Track Details

Never Coming Back 2 - 13 mixes

  1. Play
    Never Coming Back 1753/2 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Slow & powerful, heavy US rock song with disillusioned male vocal
    3:39
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-75302
    • PublisherAudio Network Limited
    • Release Year2012
    Factoid'Never Coming Back' deals with losing faith in a friend or establishment
  2. Play
    Never Coming Back 2 1753/23 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Slow & powerful heavy rock underscore with edgy guitars
    3:39
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-75323
    • PublisherAudio Network Limited
    • Release Year2012
    Factoid'Never Coming Back' deals with losing faith in a friend or establishment
  3. Play
    Never Coming Back 3 1753/24 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Slow & powerful heavy rock underscore with edgy guitars. No drums
    3:39
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-75324
    • PublisherAudio Network Limited
    • Release Year2012
    Factoid'Never Coming Back' deals with losing faith in a friend or establishment
  4. Play
    Never Coming Back 4 (60) 1753/25 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Slow & powerful heavy rock underscore with edgy guitars
    1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-75325
    • PublisherAudio Network Limited
    • Release Year2012
    Factoid'Never Coming Back' deals with losing faith in a friend or establishment
  5. Play
    Never Coming Back 5 (30) 1753/26 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Slow & powerful heavy rock underscore with edgy guitars
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-75326
    • PublisherAudio Network Limited
    • Release Year2012
    Factoid'Never Coming Back' deals with losing faith in a friend or establishment
  6. Play
    Never Coming Back 6 (30) 1753/27 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Slow & powerful heavy rock underscore with edgy guitars. Acoustic opening
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-75327
    • PublisherAudio Network Limited
    • Release Year2012
    Factoid'Never Coming Back' deals with losing faith in a friend or establishment
  7. Play
    Never Coming Back 7 (30) 1753/28 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Bass & ambient guitar mix. Tense & atmospheric
    0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-75328
    • PublisherAudio Network Limited
    • Release Year2012
    Factoid'Never Coming Back' deals with losing faith in a friend or establishment
  8. 0:12
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-75329
    • PublisherAudio Network Limited
    • Release Year2012
    Factoid'Never Coming Back' deals with losing faith in a friend or establishment
  9. Play
    0:09
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-75330
    • PublisherAudio Network Limited
    • Release Year2012
    Factoid'Never Coming Back' deals with losing faith in a friend or establishment
  10. Play
    Never Coming Back 10 (Sting) 1753/31 Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Powerful heavy rock sting with edgy guitars. No drums
    0:09
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-75331
    • PublisherAudio Network Limited
    • Release Year2012
    Factoid'Never Coming Back' deals with losing faith in a friend or establishment
  11. 0:08
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-75332
    • PublisherAudio Network Limited
    • Release Year2012
    Factoid'Never Coming Back' deals with losing faith in a friend or establishment
  12. 0:08
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    • Tempo NotesSlow
    • ISRCGB-FFM-12-75333
    • PublisherAudio Network Limited
    • Release Year2012
    Factoid'Never Coming Back' deals with losing faith in a friend or establishment
  13. 0:04
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    • Tempo NotesMedium
    • ISRCGB-FFM-12-75334
    • PublisherAudio Network Limited
    • Release Year2012
    Factoid'Never Coming Back' deals with losing faith in a friend or establishment
  1. Play
    Dark Fantasy 1692/7 10 mixes Barrie Gledden (PRS) | Kes Loy (PRS) | Richard Kimmings (PRS)
    Psychedelic blues rock. Dark, troubled & sleazy
    3:21
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  2. Play
    Desert Motorcade 1339/3 10 mixes Christopher Ashmore (PRS) | Benjamin Marks (PRS)
    Middle Eastern filmic rock featuring oud & Middle Eastern fiddle
    3:15
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  3. Play
    Evil Eye 1645/5 7 mixes Dan Skinner (PRS) | Adam Skinner (PRS)
    Dark, threatening electronica. Builds with angry metal guitars
    3:28
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  4. Play
    Fortress 1580/5 7 mixes Terry Devine-King (PRS) | Adam Drake (PRS)
    Tense & aggressive hard-rock build from slow, haunting guitar introduction
    2:33
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  5. Play
    Given Life 1794/2 7 mixes Bob Bradley (PRS) | Chris Bussey (PRS)
    Emotional, alternative live metal ballad instrumental
    3:48
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  6. Play
    Hades 1464/8 5 mixes Dan Skinner (PRS) | Adam Skinner (PRS)
    Powerful rock guitars & kit with orchestra & Middle Eastern effects
    2:38
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  7. Play
    Iron Man 1645/8 8 mixes Dave James (PRS) | Adam Skinner (PRS) | Dan Skinner (PRS)
    Menacing urban hip hop with heavy rock guitar hook & sinister piano
    3:25
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  8. Play
    Where Were You 2 1789/111 20 mixes Pete Masitti (ASCAP) | John Andrew Barrow (ASCAP)
    Powerful rock/hip hop with heavy riffing guitar chorus & melodic verses
    2:26
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