Jerusalem 15 (Bumper) - 19 mixes

  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/5
  • ISRC GB-FFM-15-34505
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/55
  • ISRC GB-FFM-15-34555
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/56
  • ISRC GB-FFM-15-34556
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/57
  • ISRC GB-FFM-15-34557
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/58
  • ISRC GB-FFM-15-34558
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/59
  • ISRC GB-FFM-15-34559
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/60
  • ISRC GB-FFM-15-34560
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/61
  • ISRC GB-FFM-15-34561
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/62
  • ISRC GB-FFM-15-34562
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/63
  • ISRC GB-FFM-15-34563
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/64
  • ISRC GB-FFM-15-34564
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/65
  • ISRC GB-FFM-15-34565
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/66
  • ISRC GB-FFM-15-34566
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/67
  • ISRC GB-FFM-15-34567
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/68
  • ISRC GB-FFM-15-34568
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/69
  • ISRC GB-FFM-15-34569
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/70
  • ISRC GB-FFM-15-34570
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/71
  • ISRC GB-FFM-15-34571
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.
  • Key D (ends in D)
  • Metre 3/4
  • Tempo 64 bpm (ends at 64)
  • Tempo Notes Medium
  • Album Number 2345/72
  • ISRC GB-FFM-15-34572
  • Publisher Audio Network Limited
  • Release Year 2015
Factoid Parry set William Blake's poem to music in 1916. The work has been closely linked to the women's suffrage movement and has become an alternative National Anthem for Great Britain (along with Land of Hope and Glory). Blake is not suggesting Jesus came to England, but that if he had heaven would briefly have existed in England. The dark satanic mills refer to the industrial revolution.

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