Track Details

Love March - 10 mixes

  1. Play
    2:16
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-67102
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidA jig is counted in 6/8, a reel is counted in 4/4 and a slip jig is counted in 9/8. This is technically in 6/8 because of the triplet feel in the rhythm, but you could be forgiven for counting it in 4/4 at 116 BPM.
  2. Play
    Love March 2 1671/16 Terry Devine-King (PRS) | Tom Peters (PRS) | Greg McDonald (PRS)
    Bright, uplifting summertime folk underscore
    2:14
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-67116
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidA jig is counted in 6/8, a reel is counted in 4/4 and a slip jig is counted in 9/8. This is technically in 6/8 because of the triplet feel in the rhythm, but you could be forgiven for counting it in 4/4 at 116 BPM.
  3. Play
    Love March 3 1671/17 Terry Devine-King (PRS) | Tom Peters (PRS) | Greg McDonald (PRS)
    Bright, uplifting summertime folk. No bass or drums
    2:16
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-67117
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidA jig is counted in 6/8, a reel is counted in 4/4 and a slip jig is counted in 9/8. This is technically in 6/8 because of the triplet feel in the rhythm, but you could be forgiven for counting it in 4/4 at 116 BPM.
  4. Play
    Love March 4 1671/18 Terry Devine-King (PRS) | Tom Peters (PRS) | Greg McDonald (PRS)
    Bright, uplifting summertime folk. Children's mix
    2:17
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-67118
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidA jig is counted in 6/8, a reel is counted in 4/4 and a slip jig is counted in 9/8. This is technically in 6/8 because of the triplet feel in the rhythm, but you could be forgiven for counting it in 4/4 at 116 BPM.
  5. 1:00
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-67119
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidA jig is counted in 6/8, a reel is counted in 4/4 and a slip jig is counted in 9/8. This is technically in 6/8 because of the triplet feel in the rhythm, but you could be forgiven for counting it in 4/4 at 116 BPM.
  6. 0:30
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-67120
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidA jig is counted in 6/8, a reel is counted in 4/4 and a slip jig is counted in 9/8. This is technically in 6/8 because of the triplet feel in the rhythm, but you could be forgiven for counting it in 4/4 at 116 BPM.
  7. 0:09
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-67121
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidA jig is counted in 6/8, a reel is counted in 4/4 and a slip jig is counted in 9/8. This is technically in 6/8 because of the triplet feel in the rhythm, but you could be forgiven for counting it in 4/4 at 116 BPM.
  8. Play
    Love March 8 (Sting) 1671/22 Terry Devine-King (PRS) | Tom Peters (PRS) | Greg McDonald (PRS)
    Bright summertime folk sting featuring accordion & tuba
    0:09
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-67122
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidA jig is counted in 6/8, a reel is counted in 4/4 and a slip jig is counted in 9/8. This is technically in 6/8 because of the triplet feel in the rhythm, but you could be forgiven for counting it in 4/4 at 116 BPM.
  9. 0:05
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-67123
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidA jig is counted in 6/8, a reel is counted in 4/4 and a slip jig is counted in 9/8. This is technically in 6/8 because of the triplet feel in the rhythm, but you could be forgiven for counting it in 4/4 at 116 BPM.
  10. Play
    Love March 10 (Sting) 1671/24 Terry Devine-King (PRS) | Tom Peters (PRS) | Greg McDonald (PRS)
    Bright, summery folk sting featuring mandolin, xylophone & tuba
    0:07
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    • Tempo NotesMedium
    • ISRCGB-FFM-11-67124
    • PublisherAudio Network Limited
    • Release Year2011
    FactoidA jig is counted in 6/8, a reel is counted in 4/4 and a slip jig is counted in 9/8. This is technically in 6/8 because of the triplet feel in the rhythm, but you could be forgiven for counting it in 4/4 at 116 BPM.
  1. Play
    A Day In Dorset 1591/2 6 mixes Tom Quick (PRS) | John Hogg (PRS)
    Light, summery acoustic guitars with brushed drums
    2:13
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  2. Play
    All At Sea 2202/2 14 mixes Richard Lacy (PRS) | David Bird (PRS) | Terry Maskill (PRS)
    Bright, catchy Celtic folk with maritime influences & marching feel. Builds
    3:32
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  3. Play
    Bicycle 1422/9 6 mixes Terry Devine-King (PRS) | Lincoln Grounds (PRS)
    Rolling quirky acoustic nu-folk groove with Dobro guitar & whistling
    3:17
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  4. Play
    Botany Bay 3 1866/45 14 mixes Arr. Bruce Maginnis (APRA) | Mark Johns (PRS)
    Australian folk song instrumental with guitars, mandolin, violin & accordion
    2:07
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  5. Play
    Clog Dance 1786/7 13 mixes Tim Renwick (PRS)
    Bright olde folk theme builds with layered instruments & drums
    3:14
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  6. Play
    Daisy Chain 1347/1 7 mixes Barrie Gledden (PRS) | Kes Loy (PRS)
    Lilting, sunny Celtic/folk blend
    2:53
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  7. Play
    Jig 1518/2 12 mixes Kathryn Tickell (PRS)
    Reflective Irish jig with accordion melody
    1:43
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  8. Play
    March Of The Morris 2253/4 12 mixes Tim Renwick (PRS)
    Toy town march with jangly banjo, bassoon & oboe over light drums
    3:26
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  9. Play
    Smiling 1772/9 8 mixes Chris Blackwell (PRS)
    Joyous nu folk with recorders, bells, whistles & triumphant, marching build
    2:28
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  10. Play
    Up Sticks 1584/10 6 mixes Adam Drake (PRS)
    Happy, cheerful acoustic folk
    2:33
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  11. Play
    Years Gone By 2520/10 6 mixes Terry Devine-King (PRS)
    Bright, upbeat nu folk country fusion with accordion & guitar melody
    2:29
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