Track Details

Inner Turmoil - 9 mixes

  1. 2:17
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-09508
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidJ.S. Bach (1685-1750) wrote many suites and partitas for unaccompanied string instruments, exploiting the strings’ great range of expression. The inherent freedom of this art is balanced by the need to create the impression of full harmony within a single line of music. Versions are available for both cello and violin
  2. 1:53
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-09568
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidJ.S. Bach (1685-1750) wrote many suites and partitas for unaccompanied string instruments, exploiting the strings’ great range of expression. The inherent freedom of this art is balanced by the need to create the impression of full harmony within a single line of music. Versions are available for both cello and violin
  3. 1:00
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-09569
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidJ.S. Bach (1685-1750) wrote many suites and partitas for unaccompanied string instruments, exploiting the strings’ great range of expression. The inherent freedom of this art is balanced by the need to create the impression of full harmony within a single line of music. Versions are available for both cello and violin
  4. 1:00
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-14-09570
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidJ.S. Bach (1685-1750) wrote many suites and partitas for unaccompanied string instruments, exploiting the strings’ great range of expression. The inherent freedom of this art is balanced by the need to create the impression of full harmony within a single line of music. Versions are available for both cello and violin
  5. Play
    0:54
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-09571
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidJ.S. Bach (1685-1750) wrote many suites and partitas for unaccompanied string instruments, exploiting the strings’ great range of expression. The inherent freedom of this art is balanced by the need to create the impression of full harmony within a single line of music. Versions are available for both cello and violin
  6. 0:30
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-09572
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidJ.S. Bach (1685-1750) wrote many suites and partitas for unaccompanied string instruments, exploiting the strings’ great range of expression. The inherent freedom of this art is balanced by the need to create the impression of full harmony within a single line of music. Versions are available for both cello and violin
  7. 0:30
    Add to favourites Add to cart
    • Tempo NotesSlow
    • ISRCGB-FFM-14-09573
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidJ.S. Bach (1685-1750) wrote many suites and partitas for unaccompanied string instruments, exploiting the strings’ great range of expression. The inherent freedom of this art is balanced by the need to create the impression of full harmony within a single line of music. Versions are available for both cello and violin
  8. 0:14
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-09574
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidJ.S. Bach (1685-1750) wrote many suites and partitas for unaccompanied string instruments, exploiting the strings’ great range of expression. The inherent freedom of this art is balanced by the need to create the impression of full harmony within a single line of music. Versions are available for both cello and violin
  9. 0:12
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    • Tempo NotesSlow
    • ISRCGB-FFM-14-09575
    • PublisherAudio Network Limited
    • Release Year2014
    FactoidJ.S. Bach (1685-1750) wrote many suites and partitas for unaccompanied string instruments, exploiting the strings’ great range of expression. The inherent freedom of this art is balanced by the need to create the impression of full harmony within a single line of music. Versions are available for both cello and violin
  1. Play
    Bach to Basics 1015/3 1 mixes Paul Mottram (PRS)
    Solo Violin arpeggios in the style of a Bach Partita
    3:12
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  2. 0:45
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  3. 1:10
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  4. Play
    Prelude 1016/6 1 mixes Paul Mottram (PRS)
    Measured solo cello arpeggios in the style of J S Bach Unaccompanied Cello Suites
    2:32
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  5. 2:10
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