Track Details

Non Violent 7 (60) 13 mixes

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Non Violent 1780/9 Paul Ressel (PRS)
Contemplative & positive piano with bendy strings & subtle percussion
3:10
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  • Tempo NotesMedium
  • ISRCGB-FFM-12-78009
  • PublisherAudio Network Limited
  • Release Year2012
FactoidThe violin on this recording was prepared by using metal loops on the strings, making it sound unusually fuzzy.
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Non Violent 2 1780/85 Paul Ressel (PRS)
Contemplative & positive piano with bendy strings
3:10
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  • Tempo NotesMedium
  • ISRCGB-FFM-12-78085
  • PublisherAudio Network Limited
  • Release Year2012
FactoidThe violin on this recording was prepared by using metal loops on the strings, making it sound unusually fuzzy.
Play
Non Violent 3 1780/86 Paul Ressel (PRS)
Contemplative & quirky piano & strings underscore
3:10
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  • Tempo NotesMedium
  • ISRCGB-FFM-12-78086
  • PublisherAudio Network Limited
  • Release Year2012
FactoidThe violin on this recording was prepared by using metal loops on the strings, making it sound unusually fuzzy
Play
Non Violent 4 (60) 1780/87 Paul Ressel (PRS)
Contemplative & positive piano with bendy strings & subtle percussion
1:00
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  • Tempo NotesMedium
  • ISRCGB-FFM-12-78087
  • PublisherAudio Network Limited
  • Release Year2012
FactoidThe violin on this recording was prepared by using metal loops on the strings, making it sound unusually fuzzy
Play
Non Violent 5 (60) 1780/88 Paul Ressel (PRS)
Contemplative & positive piano with bendy strings
1:00
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  • Tempo NotesMedium
  • ISRCGB-FFM-12-78088
  • PublisherAudio Network Limited
  • Release Year2012
FactoidThe violin on this recording was prepared by using metal loops on the strings, making it sound unusually fuzzy
Play
Non Violent 6 (60) 1780/89 Paul Ressel (PRS)
Contemplative & positive piano with subtle quirky percussion
1:00
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  • Tempo NotesMedium
  • ISRCGB-FFM-12-78089
  • PublisherAudio Network Limited
  • Release Year2012
FactoidThe violin on this recording was prepared by using metal loops on the strings, making it sound unusually fuzzy
Play
Non Violent 7 (60) 1780/90 Paul Ressel (PRS)
Contemplative & positive piano with lo-fi strings & subtle percussion
1:00
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  • Tempo NotesMedium
  • ISRCGB-FFM-12-78090
  • PublisherAudio Network Limited
  • Release Year2012
FactoidThe violin on this recording was prepared by using metal loops on the strings, making it sound unusually fuzzy
Play
Non Violent 8 (30) 1780/91 Paul Ressel (PRS)
Contemplative & positive piano with bendy strings & subtle percussion
0:30
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  • Tempo NotesMedium
  • ISRCGB-FFM-12-78091
  • PublisherAudio Network Limited
  • Release Year2012
FactoidThe violin on this recording was prepared by using metal loops on the strings, making it sound unusually fuzzy
Play
Non Violent 9 (30) 1780/92 Paul Ressel (PRS)
Contemplative & calming strings with piano & subtle percussion
0:30
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  • Tempo NotesMedium
  • ISRCGB-FFM-12-78092
  • PublisherAudio Network Limited
  • Release Year2012
FactoidThe violin on this recording was prepared by using metal loops on the strings, making it sound unusually fuzzy
Play
Non Violent 10 (30) 1780/93 Paul Ressel (PRS)
Contemplative & positive piano with bendy strings
0:30
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  • Tempo NotesMedium
  • ISRCGB-FFM-12-78093
  • PublisherAudio Network Limited
  • Release Year2012
FactoidThe violin on this recording was prepared by using metal loops on the strings, making it sound unusually fuzzy.
Play
Non Violent 11 (30) 1780/94 Paul Ressel (PRS)
Contemplative & positive piano with subtle percussion
0:30
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  • Tempo NotesMedium
  • ISRCGB-FFM-12-78094
  • PublisherAudio Network Limited
  • Release Year2012
FactoidThe violin on this recording was prepared by using metal loops on the strings, making it sound unusually fuzzy.
0:07
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  • Tempo NotesMedium
  • ISRCGB-FFM-12-78095
  • PublisherAudio Network Limited
  • Release Year2012
FactoidThe violin on this recording was prepared by using metal loops on the strings, making it sound unusually fuzzy.
0:06
Add to favourites Add to cart
  • Tempo NotesMedium
  • ISRCGB-FFM-12-78096
  • PublisherAudio Network Limited
  • Release Year2012
FactoidThe violin on this recording was prepared by using metal loops on the strings, making it sound unusually fuzzy.
Play
Floating Point 1787/1 9 mixes Terry Devine-King (PRS)
Gentle orchestral strings with glitch effects & piano
2:17
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Selfish Gene 1780/6 13 mixes Paul Ressel (PRS)
Pensive, repetitive piano melody builds with emotional violin & glitch percussion
2:43
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Time Frame 1787/3 9 mixes Terry Devine-King (PRS)
Slow, gentle strings with glitch effects & treated piano melody
2:00
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Winter Solstice 1787/4 8 mixes Terry Devine-King (PRS)
Slow, calm strings with glitch effects building to staccato string section
2:53
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