Track Details

Karma 4 - 14 mixes

  1. Play
    Karma 1546/4 Paul Mottram (PRS)
    Mellow violin over warm rippling bed of piano, cello pizzicato effects & harp
    3:32
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-54604
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  2. Play
    Karma 2 1546/36 Paul Mottram (PRS)
    Warm rippling piano, cello pizzicato & harp. Underscore, no lead violin
    3:32
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-54636
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  3. Play
    Karma 3 1546/37 Paul Mottram (PRS)
    Beautiful sustained lyrical violin over static piano chords. Very still
    3:27
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-54637
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  4. Play
    Karma 4 1546/38 Paul Mottram (PRS)
    Beautiful sustained lyrical solo violin
    3:07
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-54638
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  5. Play
    Karma 5 1546/39 Paul Mottram (PRS)
    Beautiful sustained lyrical solo violin with harp & marimba
    1:29
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-54639
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  6. Play
    Karma 6 1546/40 Paul Mottram (PRS)
    Glittering magical harp & marimba
    1:27
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    • Tempo NotesSlow
    • ISRCGB-FFM-10-54640
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  7. Play
    Karma 7 (60) 1546/41 Paul Mottram (PRS)
    Mellow violin over warm rippling bed of piano, cello pizzicato effects & harp
    1:00
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-54641
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  8. Play
    Karma 8 (60) 1546/42 Paul Mottram (PRS)
    Warm piano, cello pizzicato effects & harp. Underscore, no lead violin
    1:00
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-54642
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  9. Play
    Karma 9 (60) 1546/43 Paul Mottram (PRS)
    Warm rippling bed of piano, cello pizzicato effects - no violin or harp
    1:00
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-54643
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  10. Play
    Karma 10 (60) 1546/44 Paul Mottram (PRS)
    Calm positive piano chords
    1:00
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-54644
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  11. Play
    Karma 11 (30) 1546/45 Paul Mottram (PRS)
    Mellow lyrical violin over warm rippling bed of piano, cello pizzicato effects & harp
    0:30
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-54645
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  12. Play
    Karma 12 (30) 1546/46 Paul Mottram (PRS)
    Warm rippling bed of piano, cello pizzicato effects & harp. Underscore, no lead violin
    0:30
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-54646
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  13. Play
    Karma 13 (Sting) 1546/47 Paul Mottram (PRS)
    Violin sting with cello & delayed harp effect
    0:14
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-54647
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  14. Play
    Karma 14 (Sting) 1546/48 Paul Mottram (PRS)
    Warm piano, cello & harp sting
    0:14
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-10-54648
    • PublisherAudio Network Limited
    • Release Year2010
    FactoidIf a violinist is placed into an MRI machine, it can be seen that a much larger area of the brain - the right primary motor cortex - is devoted to his or her left fingers when compared with a non-violinist. Two or three times as large, in fact. Violinists also have more connections between the two sides of the brain which account for the better co-ordination they have between each hand compared with a non-violin player.
  1. Play
    Morning Dew 1126/1 4 mixes Paul Mottram (PRS)
    Large orchestral strings with soaring, beautiful violin top line
    2:27
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