Track Details

Missing Link 11 (Sting) - 11 mixes

  1. Play
    Missing Link 2491/8 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Lightly tense, clock-like percussion with drones & textures
    2:27
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-49108
    • PublisherAudio Network Limited
    • Release Year2015
  2. Play
    Missing Link 2 2491/76 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Lightly tense ambient texture. No rhythm elements
    2:27
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-49176
    • PublisherAudio Network Limited
    • Release Year2015
  3. Play
    Missing Link 3 2491/77 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Lightly tense clock-like solo percussion. No drones
    2:21
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-49177
    • PublisherAudio Network Limited
    • Release Year2015
  4. Play
    Missing Link 4 (60) 2491/78 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Lightly tense, clock-like percussion with drones & textures
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-49178
    • PublisherAudio Network Limited
    • Release Year2015
  5. Play
    Missing Link 5 (60) 2491/79 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Lightly tense clock-like solo percussion. No drones
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-49179
    • PublisherAudio Network Limited
    • Release Year2015
  6. Play
    Missing Link 6 (50) 2491/80 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Lightly tense, clock-like percussion with drones & textures
    0:50
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-49180
    • PublisherAudio Network Limited
    • Release Year2015
  7. Play
    Missing Link 7 (50) 2491/81 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Lightly tense clock-like solo percussion. No drones
    0:50
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-49181
    • PublisherAudio Network Limited
    • Release Year2015
  8. Play
    Missing Link 8 (30) 2491/82 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Lightly tense, clock-like percussion with drones & textures
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-49182
    • PublisherAudio Network Limited
    • Release Year2015
  9. Play
    Missing Link 9 (30) 2491/83 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Lightly tense clock-like solo percussion. No drones
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-49183
    • PublisherAudio Network Limited
    • Release Year2015
  10. 0:05
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-49184
    • PublisherAudio Network Limited
    • Release Year2015
  11. 0:05
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-15-49185
    • PublisherAudio Network Limited
    • Release Year2015
  1. Play
    Approaching The Hour 1933/7 7 mixes Philip Guyler (PRS)
    Tense, expectant build with ticking clock & anxious piano
    2:35
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  2. Play
    Armed Response 1180/3 6 mixes Terry Devine-King (PRS)
    Tense mid tempo percussion & pads
    2:38
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  3. Play
    Counting Down 1789/6 8 mixes Dave James (PRS) | Michael Craig (PRS)
    Dark, sinister hip hop groove with haunting piano riff & ticking clock fx
    2:08
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  4. Play
    Epoch 2369/1 11 mixes Bob Bradley (PRS)
    Brooding atmosphere with sinister ticking & electronica
    3:31
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  5. Play
    Just a Minute 1724/7 13 mixes Paul Mottram (PRS) | Bob Bradley (PRS)
    Clock ticking with tense building light percussion & synth
    1:07
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  6. Play
    Lottery Clock 2007/10 7 mixes Duncan Pittock (PRS)
    Urgent ticking clock gradually builds with percussion & drone
    2:17
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  7. Play
    Swinging Clocks 2369/3 11 mixes Bob Bradley (PRS)
    Disturbing ambience with ticking clocks, huge hits, anxious piano & strings
    3:18
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  8. Play
    Timekeeper 2369/4 11 mixes Bob Bradley (PRS)
    Building tension with ticking clocks, distorted synths & cinematic rhythms
    3:00
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  9. Play
    Under Pressure 1538/11 4 mixes Terry Devine-King (PRS)
    Tense drone & texture with clock effects
    2:47
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