Ode To Joy 14 (30) - 20 mixes

  • Key D (ends in D)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Medium
  • Album Number 2344/3
  • ISRC GB-FFM-15-34403
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Medium
  • Album Number 2344/49
  • ISRC GB-FFM-15-34449
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid The orchestra found it very hard to play this with the gaps. They instinctively played in the rest bars
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Medium
  • Album Number 2344/50
  • ISRC GB-FFM-15-34450
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven used to write using a piece of wood which he'd clamp between his teeth and the harpsichord so he could feel the vibrations of the instrument when his hearing had gone
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Medium
  • Album Number 2344/51
  • ISRC GB-FFM-15-34451
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Medium
  • Album Number 2344/52
  • ISRC GB-FFM-15-34452
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Medium
  • Album Number 2344/53
  • ISRC GB-FFM-15-34453
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Medium
  • Album Number 2344/54
  • ISRC GB-FFM-15-34454
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Medium
  • Album Number 2344/55
  • ISRC GB-FFM-15-34455
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Medium
  • Album Number 2344/56
  • ISRC GB-FFM-15-34456
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid This is London Voices under Ben Parry belting it out in Abbey Road Studio 1
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Medium
  • Album Number 2344/57
  • ISRC GB-FFM-15-34457
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid At the end of the first performance of this Beethoven couldn't hear the performance and waved his arms wildly out of time. How he missed this racket is a mystery.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Medium
  • Album Number 2344/58
  • ISRC GB-FFM-15-34458
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 120 bpm (ends at 120)
  • Tempo Notes Medium
  • Album Number 2344/59
  • ISRC GB-FFM-15-34459
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 144 bpm (ends at 144)
  • Tempo Notes Medium
  • Album Number 2344/60
  • ISRC GB-FFM-15-34460
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid We found it almost impossible to make a 30 second of this work. We got there in the end.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 144 bpm (ends at 144)
  • Tempo Notes Medium
  • Album Number 2344/61
  • ISRC GB-FFM-15-34461
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 132 bpm (ends at 132)
  • Tempo Notes Medium
  • Album Number 2344/62
  • ISRC GB-FFM-15-34462
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 132 bpm (ends at 132)
  • Tempo Notes Medium
  • Album Number 2344/63
  • ISRC GB-FFM-15-34463
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 132 bpm (ends at 132)
  • Tempo Notes Medium
  • Album Number 2344/64
  • ISRC GB-FFM-15-34464
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid You probably won't want this, but you've got it anyway.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 132 bpm (ends at 132)
  • Tempo Notes Medium
  • Album Number 2344/65
  • ISRC GB-FFM-15-34465
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 132 bpm (ends at 132)
  • Tempo Notes Medium
  • Album Number 2344/66
  • ISRC GB-FFM-15-34466
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.
  • Key D (ends in D)
  • Metre 4/4
  • Tempo 132 bpm (ends at 132)
  • Tempo Notes Medium
  • Album Number 2344/67
  • ISRC GB-FFM-15-34467
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Beethoven was 54 when this was first performed in 1824 and by that time entirely deaf. At the end of the first performance Beethoven couldn't hear the rapturous applause behind him and thought the work had been a flop. He was turned to face the audience by the Contralto Caroline Unger, so he could witness the cheers and a prolonged standing ovation. He died three years' later.

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