Track Details

Marauding Masses 6 11 mixes

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Marauding Masses 1216/1 Terry Devine-King (PRS)
Mighty, intimidating full orchestra. Martial & unrelenting
3:21
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  • Tempo NotesFast
  • ISRCGB-FFM-07-21601
  • PublisherAudio Network Limited
  • Release Year2007
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Marauding Masses 2 1216/8 Terry Devine-King (PRS)
Large, tense orchestra. Fewer big drums
3:21
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  • Tempo NotesFast
  • ISRCGB-FFM-07-21608
  • PublisherAudio Network Limited
  • Release Year2007
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Marauding Masses 3 1216/9 Terry Devine-King (PRS)
Tense orchestral underscore. No brass
2:47
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  • Tempo NotesFast
  • ISRCGB-FFM-07-21609
  • PublisherAudio Network Limited
  • Release Year2007
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Marauding Masses 4 1216/10 Terry Devine-King (PRS)
Tense orchestral underscore. Basses, cellos & snare
2:07
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  • Tempo NotesFast
  • ISRCGB-FFM-07-21610
  • PublisherAudio Network Limited
  • Release Year2007
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Marauding Masses 5 1216/11 Terry Devine-King (PRS)
Tense orchestral underscore. Basses & orchestral bass drum
1:12
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  • Tempo NotesFast
  • ISRCGB-FFM-07-21611
  • PublisherAudio Network Limited
  • Release Year2007
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
0:42
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  • Tempo NotesFast
  • ISRCGB-FFM-07-21612
  • PublisherAudio Network Limited
  • Release Year2007
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
0:08
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  • Tempo NotesFast
  • ISRCGB-FFM-07-21613
  • PublisherAudio Network Limited
  • Release Year2007
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
0:07
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  • Tempo NotesFast
  • ISRCGB-FFM-07-21614
  • PublisherAudio Network Limited
  • Release Year2007
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Marauding Masses 9 (Sting) 1216/15 Terry Devine-King (PRS)
Large orchestral sting/stab. Single hit
0:07
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  • Tempo NotesFast
  • ISRCGB-FFM-07-21615
  • PublisherAudio Network Limited
  • Release Year2007
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
Play
1:14
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  • Tempo NotesFast
  • ISRCGB-FFM-07-21649
  • PublisherAudio Network Limited
  • Release Year2007
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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Marauding Masses 11 1216/50 Terry Devine-King (PRS)
Mighty, intimidating full orchestra. Martial & unrelenting. Trailer
1:19
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  • Tempo NotesFast
  • ISRCGB-FFM-07-21650
  • PublisherAudio Network Limited
  • Release Year2007
FactoidThe term Blockbuster comes from the 1950s cinema industry where the success of a movie was judged by the length of the queue for tickets. A Blockbuster queue went for more than a block.
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All To Play For 1500/1 7 mixes Terry Devine-King (PRS)
Tense, pulsing orchestra with epic rock drums & effects
3:11
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Breath Of The Dark 1500/10 4 mixes Tim Garland (PRS)
Menacing, pagan orchestral strings building with drums & brass
2:03
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Danger Factor 1299/17 1 mixes Debbie Wiseman (PRS)
Threatening low orchestra builds with breathless scariness
1:28
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Dark Surge 1393/3 8 mixes Nick Ingman (PRS) | Terry Devine-King (PRS)
Wild, ominous & dark orchestra & choir. Entirely over the top
2:04
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Escape 1407/10 1 mixes Luke Richards (PRS)
Suspense filled orchestral thriller with blaring brass & rapid strings
2:42
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Ferro Ignique 2 1536/84 15 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
Anxious percussion with tense orchestra. No choir
1:40
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Final Duel 2426/8 18 mixes Chris Egan (PRS) | Jon Bourne (PRS)
Action packed orchestra with hard hitting percussion & electronics
3:07
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Fireball 1763/1 23 mixes Terry Devine-King (PRS)
Violently building orchestra, choir & percussion
2:30
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Galactic Battle 1937/3 7 mixes Terry Devine-King (PRS)
Dramatic, urgent orchestral. Whopping drums. A musical hard hat area
1:46
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Galactic Mission 2483/1 19 mixes Paul Mottram (PRS)
Mysterious, epic orchestra builds with choir to huge, triumphant end
3:03
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Galaxy 2062/2 9 mixes Terry Devine-King (PRS)
Gradually building strings into epic orchestra with soaring choir
2:31
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Gemini 1763/2 12 mixes Terry Devine-King (PRS)
Fast strings with martial percussion into epic, heroic orchestral tune
1:32
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Horns Of War 2305/2 11 mixes James Brett (PRS/BMI)
Dramatic tribal battle action with hostile brass, ethnic percussion & choir
5:01
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Olympus 1763/4 22 mixes Terry Devine-King (PRS)
Dramatic build from menacing to heroic. Orchestra & electronics
3:17
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Prime Directive 2800/1 23 mixes Mark Petrie (ASCAP) | Cody Still (BMI)
Menacing, action-packed orchestra, electronics & percussion
2:15
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Rise Of The Mechs 1464/7 6 mixes Dan Skinner (PRS) | Adam Skinner (PRS)
Mechanical martial orchestral horror with heavy military percussion. Builds
3:21
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Solar Storm 1600/6 11 mixes Terry Devine-King (PRS)
Restless, imposing orchestral
2:38
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Stampede And Hunt 2734/6 11 mixes James Brett (PRS/BMI)
Menacing, dramatic orchestra with urgent strings & ethnic percussion
2:25
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Storming the Armoury 1339/1 13 mixes Christopher Ashmore (PRS) | Benjamin Marks (PRS)
Explosive industrial synths & drums with cinematic marcato strings
2:55
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Take Action 2707/2 10 mixes Joe Kraemer (BMI)
Thrilling & tense orchestral action with bombastic brass
2:23
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Unstoppable Force 2453/1 22 mixes Paul Mottram (PRS)
Tense building war-like orchestra with powerful relentless ostinato rhythm
4:10
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White Dwarf 1762/2 16 mixes Terry Devine-King (PRS)
Epic orchestral building with threatening percussion & choir
3:35
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