Track Details

Leave Taking 12 (30) 16 mixes

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Leave Taking 3000/7 Evelyn Glennie (PRS) | Michael Levine (ASCAP)
Creepy textures lead to mysterious pulsing bass, violin, strings & mallets
3:23
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  • Tempo NotesMedium
  • ISRCGB-FFM-18-00007
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
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Leave Taking 2 3000/116 Evelyn Glennie (PRS) | Michael Levine (ASCAP)
Creepy textures & mallets build with urgent electric violin to eerie ending
3:23
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00016
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
Play
Leave Taking 3 3000/117 Evelyn Glennie (PRS) | Michael Levine (ASCAP)
Creepy textures build with dark & mysterious mallet perc to eerie ending
3:23
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00017
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
Play
Leave Taking 4 3000/118 Evelyn Glennie (PRS) | Michael Levine (ASCAP)
Creepy textures build with mysterious mallets & brass swells to eerie end
3:23
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00018
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
Play
Leave Taking 5 3000/119 Evelyn Glennie (PRS) | Michael Levine (ASCAP)
Creepy textures & mallets lead to mysterious strings & eerie ending
3:23
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00019
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
Play
Leave Taking 6 (60) 3000/120 Evelyn Glennie (PRS) | Michael Levine (ASCAP)
Mysterious strings & mallet percussion build to climactic finish
1:00
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00020
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
Play
Leave Taking 7 (60) 3000/121 Evelyn Glennie (PRS) | Michael Levine (ASCAP)
Mysterious strings & mallets build with bass pulse to climactic finish
1:00
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00021
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
Play
Leave Taking 8 (30) 3000/122 Evelyn Glennie (PRS) | Michael Levine (ASCAP)
Mysterious strings, electric violin & bass pulse build to climactic finish
0:30
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00022
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
Play
0:30
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00023
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
Play
Leave Taking 10 (30) 3000/124 Evelyn Glennie (PRS) | Michael Levine (ASCAP)
Mysterious strings, pads & electric violin build to revelatory climax
0:30
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00024
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
0:30
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00025
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
Play
Leave Taking 12 (30) 3000/126 Evelyn Glennie (PRS) | Michael Levine (ASCAP)
Mysterious strings, mallets & bass pulse build to revelatory ending
0:30
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00026
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
Play
Leave Taking 13 (30) 3000/127 Evelyn Glennie (PRS) | Michael Levine (ASCAP)
Mysterious strings, electric violin & bass pulse build to revelatory ending
0:30
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00027
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
0:16
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00028
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
0:09
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00029
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
0:06
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  • Tempo NotesMedium
  • ISRCGB-FFM-09-00030
  • PublisherAudio Network Limited
  • Release Year2018
FactoidSome of the glassy, creeky sounds were made by using a cello bow on vibraphone keys
Play
A Difficult Question 2556/5 12 mixes Tom Quick (PRS)
Ethereal textures with sparse piano, pulsing electronica & eerie cello
3:07
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Facing Fear 2890/7 9 mixes Guy Farley (PRS) | Andrew Carroll (PRS)
Dark pulsing synths build tension with scary sonic fx & strings
2:03
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Night Watch 2746/3 7 mixes Noah Sorota (BMI)
Mysterious string & ambience grow dark & persistent with percussion
2:56
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