Track Details

Pale Noir 4 (60) - 11 mixes

  1. Play
    Pale Noir 2563/9 Richard Lacy (PRS) | David Bird (PRS) | Terry Maskill (PRS)
    Duplicitous crime theme with a nostalgic feel, featuring classical guitar
    2:48
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    • Tempo NotesMedium
    • ISRCGB-FFM-16-56309
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidOwing to Orson Welles arriving two weeks late for the filming of 'The Third Man', men in fat suits had to be used as body doubles for several shots.
  2. Play
    Pale Noir 2 2563/102 Richard Lacy (PRS) | David Bird (PRS) | Terry Maskill (PRS)
    Artful underscore with a nostalgic feel, featuring classical guitar
    2:48
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-56302
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidOwing to Orson Welles arriving two weeks late for the filming of 'The Third Man', men in fat suits had to be used as body doubles for several shots.
  3. Play
    Pale Noir 3 2563/103 Richard Lacy (PRS) | David Bird (PRS) | Terry Maskill (PRS)
    Duplicitous, nostalgic theme, featuring guitar. No cello or flute
    2:46
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-56303
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidOwing to Orson Welles arriving two weeks late for the filming of 'The Third Man', men in fat suits had to be used as body doubles for several shots.
  4. Play
    Pale Noir 4 (60) 2563/104 Richard Lacy (PRS) | David Bird (PRS) | Terry Maskill (PRS)
    Duplicitous crime theme with a nostalgic feel, featuring classical guitar
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-56304
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidOwing to Orson Welles arriving two weeks late for the filming of 'The Third Man', men in fat suits had to be used as body doubles for several shots.
  5. Play
    Pale Noir 5 (60) 2563/105 Richard Lacy (PRS) | David Bird (PRS) | Terry Maskill (PRS)
    Artful underscore with a nostalgic feel, featuring classical guitar
    1:00
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-09-56305
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidOwing to Orson Welles arriving two weeks late for the filming of 'The Third Man', men in fat suits had to be used as body doubles for several shots.
  6. Play
    Pale Noir 6 (60) 2563/106 Richard Lacy (PRS) | David Bird (PRS) | Terry Maskill (PRS)
    Artful underscore with a nostalgic feel, featuring guitar. No chord changes
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-56306
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidOwing to Orson Welles arriving two weeks late for the filming of 'The Third Man', men in fat suits had to be used as body doubles for several shots.
  7. Play
    Pale Noir 7 (30) 2563/107 Richard Lacy (PRS) | David Bird (PRS) | Terry Maskill (PRS)
    Duplicitous crime theme with a nostalgic feel, featuring classical guitar
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-56307
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidOwing to Orson Welles arriving two weeks late for the filming of 'The Third Man', men in fat suits had to be used as body doubles for several shots.
  8. Play
    Pale Noir 8 (30) 2563/108 Richard Lacy (PRS) | David Bird (PRS) | Terry Maskill (PRS)
    Artful underscore with a nostalgic feel, featuring classical guitar
    0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-09-56308
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidOwing to Orson Welles arriving two weeks late for the filming of 'The Third Man', men in fat suits had to be used as body doubles for several shots.
  9. Play
    Pale Noir 9 (30 Promo) 2563/109 Richard Lacy (PRS) | David Bird (PRS) | Terry Maskill (PRS)
    Duplicitous crime theme promo with a nostalgic feel, featuring guitar
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-56309
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidOwing to Orson Welles arriving two weeks late for the filming of 'The Third Man', men in fat suits had to be used as body doubles for several shots.
  10. Play
    Pale Noir 10 (Sting) 2563/110 Richard Lacy (PRS) | David Bird (PRS) | Terry Maskill (PRS)
    Duplicitous, nostalgic crime theme sneaky rhythm sting
    0:06
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-56310
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidOwing to Orson Welles arriving two weeks late for the filming of 'The Third Man', men in fat suits had to be used as body doubles for several shots.
  11. Play
    0:05
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-56311
    • PublisherAudio Network Limited
    • Release Year2016
    FactoidOwing to Orson Welles arriving two weeks late for the filming of 'The Third Man', men in fat suits had to be used as body doubles for several shots.
  1. Play
    Hard Men 2563/5 14 mixes Richard Lacy (PRS) | David Bird (PRS) | Terry Maskill (PRS)
    Angular & menacing drama theme. Builds with dramatic drums & guitars
    2:43
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  2. Play
    Mists Of Time 1189/18 1 mixes Mark Johns (PRS)
    Reflective, slightly dark, solo classical guitar patterns
    2:14
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  3. Play
    Ornamentalis 2410/2 11 mixes Richard Lacy (PRS) | David Bird (PRS) | Terry Maskill (PRS)
    Insistent, ornate baroque-style guitar & mandolin quartet. Optimism builds
    3:57
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  4. Play
    Rejected 2497/5 11 mixes Lee Pomeroy (PRS) | David Michael (PRS)
    Haunting, hypnotic guitar with clavichord melody, horns, vibes & organ
    3:44
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