6. Play
    Guyz And Gallz 1495/2 8 mixes Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
    Sleazy 70s glam rock. Thumping tom tom groove & fuzz guitar riffs
    3:09
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  7. 2:50
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  8. Play
    Leathers and Feathers 1495/5 8 mixes Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
    Punky mid tempo 70s Glam Rock with trashy guitar & hand claps
    2:50
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  9. Play
    Let It Roll 2943/7 11 mixes Adam Drake (PRS) | Tom Jenkins (PRS)
    Bouncy indie rock with dirty bass, twangy guitar & catchy vocal hooks
    2:20
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  10. Play
    Let There Be Toms 1605/4 15 mixes Tim Renwick (PRS)
    Stomping glam rock with heavy guitars, piano & occasional vocal "heys"!
    3:02
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  11. Play
    Make Up Shake Up 1495/3 8 mixes Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
    Crunchy 70s British glam rock with rock ‘n’ roll guitars & hand claps
    3:21
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  12. Play
    Meltdown 1632/6 7 mixes Daniel Gautreau (PRS)
    Angular prog rock. Cool, weird & angry all at the same time
    2:37
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  13. Play
    Monster Mash 1845/6 8 mixes Chris Bussey (PRS)
    Anthemic metal with chugging guitars, heavy drums & distorted vocals
    3:04
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  14. Play
    Silver Boots 2760/2 16 mixes Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
    Glam rock stomp with crowd ''nahs'' to the tune of 'Glory Glory Hallelujah'
    2:10
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  15. Play
    Voodoo Stomp 1692/1 9 mixes Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
    Psychedelic glam rock stomper. Spaced out & freaky
    2:16
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