Track Details

Machinery 7 - 12 mixes

  1. Play
    Machinery 2490/10 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Mechanical tech effects with developing rhythm from 1'22"
    2:45
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    • Tempo NotesMedium
    • ISRCGB-FFM-15-49010
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidIgor Dvorkin has a huge collection of sounds and synths that he has been collecting all his life. He used eleven synths on this album.
  2. Play
    Machinery 2 2490/101 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Unnerving drone with glitch effects & developing groove. No machines
    2:45
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-49001
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidIgor Dvorkin has a huge collection of sounds and synths that he has been collecting all his life. He used eleven synths on this album.
  3. Play
    2:42
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-49002
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidIgor Dvorkin has a huge collection of sounds and synths that he has been collecting all his life. He used eleven synths on this album.
  4. Play
    2:42
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-49003
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidIgor Dvorkin has a huge collection of sounds and synths that he has been collecting all his life. He used eleven synths on this album.
  5. Play
    Machinery 5 2490/104 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Synth arpeggios with mid-tempo electro drum groove
    1:24
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-49004
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidIgor Dvorkin has a huge collection of sounds and synths that he has been collecting all his life. He used eleven synths on this album.
  6. Play
    Machinery 6 2490/105 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Synth arpeggios with mid-tempo electro drum groove. Less mechanical
    1:24
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-49005
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidIgor Dvorkin has a huge collection of sounds and synths that he has been collecting all his life. He used eleven synths on this album.
  7. Play
    Machinery 7 2490/106 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Synth arpeggios constant high texture. No drums
    1:23
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-49006
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidIgor Dvorkin has a huge collection of sounds and synths that he has been collecting all his life. He used eleven synths on this album.
  8. Play
    Machinery 8 2490/107 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Synth arpeggios constant high texture. No drums or machine effects
    1:23
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-49007
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidIgor Dvorkin has a huge collection of sounds and synths that he has been collecting all his life. He used eleven synths on this album.
  9. 1:24
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-49008
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidIgor Dvorkin has a huge collection of sounds and synths that he has been collecting all his life. He used eleven synths on this album.
  10. Play
    Machinery 10 (60) 2490/109 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Mechanical tech effects with developing rhythm
    1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-49009
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidIgor Dvorkin has a huge collection of sounds and synths that he has been collecting all his life. He used eleven synths on this album.
  11. Play
    Machinery 11 (30) 2490/110 Igor Dvorkin (PRS) | Duncan Pittock (PRS) | Ellie Kidd (PRS)
    Mechanical tech effects with developing rhythm
    0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-49010
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidIgor Dvorkin has a huge collection of sounds and synths that he has been collecting all his life. He used eleven synths on this album.
  12. 0:06
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    • Tempo NotesMedium
    • ISRCGB-FFM-09-49011
    • PublisherAudio Network Limited
    • Release Year2015
    FactoidIgor Dvorkin has a huge collection of sounds and synths that he has been collecting all his life. He used eleven synths on this album.
  1. Play
    Communication Centre 1161/2 2 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
    Digital 'computer' effects over synth textures. Subtle rhythm develops
    1:59
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  2. Play
    Dangerous Data 1161/3 1 mixes Igor Dvorkin (PRS) | Duncan Pittock (PRS)
    High tech bleeps & computer chatter over threatening drone
    1:46
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  3. Play
    Digital Dystopia 2007/15 3 mixes Duncan Pittock (PRS)
    Brooding drone under twitchy percussion & glitch effects
    2:05
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  4. Play
    Future Perfect 2099/4 8 mixes David O'Brien (PRS)
    Positive, upbeat electronica with spacey textures & rolling synths
    3:30
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  5. Play
    Glitch 2007/2 4 mixes Duncan Pittock (PRS)
    Uneasy drones & textures under random glitch effects
    2:06
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  6. Play
    Venus Rising 2014/5 9 mixes David O'Brien (PRS)
    Strange electronic soundscape. Builds towards euphoric climax
    3:01
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