Track Details

Maplestead Rag 3 (60) - 12 mixes

  1. 0:49
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    • Tempo NotesFast
    • ISRCGB-FFM-11-57503
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidRagtime, or rag-time was at its peak between 1897 and 1918. It was called ragtime because of its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of St. Louis and New Orleans years before being published as popular sheet music for piano.
  2. Play
    Maplestead Rag 2 1575/27 Paul Michael Harris (PRS) | David Weston (PRS)
    Sprightly solo piano rag. Vintage recording
    0:49
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    • Tempo NotesFast
    • ISRCGB-FFM-11-57527
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidRagtime, or rag-time was at its peak between 1897 and 1918. It was called ragtime because of its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of St. Louis and New Orleans years before being published as popular sheet music for piano.
  3. 0:58
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-57528
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidRagtime, or rag-time was at its peak between 1897 and 1918. It was called ragtime because of its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of St. Louis and New Orleans years before being published as popular sheet music for piano.
  4. Play
    Maplestead Rag 4 (60) 1575/29 Paul Michael Harris (PRS) | David Weston (PRS)
    Mid-tempo solo piano rag. Vintage recording
    0:58
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-57529
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidRagtime, or rag-time was at its peak between 1897 and 1918. It was called ragtime because of its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of St. Louis and New Orleans years before being published as popular sheet music for piano.
  5. 0:30
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    • Tempo NotesFast
    • ISRCGB-FFM-11-57530
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidRagtime, or rag-time was at its peak between 1897 and 1918. It was called ragtime because of its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of St. Louis and New Orleans years before being published as popular sheet music for piano.
  6. Play
    Maplestead Rag 6 (30) 1575/31 Paul Michael Harris (PRS) | David Weston (PRS)
    Sprightly solo piano rag. Vintage recording
    0:30
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    • Tempo NotesFast
    • ISRCGB-FFM-11-57531
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidRagtime, or rag-time was at its peak between 1897 and 1918. It was called ragtime because of its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of St. Louis and New Orleans years before being published as popular sheet music for piano.
  7. 0:30
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-11-57532
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidRagtime, or rag-time was at its peak between 1897 and 1918. It was called ragtime because of its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of St. Louis and New Orleans years before being published as popular sheet music for piano.
  8. Play
    Maplestead Rag 8 (30) 1575/33 Paul Michael Harris (PRS) | David Weston (PRS)
    Mid-tempo solo piano rag. Vintage recording
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-57533
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidRagtime, or rag-time was at its peak between 1897 and 1918. It was called ragtime because of its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of St. Louis and New Orleans years before being published as popular sheet music for piano.
  9. 0:03
    Add to favourites Add to cart
    • Tempo NotesFast
    • ISRCGB-FFM-11-57534
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidRagtime, or rag-time was at its peak between 1897 and 1918. It was called ragtime because of its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of St. Louis and New Orleans years before being published as popular sheet music for piano.
  10. Play
    0:05
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    • Tempo NotesFast
    • ISRCGB-FFM-11-57535
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidRagtime, or rag-time was at its peak between 1897 and 1918. It was called ragtime because of its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of St. Louis and New Orleans years before being published as popular sheet music for piano.
  11. 0:03
    Add to favourites Add to cart
    • Tempo NotesMedium
    • ISRCGB-FFM-11-57536
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidRagtime, or rag-time was at its peak between 1897 and 1918. It was called ragtime because of its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of St. Louis and New Orleans years before being published as popular sheet music for piano.
  12. Play
    Maplestead Rag 12 (Sting) 1575/37 Paul Michael Harris (PRS) | David Weston (PRS)
    Solo piano ragtime sting. Mid tempo, vintage recording
    0:06
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-57537
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidRagtime, or rag-time was at its peak between 1897 and 1918. It was called ragtime because of its syncopated, or "ragged," rhythm. It began as dance music in the red-light districts of St. Louis and New Orleans years before being published as popular sheet music for piano.
  1. Play
    Acorn Rag 1157/11 4 mixes Paul Mottram (PRS)
    Elegant ragtime on solo piano
    3:28
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  2. 3:16
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  3. Play
    Breezin' Along 1062/8 3 mixes Paul Mottram (PRS)
    Bright sophisticated up tempo 1920's/30's piano
    1:53
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  4. 1:26
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  5. Play
    Galveston Hop 1575/8 6 mixes Paul Michael Harris (PRS) | David Weston (PRS)
    Jolly, jocund & jovial solo piano. All very chipper
    0:33
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  6. Play
    Golden Age Skit 1773/6 13 mixes Paul Mottram (PRS)
    Classic jolly rootie tootie 20s/30s brass with brush kit
    2:41
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  7. Play
    Heritage Rag 1551/9 2 mixes Robert Bruce (SOCAN)
    Traditional-sounding rag for piano & drums. Vintage gramophone sound
    4:31
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  8. Play
    Piano Rag 2133/11 5 mixes Paul Michael Harris (PRS)
    Jaunty ragtime solo piano. 'Good' mic mix
    3:03
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  9. Play
    Ragtime Raggles 1429/18 4 mixes Helen Jane Long (PRS)
    Bright & breezy ragtime solo piano
    1:19
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  10. Play
    Thelonius Rag 1157/9 1 mixes Geoffrey Keezer (BMI)
    Light, jazz piano in the style of Thelonius Monk
    1:32
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